Tag Archives: vorna

REVIEW: VORNA – ‘Aamunkoi’


by Carina Lawrence / Dark Art Conspiracy

VORNA is a Finnish sextet formed in 2008 that concocts melancholic grand metal. They are back with their fourth album, “Aamunkoi”, their most melodic and ambitious offering yet. The album title translates as “Aurora”. In literature, this means “The Dawn”. In the far north, where VORNA come from, this is also the name for the phenomenon of the polar lights. The vocals are sung in the Finnish native language, which makes it more mysterious and compelling to those like me who aren’t Finnish. Still, I did have the lyrics translated into English, and as expected, the lyrics are bleak with a flicker of hope and beauty entwined – fitting for their sound and origin. The album’s central theme is survival in the uncertain world where the lucky ones who witness a new day have a chance to strive for a better future – when they still can.

Continue reading REVIEW: VORNA – ‘Aamunkoi’
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PHOTO REPORT: Nummirock 2022


Photo Report: Nummirock 22-25.6.2022 in Kauhajoki, Finland
Photography by Serena Solomon

Ah, to be back on the shores of Nummijärvi! Back at our midsummer home! How liberating and comforting it was to be back to normal, back to Nummirock, no restrictions, just festival life as we know it (plus a few extra bottles of hand sanitizer). I have to say though, the atmosphere was a bit more chill than I remembered, whether it was the two years break taking its toll or the simple fact that we were all two years older. Mostly, the crowd and camp grounds were back to their normal crazy selves, but maybe it was the stamina that was tuned down a few notches, or the fact that there seemed to be significantly less attendees than in past years. Either way, it had no affect on the quality of the festival! The weather stayed on the better side of “typical Finnish midsummer weather”, even a bit too much at times. The first time in my memory that the main stage crowd had to be sprayed down by security to keep cool! The festival staff took good care of the artists, attendees, media and staff.

Wednesday provided an extended “pre-party”. As previous years usually kept to the Klubi stage with a few bands, this year the Inferno stage was also open, and included a special performance from the future of music, a local band camp. Highlights from Wednesday included Rytmihäiriö setting the crowd off into their four day spin, mosh pits during Vorna, and the first Estonian band to perform at Nummi in 30 years, Metsätöll, closing out the evening!

WEDNSDAY 22.6:
Rytmihäiriö, Memoremains, Ember Falls, Vorna and Metsätöll



Thursday kicked off with Kaunis Kuolematon on a more melancholic note, but maybe a good decision for those of us who celebrated being back at Nummi extra hard the night before. But not to stay somber for too long! Inferno and Main stages were opened by legends! Kiuas and Korpiklaani filled up the 18+ areas as if prohibition just ended. Other highlights from Thursday included Rotting Christ blasting the Inferno stage during a firey sunset, Alien Weaponry giving one of the most memorable Main stage performances I have ever witnessed, and Chamber of Unlight closing the evening with a noteworthy night cap of modern black metal at its finest.

THURSDAY 23.6: Kaunis Kuolematon, Kiuas, Korpiklaani, Carach Angren, At the Gates, Rotting Christ, Crimson Sun, Alien Weaponry, Mimorium and Chamber of Unlight

Friday’s lineup was back to back “can’t miss that” bands. Fear of Domination opened the day with their undeniable dance party that took the conga lines all the way to the main stage for Ensiferum. Dawn of Solace gave us a mid-day cool down, but not for long before Borknagar played a highly anticipated set. Other highlights were Mgła, probably the most anticipated gig of the entire festival for me personally, which went beyond expectation, even more so with the imagery of their blacked out faces against the deep orange of the sunset. Gorgoroth and their spectacle of pure black metal aesthetics. That was really cool to see on the main stage. And last but not least And Oceans closing the evening against a dramatic evening sky.

