PHOTO REPORT: Kalmah (Fin) – september 29, 2017 in Dubai! Photography by Pedram Ghadiri / Dark Art Conspiracy
PHOTO REPORT: DARK DAYS OF HELSINKI – Day 1 Finland by Serena Solomon
CULT OF OCCULT (fr)
PHOTO REPORT: DARK DAYS OF HELSINKI – Day 2 Finland by Serena Solomon
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Download Festival –LIVE REVIEW by Carina Lawrence / Dark Art Conspiracy
Photo credit: Matt Eachus – Download Festival 2017 (Biffy Clyro)
Download festival has a special atmosphere and is regarded as one of the ‘biggest and friendliest’ festivals in the world, and most certainly in the UK, being the largest dedicated rock/metal festival the country has to offer, with 80,000 rock and metal fans descending onto Donnington Park in Leicestershire to witness rock’s finest. The festival has hosted the biggest names in rock such as Metallica, Black Sabbath, Iron Maiden and much more. Festival organiser, Andy Copping describes the festival as the ‘spiritual home of rock’ and anyone who has ever attended will find it hard to disagree, it really does have an amazing atmosphere with everyone united to enjoy their favourite bands. The fact that this year it was some of the best weather Download had seen for years made the three days even more incredible. The weather was on metal’s side and saw the packed weekend shine and go down in spectacular style.
Friday 9th June
Photo credit: Paulo Nuno – Download Festival 2017 (Motionless In White)
Motionless in White got their moment on the main stage following their hard work. It was an early set but the crowd was out to support them and they had some good participation throughout. Because of their daytime slot frontman Chris Motionless remarked that they couldn’t have lots of lights and stage theatrics, so to pack more of a punch, they played new song ‘Necessary Evil’ from their new album ‘Graveyard Shift’ for the first time to make their set a bit more special. They also played other popular offerings ‘Devil’s Night’ and ‘Eternally Yours’ which may have also won over some new fans.
American pop punk act Four Year Strong played the smallest stage going at Download Festival, the Firestone stage, giving fans a chance to see a more intimate set before taking to a bigger stage later in the day, however they pull in a big crowd and engulf the small stage, with everyone jumping around and having fun.
Metal giants Mastodon brought the masses to their set and impress with their technically crafted prog mastery and massive hooks. They don’t need overly fancy lighting or production, they just rely on their music and showcase their excessive talent. They played songs across their back catalogue including ‘The Wolf Is Loose’ and ‘Black Tongue from 2011’s ‘The Hunter’ as well as showing their diversity with ‘Show Yourself’ taken from their latest expansive album, The Emperor Of Sand’. A glorious performance.
Photo credit: Matt Eachus – Download Festival 2017 (Five Finger Death Punch)
American heavy groove metallers Five Finger Death Punch were one of the stand out bands of the opening day, delivering a crushing set and mental mosh pits whilst firing off their best songs ‘Never Enough’, ‘Wash It All Away’ and ending with ‘The Bleeding’. However one of the highlights and most moving moments came when they performed the acoustic ‘Remember Everything’. They weren’t afraid to get up close and personal as frontman Ivan Moody and lead guitarist Jason Hook went into the crowd and grabbed the eager fans hands to show them some love back. It was a powerful set that was well balanced with hard-hitting numbers and slower songs. The band were truly humbled by the crowd’s reactions and glad to be back on the main stage at Donnington.
Photo credit: Matt Eachus – Download Festival 2017 (Prophets Of Rage)
Prophets of rage impressed with their politically charged anthems, which was particularly fitting given the UK general election the day before, so they had plenty to get motivated about in what was their first ever UK show. They went down a storm with everyone pumping their fists and united as one, grooving to their perfect festival anthems. Their set list consisted of all the well-known and classic hits that you would expect from each member, such as Rage Against The Machine’s ‘Killing In The Name’, ‘Testify’, ‘Take The Power Back’, Public Enemy’s ‘Fight The Power’ and Cypress Hill’s ‘Insane In The Brain’. The highlight of their set, and most emotional and beautiful moment, was an instrumental of Audioslave’s ‘Like A Stone’ led by band member and long-time friend guitarist, Tom Morello, which was a great tribute to their fallen comrade and legend Chris Cornell.
