At last! After two years of nothing, the gates of 25th Brutal assault open to us and here are some bands giving us their best. As usual, we witnessed little longer quevesat start, but nothing that we could not withstand. Some stuff was done at the last minutes as the ceilings on the balconies, but at least everyone could see what it takes to prepare festivals this big. So here goes the Tuesday.
After little adaptation getting some tasty food in various of tents, both with meat meals but also vegan options, which is quite standard now, we could see the first artists performing in one of four stages. The start (at 2.15p.m.) was quite mild and not so in your face. Japanese metalcore of Sable Hills gave us some more melodic stuff so our skulls were not crashed immediatelly. After that the hardcore crossover Slope was pumping some positive energy into people as well as exotic Bloodywood with their combination of ethnical vibes and metal music.
Some heavy hitters were delivering the best tho and that was Devourment from Texas with their brutal death metal. And they were not the only one in the day. Later on, Extermination Dismemberment and Korpse showed some nice work with a public and forced the people cheerfully to do some moshing, stage diving and even wall of death with their guttural rich music. Little less intense with brutality, but with added melodies, Rivers of Nihil played on one of main stages. Vola or Czech Avatar was even further in progressive approach with their music. At The Gates continued with the milder aspect of the genre later in the night.
Devourment, Extermination Dismemberment, Rivers of Nihil, Korpse
Two bands of another direct metal subgenre could be heard. Classical thrash metal from California, Vio-lence showed themselves in nice lights with their fast show and also another local band Exorcizphobia gave us some thrashy riffs.
Slower, but surely not weaker kind of stuff was represented by another, quite a new, Czech band Můra who looked like their motto is: Blood, corpsepaint and wine. Doomy steam-roller combination of doom death and black metal (mostly visually) was damn good, if you are in this kind of music and little smaller Bastion stage (new, instead of Octagon one) suited them well, too.
Later on the Pallbearer stayed in the genre as well as Evoken who represended slow funeral doom as if the time has almost stopped when heavy down-tuned riffes have been played.
Stay tuned for next days reports! Thanks.
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