FRIDAY 24.6: Fear of Domination, Where’s My Bible, Dawn of Solace, Borknagar, Diablo, Mgła, Gorgoroth and And Oceans

Saturday brought the tiny humans back to the festival grounds, mini-metal heads in the making came with their families to see the world famous Hevisaurus, enjoy balloons, rides, and cotton candy, joining in conga lines and flexing their little devil horns! There was a bit of a scheduling fuckup as Sepultura had travel issues, so the beauties from Tampere Burlesque went on earlier than expected to fill the space. Unfortunately many didn’t get the memo in time and missed their first set. Otherwise, highlights from Saturday included a hefty helping of folk metal from Brother of Metal, legends Sepultura and Hammerfall saturating the main stage with all the international music we’ve missed out on these past few years, Turmion Kätilöt giving us some comfort food and a proper closing of the Inferno stage and Apocalyptica as the grand finale. They never fail to impress and seemed as if they also did not want to end the show and would have continued playing all through the night!

SATURDAY 25.6: Hevisaurus, Brothers of Metal, Sepultura, Hammerfall, Turmion Kätilöt and Apocalyptica



As impressive as the lineup for this years Nummirock was, with headlining bands that don’t come to Finland often, the Main stage crowds seemed to be much smaller than previous years. I hope with all my heart this is only due to people being hesitant to commit to attending a festival after so many canceled and postponed gigs, and the next few years will bring things back up to the speed it was going before the world collapsed. Until next year!

#oispanummi

FESTIVAL LIFE

PHOTO REPORT: SAARIHELVETTI 2021


Photo report: Saarihelvetti – July 6-7, 2021 in Tampere, Finland

Photography by Serena Solomon

How amazing it was to be back at a festival! Saarihelvetti, once again, provided us with a much welcome break from isolation and gigless existence as it did last summer. Aside from the bands, and seeing old friends, the crowd was the highlight. They brought the proper festival atmosphere.

In previous years, when bigger festivals like Nummirock and Tuska happened regularly, Saarihelvetti had a different kind of feel, it was a bit more of a “local” happening, without the craziness and hype the bigger festivals brought. But these past few years, when gigs and festivals have been scarce, that energy and mood exploded all over Viikinsaari and Laukontori in Tampere. “Festival Life” was everywhere , in every form, from the extreme industrial goth fashion to the goofiest costumes one would never expect to see at a metal festival (not to mention the creativity of “masks” were impeccable!). From stuffed animals to corpse paint, from hazmat suites to animal onzies, it was hard not to be distracted by the crowd when watching the gigs!

But I digress, the music. Ah, live – fucking – music! Pits, blasting drums, headbanging, singing, dancing, etc. Life itself. Shereign , Swallow the Sun, Ember Falls and Vorna were my “highly anticipating” bands, while Finntroll, Tyrantti and Satan’s Fall were also unexpected highlights.

I had been getting to Shereign as they released singles over the summer and was really looking forward to seeing Sara perform this new music style, their “best gig so far!” as the joke goes since it was the first and only gig (at least for a while, due to Sara’s pregnancy). On that note, one of the cutest things that happened at the festival (aside from at least one proposal on Saturday) was someone throwing a bunch of stuffed animal toys on stage during Shereign (presumably for Sara’s tiny human-to-be).

I didn’t have much expectations for Tyrantti but their show was very memorable. They were a perfect fit to open the festival on the main stage and warm the audience up… remind us what live music is about and get everyone back in the mood for the atmosphere we crave every summer.

Also, I had seen Finntroll many times before so I felt I knew what to expect and haven’t familiarized myself with their newest albu myet, but I had forgotten how fun their gigs are to watch and photography although they did seem to have a bit of the gigless corona stiffness, it wore off after a while and was easy to get back into the swing and conga-line of the music!

Swallow the Sun, well, what can I say. I can’t seem to go a year without seeing them, they’re like air. Just the beginning of their gig was breathtaking. They used “Sininen Uni” as an intro. It took hold and calmed the audience down for the more melancholic set of the day, and as the song faded in ghostly distortion, and the first notes of “The Giant” began, chills shot down my spine and I was almost paralyzed for a good portion of the song. Ok, disclaimer, this band means a lot to me so yes, lots of emotions and larger than life feels…. but anyway. Aside from that, As soon as Mikko walked out I had to chuckle as his pink shirt with a unicorn and “pessimisti” in bubble letters took a sardonic poke at the melancholy and intense emotions I was overcome with… but they are just too damn good. They could all be dressed as pink unicorns and they would still be able pull off the doom and gloom they are known and loved for. I had to noticed how raw Juha’s performance was, in his movement, in his face, he seemed completely present whether he wanted to be or not and it made my heart ache in every way.