Photo credit: Caitlin Mogridge– Download Festival 2017 (System Of A Down)
Headliners System Of A Down didn’t disappoint, delivering an incredible set comprised of all their best hits, the whole arena was buzzing, singing and head banging to their spectacular non-stop 31 song set; ‘Chop Suey’ was particularly special. They played all the songs the crowd wanted and more, including ending on ‘Sugar’ from their debut self-titled album which was unleashed in 1998 and showcased their weird individual kooky style wonderfully. No other band in the world sounds like them and all their songs translated perfectly blasted out in a festival environment. Let’s hope a new System Of A Down album is on the way soon but in the meantime, we are more than happy to listen to their impressive backlog.
Saturday 10th June
British rap metallers Hacktivist did a great job of opening day two of the festival on the main stage, managing to draw a good crowd and injected some high energy into their early 11 am slot, demonstrating just why they earnt their spot there.
Creeper draws in an even bigger crowd, highlighting that putting them on the main stage was a wise decision with their goth-tinged punk. They take to the stage ahead of their idols AFI. They had good crowd participation, with lots of swaying arms, singing and applause. Definitely a successful main stage debut to be proud of. They offered something a bit different and refreshing with nice powerful live dual vocals from frontman Will Gould and keyboardist/vocalist Hannah Greenwood and a largely fun uplifting sound, which included songs such as ‘Black Rain’, ‘Misery’ and ‘Hiding With Boys’, before ending on a powerful emotive ‘I Choose To Live’, giving a motivational talk about living life instead of in fear, in light of the recent tragic terrorist events in the UK.
Photo credit: Ross Silcocks – Download Festival 2017 (Alestorm)
Everyone’s favourite pirate metallers Alestorm took to the second stage to play their first ever set at Download, bringing in a large crowd, most of whom were suitable dressed for the occasion, clad in their best pirate outfits. They played all their best party anthems, such as ‘Drink’ and the popular ‘Shipwrecked’. Most of their songs are about drinking, which was perfect for a sunny Saturday afternoon festival vibe. They also treated us to some new songs from their latest album ‘No Grave But The Sea’, including self-titled song ‘Alestorm’, the excellent ‘Mexico’ and their most hilarious and ridiculous offering to date ‘Fucked With An Anchor’ which provided many laughs and lots of fun, with everyone comically shouting as one the lyrics, “Fuck you, you’re a fucking wanker, we’re gonna punch you right in the balls, fuck you, with a fucking anchor, you’re all cunts so fuck you all!”. A definite highlight that won’t be forgotten. Frontman Christopher Bowes later tells us that said “for a brief time we were selling more records than Shikira” with their new album, and asked if anyone had brought or illegally downloaded the album declaring they didn’t care either way. They finish their epic set with their superb cover of Taio Cruz’s ‘Hangover’ which seems fitting. This was a very successful quest for Alestorm and hopefully, we will be seeing them again at Download as a result of this, with their piratical comedic tracks bringing both humour and party vibes, the perfect combination.
American deathcore quintet Suicide Silence took to the Zippo (second) stage next, making for an extreme change of pace and tone, being one of the heaviest bands of the day. They managed to produce some pits and played the likes of the brutal ‘Disengage’ and ‘Conformity’, taken from the latest self-titled album, which was a bit tamer for them, offering up some diversity. However, they seemed to find it hard to build real momentum and therefore didn’t stand out as much as some other bands. This may have been because of the triumphant set Alestorm put on, so in comparison, it seemed a bit bleak and bland.
Photo credit: Sarah Koury – Download Festival 2017 (AFI)
Punk rock legends AFI put on a mighty performance which also marked their first time gracing the main stage at Download. For some reason the band don’t play in the UK often, which is a damn shame as they put on a flawless performance, especially with Davey Havok’s exceptional and varied vocals. They stormed through their set, barely without a pause, so managed to play all their hits such as opener ‘Girl’s Not Grey’, the classic ‘The Days Of The Phoenix’ and ‘The Leaving Song Pt II’, before ending on the energetic ‘Miss Murder’. They had great presence, aided largely by Davey, who was alluring and engaging, especially as at one point he looked directly into the camera so only his face was visible on big screen, whilst passionately singing and baring his soul and getting up close and personal for the crowds. A very powerful non-stop set.
Photo credit: Ben Gibson – Download Festival 2017 (A Day To Remember)
Florida rockers A Day To Remember have come a long way earning the main stage slot before headliners Biffy Clyro. They make an interesting comical entrance with a voice pretending to be the actual stage talking. As you would expect they draw a large turnout and their catchy anthems cause many to crowd surf and singalong. The open with well-known hit ‘All I Want’, and go on to play other popular songs ‘Right Back At It Again’, new song ‘Naivety’ which is made all the better, as the band kindly decide to throw out free t-shirts to the crowd. They surprised fans with ‘End Of Me’ which they hadn’t played in a while but thought this prestigious appearance was the perfect time to bring it back. Their set saw some of the biggest and best stage productions of the day with well-placed fire and massive beach balls dispersed into the crowd. Saving their best until last, they closed their brilliant and fun set with ‘The Downfall Of Us All’.
Photo credit: Paulo Nuno – Download Festival 2017 (Wednesday 13)
Ex-Murderdolls frontman Wednesday 13 and co headline and demolish the Dogtooth stage. His solo project sees some of the best and strongest work he has done to date. The tent was absolutely packed with everyone cheering and doing whatever Wednesday commanded. He said it would be a special show and didn’t disappoint, especially as they enlisted the help of performers Pyrohex who added to the dark creepy ambience with their fire show and undead makeup to match the eeriness of the band. Wednesday 13 had a few outfit changes throughout including a sinister mask on the back of his head which again added to all the wonderfully weird imagery. Following the recent release of new album ‘Condolences’, they primarily focused on this and played single ‘What The Night Brings’, ‘Cadaverous’ and ended on title track ‘Condolences’. A killer and unforgettable set that confirmed just why they were headliners.
Photo credit: Ben Gibson – Download Festival 2017 (Rob Zombie)
Keeping up the dark horror themes, legendary horror-rock filmmaker and musician Rob Zombie headlined the second (Zippo Encore) stage and turned it into his own weird and wonderful world for the duration, with superb visual production, including fire and confetti and theatrics including some alien sex dolls to accompany ‘Well, Everybody’s Fucking in a U.F.O’ with Zombie declaring what a big issue alien abduction in the world is and that not enough people talk about it, which made for a change of subject from the norm. They played all their massive hits such as ‘Living Dead Girl’ and ‘Dragula’ as well as gracing us with some great covers of Ramone’s ‘Blitzkrieg Bop’ and Alice Cooper’s ‘School’s Out’ which went down brilliantly with the huge crowd. Zombie was obviously impressed with the crowd and reaction himself declaring that there was “nowhere else like this in the world”.
Photo credit: Matt Eachus – Download Festival 2017 (Biffy Clyro)
I opted for the heavier offering of Rob Zombie who catered for the metal heads on the second stage but I did manage to catch some of the Scottish rock trio and Saturday headliners Biffy Clyro. Despite being an interesting and perhaps slightly controversial headliner choice, they pulled in a massive crowd and played all their best hits, with brilliant stage production and pyrotechnics, before ending on an epic firework display. I think it’s safe to say they won everyone over and completed their first ever Download headliner slot with style.
Sunday 11th June
The first act of the day for me was heavy metallers Orange Goblin from London who had an early slot on the mainstage, but despite this, they had a decent turnout considering and delivered a belting set which ended on the massive ‘Red Tide Rising’.
Melodic extreme metal act In Flames from Sweden had the crowd clapping in anticipation before the emerged on the main stage and later chanted their name in appreciation. Although their music may be serious, lead vocalist Anders Fridén has quite the sense of humour and in between songs he made the crowd laugh with his dismay at the lack of beer they were supplied which he clearly was not impressed with. They end with the crushing ‘Take This Life’ to the joy of fans.