I had seen Ember Falls for the first time at this same festival in 2016 and looked forward to their bright red aesthetic and dancey industrial vibe, but holy crap were they more than I expected! They seemed to have matured so much since the last time I saw them but still maintain the vibe I was looking forward to. I think they are one of the more underrated bands in that genre and hope they get more exposure! Looking forward to seeing them again soon!

Satan’s Fall was also a pleasant surprise, I’m not so into their style of music but the gig was much welcome in the Saarihelvetti lineup. A bit different vibe than the other bands but it tied the day together nicely.

And then there was Vorna, the best act on the second stage, unsurprisingly (and as unbiased as I can be). They are always a crowd favorite and you can never fail to see in the fans how much their music means to them. This year, in place of the blazing sun of last summer, came clouds and rain… but it only enhanced the beauty in their melancholy and made the gig even more special and unforgettable. The rain did not deter the audience for a moment, they stayed getting drenched to watch the gig, and it made for an incredibly epic show !

Although the bands seemed a bit stiff to start due to lack of gigging, ultimately you could tell most were enjoying hitting the stage again . As enjoyable as the festival was, they were still able to maintain a strict hold on mask wearing and safe distances when possible, providing sanitizer and face masks to everyone and keeping the boats as limited as possible. My only complaint was that there was no dry place for media to tend their work/gear as all the indoor/covered areas were open to the public and mediated with restrictive occupancies and we were not allowed in the VIP or back stage areas with only media passes. Hopefully next year we won’t need such restrictions but if we do, just a thought to the organizers, otherwise 666/10 would recommend! See you next year!

DAY 1: Shereign, Tyrantti, I Revolt, Finntroll, Spiritus Mortis, Swallow the Sun, Insomnium

SHEREIGN

TYRANTTI

I REVOLT

FINNTROLL

SPIRITUS MORTIS

SWALLOW THE SUN

INSOMNIUM

DAY 2: Silver Bullet, Rytmihäiriö, Ember Falls, Lähiöbotox, Satan’s Fall, Lost Society, Vorna, Diablo, Atlas, Mokoma

SILVER BULLET

RYTMIHÄIRIÖ


EMBER FALLS

LÄHIÖBOTOX

SATAN’S FALL

LOST SOCIETY

VORNA

DIABLO

ATLAS

MOKOMA

FESTIVAL LIFE AND TAMPERE BURLESQUE

PHOTO REPORT: TALVIHELVETTI 2020


Photo report: Talvihelvetti – January 10, 2020 in Tampere, Finland –
Lord of the Lost, Torchia, Fear of Domination, Vorna, Insomnium and Machinae Supremacy.

This one day festival took place in Tampere, Finland during the darkest days of Winter. Bands included both foreign and local acts, as well as a diverse array of genres. Lord of the Lost, hailing from Germany, opened the night on the main stage, while Machinae Supremacy from Sweden closed the night on the small stage. Other bands ranged from Melodic Death Metal, Industrial Metal, and Thrash. Fear of Domination had a quick lineup change due to illness which also prevented them from continuing on to Seinäjoki, where most of the other bands continued on Saturday for a second night of mid-winter madness.

Here are some photos from the evening –

LORD OF THE LOST –


TORCHIA-

 

FEAR OF DOMINATION –


VORNA –

 

INSOMNIUM –

MACHINAE SUPREMACY –

Photography by Serena Solomon

PHOTO REPORT: VORNA, KAUNIS KUOLEMATON & VOIDFALLEN


Vorna recently released their third studio album “Sateet palata saavat”, and went on an album release tour with Kaunis Kuolematon and Voidfallen. Here is the photo report from the gig in Helsinki, November 16, 2019 at On The Rocks

Photography by Serena Solomon

VOIDFALLEN –

KAUNIS KUOLEMATON –

VORNA –

PHOTO REPORT: METAL CRANE FESTIVAL 2019 – DAY 1


PHOTO REPORT: Metal Crane Festival 2019 -Day 1- January 18, 2019 at Nosturi in Helsinki, Finland

Sapata, Kaunis Kuolematon, Vorna and Ajattara

Photography by Serena Solomon

SAPATA –

 

 

 

KAUNIS KUOLEMATON –

 

 

VORNA –

 

 

 

AJATTARA-