Photo credit: Ross Silcocks – Download Festival 2017 (Steel Panther)
One of the highlights of the whole weekend was glam rock masters Steel Panther with their crude, hilarious and debaucherous antics, which had the vast crowd laughing immensely throughout. You get two for one with them, as the deliver a comedy show just as much as they put on a brilliant rock show. Some particular notable comedic moments were when the band claimed that other bands were trying to sabotage their setup as they are intimated by the ‘best band in the world’, their many sex tales and jokes poking fun at bassist Lexxi Foxx. The best thing about the band is yes they are silly and don’t take themselves seriously, but they are damn good musicians also and demonstrate this with all the best and funniest hits such as ‘Just Like Tiger Woods’, ‘Death To All But Metal’, ‘Poontang Boomerang’ and the standout ’17 Girls In A Row’ where the fittingly invited women on stage, so the stage was absolutely packed with ecstatic women posing and dancing with the band which was a brilliant moment. They closed their epic and slapstick set with the super catchy and perfect festival anthem ‘Party All Day’ (Fuck All Night).
Swedish progressive metallers Opeth brought class and sophistication to the second stage, and simply oozed with skill and craftsmanship from the start to the finish whilst delivering classic songs like ‘Ghost Of Perdition’ and ending on ‘Deliverance’. The new title track song from their new album ‘Sorceress’ made for the perfect opener and worked well in the live environment. Mikael Akerfeldt’s vocals impressed, going from sweet and ethereal to sinister and dark. A stunning set, the only downside being how short it seemed and given some of their songs can be on the long side, they didn’t manage to play all the songs you would expect.
Photo credit: Matt Eachus – Download Festival 2017 (Slayer)
American Thrash metal heroes Slayer headline the second stage and get straight to business with a non-stop relentless set. As you can imagine being one of the heavy hitters of extreme metal they brought carnage and immense mosh pits, only like Slayer could. It was a chilling and exciting moment to hear the monstrous classics ‘Reigning Blood’ and ‘Angel Of Death’ blasted out which they saved for the encore.
Photo credit: Ben Gibson – Download Festival 2017 (Aerosmith)
So the time came for rock royalty Aerosmith to take to the stage at Donnington for the final time, after many fond memories, with this special performance also marking their last UK show as part of their farewell tour, as a legendary band that have been around impressively for nearly 50 years. They kept the eager crowd waiting, and as the festival neared to an end you saw the full scale of the masses that had descended on the site. They made quite an entrance with a montage video intro accompanied with the dramatic O Fortuna music to show the history of the band and their performances at Donnington over the years. The wait was worth it as they played all their top hits such as ‘Crying’, ‘I Don’t Want To Miss A Thing’ which gets the biggest singalong as expected, along with ‘Dude’ (Looks Like A Lady) and of course in the encore they go out on their world known ‘Walk This Way’. Being a band of their magnitude and reputation they were geared up with massive production and visuals to fit each song such as elevator imagery for ‘Love In An Elevator’ and fire engulfing the band on the screens, adding to the grandeur. One thing is for certain Aerosmith will truly be missed.
Photo credit: Paulo Nuno – Download Festival 2017
This was a special year for Download festival celebrating their fifteenth anniversary and the weather was perfect for the occasion, enhancing the experience and atmosphere whilst watching rock and metal’s finest, including witnessing a few goodbyes and debuts, adding to the rich rock history of Donnington Park. The atmosphere was brilliant, with dedicated rockers seeing the festival as ‘home’ and a place to be yourself and enjoy the music old and new. The increased security in light of the recent tragic events in the UK was dealt with professionally and extremely well and everything was smoothly run, making everyone feel safe and they should be highly praised for this. The bands and the festival goers all had a blast and now we all eagerly await Download 2018.
#darkartconspiracy #metal #festival #download2017 #downloadUK #UK
Turku Saatanalle continued… 3 months later.
By: Serena Solomon / Dark Art Conspiracy
The most anticipated band of Turku Saatanalle V, Batushka, finally made it to Turku along with the homegrown black metalers Korgonthurus who also didn’t make it to their TSV appearance. The double make-up gig also included a much anticipated bonus – hailing from Sweden, melodic black metalers; Wormwood.
At Ravintola Kåren, the venue hosting the gig, it is more typical to find events that involve cloth covered tables and fancy food being held there. Needless to say, when the venue was announced for this gig, I was quite intrigued. The last gig I attended there (or was even remotely interested in attending) was a cover band night hosted by Åbo Akademi’s rock club three years ago. Not only is it rare to see a gig such as this hosted there, the more frequented venues in Turku have a completely different setting and ambiance. Experiencing this kind of gig at Kåren was refreshing in a way, but in other ways, felt off… such as watching Korgonthorus in all their corpse–painted rusted–nail-covered bracer glory– then looking to the left and seeing a renaissance style mural taking up the entire wall, complete with crystal chandeliers.
Despite having to get used to this new atmosphere, the bands played, the people watched headbanged, moshed, and even meditated?
Upon entering the venue, the curtains were closed (scoff) and doused in red lighting as atmospheric music played in the background (nothing I could recognize).
The curtains were pulled back and the band was in position… which was a bit comical and theatrical, completely out of place in comparison to the simple “walk on” typical for this type of gig. They had a bit of sound difficulty but their performance and the acoustics of the place distracted and the crowd soon relaxed and got into the music.
Their sound was solid for their genre but compared to the other bands playing that night, to me, they were like a base coat for a more intricate design- a solid band to set the mood for something more anticipated and unique.
The crowd was noticeably more attentive when the curtains opened for Wormwood. The band also, in my opinion, started with one of their strongest songs (The Universe is Dying) and the crowd was hooked.(4 left)
They, too,had some sound problems but powered through and it didn’t hinder their show a bit. Their presence and sound had that something unique I had been waiting for during Korgonthurus. And similar to the headliners, only having one album, in my opinion played the best songs off the album.
Their energy on stage was infectious and I think my memory of the gig is partially foggy due to my own energy catching up and running around to try to capture it all and enjoy at the same time. My only complaint is that they didn’t play longer! Also to the asshole who kept putting his arm around my waist, fuck you.
Initially it was hard to discern when the atmospheric music being played between bands ended, and Batushka’s intro began. But then,the stage hands came to light the candles-enter the frankincense I was hoping for.
That sensory element only certain bands can pull off and an added component that can almost be noticeable if missing.As the candles continued to be lit, one solitary undistorted guitar played the intro to their music to set the mood. Though it is known a large portion of Batushka’s show and stage presence revolves around ritual and symbolism, I couldn’t help but remember someone complaining at Turku Saatanalle, that these days there is more ritual activity happening on stages at such events than actual instrument playing. The person had a point, but I also think many fans of such music appreciate the variety in stage presence and activity on stage embracing and supporting the bands imagery and lyrical themes.
It also surprised me that some unexpected things happened as well as a few things being left out from what I was expecting after watching some of their live videos online (to get a feel of what was coming). I didn’t think their activities on stage could vary that much but it was, in a way, a good thing that it was a bit unpredictable (for someone who had never seen them before).
Though their faces were covered, the main vocalist successfully portrayed some emotion and somehow translated facial expressions through hand gestures and body language. I could visualize, for example, when he had his hands out towards the crowd a certain way, what kind of facial expression might go with such gesture, which gave a bit more of an idea of at least the mood behind the lyrics (since I could not understand them). The setup of the stage was also interesting to me. Of course, the vocalist/frontman is up front and, to go along with their ritual/mock-religious ceremony theme, was set up behind a podium/alter. The backup vocals had their place somewhat behind and to the side… but three of the four musicians were far far behind, in the shadows, as if they should be heard and not seen. One of them I couldn’t even manage to get a photo of and it wasn’t the drummer. I’m curious about the significance of that.
It was also incredibly interesting to observe the crowd’s reaction and response to their music and show. At some points, the vocalist directed the crowd to “shh”… and they did. Other times, I looked around and saw people with their arms extended and palms out as if truly at some religious ceremony. Others seemed as if they were meditating… eyes closed or open. Feeling and interpreting the music in ways I have never seen at such gigs, as if it was more of a ceremony to them than a metal gig.
Check out rest of the photos at https://darkartconspiracy.com/concert-photos/
#darkartconspiracy #metal #music #news #report
Photos and Report by Serena Solomon
This year, Turku Saatanalle went through hell. And not in a good way. Due to personal issues, illnesses and in one case, the venue deciding one week before the festival that they were banning Naer Mataron (their words on the issue) from playing based on a steaming pile of misinformation, the lineup was constantly evolving. Even in the days leading up to the festival, Facebook followers cringed at any new notification from the promoters. But despite the bumpy, shit covered road that lead up to the fifth consecutive Turku Saatanalle, it was a great festival and consensus seemed to agree that it was near flawless and very well arranged.
I was curious going into it, since there was such controversy from the venue, how the attendees would behave towards the venue itself. I had already witnessed on Facebook negative feedback and bashing towards the venue for their misinformed conclusions. However, I didn’t witness or hear of any drama or negative situations myself at the festival. The most memorable mishaps were mere technical difficulties that barely deterred from the live show’s aesthetic.
Early doors were announced to keep the line moving but there wasn’t much of a crowd half an hour before the first band Azaghal, who stepped in for Sielunvihollinen. The stage stayed empty for a while, and some great atmospheric music played, setting the mood. All that was missing was incense.
As Azaghal (Hyvinkää, Finland) started playing, it seemed not many people were as eager as expected to come early. However, once I resurfaced from behind my camera after the first few songs, I noticed the floor was full. They played a much more memorable performance than the last time I saw them, more into the music and successful in setting the tone for the rest of the night.
IC Rex (Jyväskylä, Finland) made a few heads turn before they even started playing. As the other members were still setting up and doing soundcheck, the vocalist was, what I gathered after watching him for a while, performing some kind of ritual that grew in intensity as it continued ending in him hastily laying down a symbol with duct tape on the floor and stomping on it while screaming.
I wasn’t sure whether or not the ritual was for the audiences benefit or his own since he started out not making much of a spectacle of it as the others were still setting up, and stayed facing away from the audience the whole time. This was one of the more active, and intense bands of the night, including the backdrop that changed from a plain black and white symbol to a whole collage of colors and symbols that only added to their somewhat trippy and “what the fuck is happening” vibe.
As Nécropole (France) took the stage, the vocalist stood there, calm and composed and almost looking out of place in comparison to IC Rex’s vivaciousness, as the band and stage crew tried to fix some technical difficulties.
It took a bit to get used to, but after a while, his vocals made sense in their unique sound. At some point there was an unexpected (to me) loud roar from the crowd after one specific song, but maybe something significant happened on stage that I missed.
It made me wonder if they had been one of the more anticipated bands, though their name didn’t come up in casual discourse with attendees much. Though their sound was high pitched, passion filled and no less raw than other bands, their ambiance seemed to transpire as one of the more peaceful/somber/melancholic bands of the festival.
Morrigan (Germany), who filled in for Naer Mataron, though only a two member band, surprisingly had the same amount of atmosphere and full sound as their predecessors. Their raw, authentic style of performance and music was a contrast to the other bands of the night. Maybe one for the fans of early black metal. They seemed to do a longer set than the other bands,
though maybe that was just my perception as a photographer… less people on stage to photograph, less to distract, more time to actually watch the band.
As the crowd eagerly waited for Ajattara (Helsinki,Finland) to take the stage, the vocalist of IC Rex provided entertainment for those who were around him in the crowd. Whether it was his own excitement to see Ajattara, or adrenaline from playing a good gig, or other influences, he was bouncing around the audience babbling chants and shouting praises and seemed to be performing rituals on/with random audience members. This heightened the anticipation of the crowd, who, based on my own excitement, was already very much looking forward to the final band of the night. And they did not fail to fulfill our expectations.
I saw them at Nummirock this past summer for the first time, and was blown away by their performance. After listening to a band for over a decade, it is always a great experience to see them live for the first time. And the second time was no less impressive. They were the perfect addition to the lineup, and a great ending to the first night, leaving us amped for the next day.
Malum, a local band from Turku, who stepped in for FrΩnt, started the second day. I was surprised how empty the venue was for most of their set, since all of their shows I had attended locally were near sold out. The vocalist begin the night with a “Hail Satan!”. I have to say, it has been really interesting watching this band’s stage presence evolve over the few years I’ve known them.
The visual focus is directed to their vocalist, since the other members are mainly cloaked in black, but he commands the stage well as a front man of an up-and-coming black metal band. The whole band has a stoicism and stealth about them that grabs your attention just as much as any energetic band that jumps all over the stage and spews blood at the audience.
”Ok, I’m awake now!” was my thought as Naðra (Iceland), who took the place of Mannveira, opened at full speed. They began their set as abruptly as Malum ended. In contrast, capturing the off-the-wall presence Malum did not need to portray the same amount of ambiance.
I shot the band continuously and was surprised after resurfacing half way through that the “full speed” aesthetic they begin with had not faltered one bit (the audience seemed to be keeping up as well). Though entertaining, it made me question how Misþyrming’s set would be since its basically the same members in different places.
Archgoat (Turku, Finland) was announced the day before the festival to take the place of Korgonthurus. Though they were the last band added to the ever evolving Turku Saatanalle V lineup, the anticipation was thick in the crowd. Though they lived up to expectation without question, their technical difficulties were the only memorable fuck-up moment through the whole festival.
The vocalists bass popped a string (or so I heard) and he kind of just gave up on it for a few songs. It did not deter from the sound or performance at all, in my opinion, and of course, the crowd was more supportive than ever and really into the show. They definitely maintained their status as a most desired addition to the festival, and as a respected death/black metal band from Finland.
True Black Dawn (Helsinki, Finland) was one of the pleasant surprises of the festival for me. They exuded such a specific kind of ambiance, and everything about their live presence seem to come together perfectly.
Their musical and visual style was definitely unique to this festival, yet somehow contributed to the incredible coherence of the festivals flow, and highlighted the diversity.
As previously mentioned, I was eager to see Misþyrming (Iceland). Originally, they were one of my anticipated bands, but since Naðra put on such an intense, high energy show not a few hours before, I was curious if their set would suffer. And to me, since I had never seen them live before, it did not suffer one bit.
Misþyrming seemed to be one of the bands most people I heard talking were most interested to see. It seemed the audience (and I) enjoyed the show thoroughly. It is funny though, since they are mainly the same members, how much more Misþyrming was mentioned than Naðra.
The last band of the festival was a bit of a head scratcher for me. Profanatica (USA), who took the place of the most anticipated Batushka (the band I, personally, was looking forward to most), was unique, to say the least. I had left the venue as they were setting up to grab a drink downstairs and get some fresh air. When I returned, I was fidgeting with my camera, head down until I got to a decent spot in the crowd. As I looked up, and assessed the stage, I couldn’t help the cartoonish head tilt and brow furrowing. With the drummer as the vocalist, the drum set had been brought up to the front of the stage. The band also donned unique costumes of… I don’t even know what to call it… medieval robes? Complete with head coverings.
They put on a good show, and there was still a good sized audience, but in my opinion, Batushka would have been a much more fitting and satisfying ending for the festival. But I guess you can’t have it all, and if that was the one form of a complaint, I’d say that means it was a pretty awesome and successful festival .
The bands and their uniqueness from each other flowed really well, almost creating a symmetrical balance between the two days, and despite all the last minute drama and lineup changes. Both days, we had a local up-and-coming band, a local well-known band, a band that woke us up with their insane energy, a band that confused us a bit, and a much anticipated foreign band. Out of the three years I have personally attended this festival, this years was most memorable.The bands themselves were mostly well received and gave great performance…
However, the festival this year topped all the others just based on the fact there was such diversity between the bands, yet it all flowed flawlessly, is if it were meticulously planned that way, not thrown together days before in a fit of fuckness due to cancellations and drama. Major props to the promoters and everyone involved in the success of this years Turku Saatanalle \m/
Disclaimer – my Finnish isn’t so good, so a lot of my interpretations of the events are just that… my own interpretations. Bare with me.
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PHOTOREPORT: Lacrimas Profundere – May 12, 2017 in Dubai! Photography by Pedram Ghadiri
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