Category Archives: photo report

PHOTO REPORT: KÆLAN MIKLA AND KANGA


Kanga (US) and Kælan Mikla (IS) graced Tampere’s Klubi with their ethereal and mystifying presence on May 4th  . I was introduced to  Kælan Mikla the last time they were in Finland, opening for Alcest right before the lockdowns in 2019. One of those bands who were way off from what I typically listened to but stuck with me afterwards and ended up being one of my favorite gigs of the year. They released a new album Undir Köldum Norðurljósum later that year, which turned out to also be one of my favorite albums, so it was needless to say I would at least attend one of the two gigs they had in Finland (though I actually ended up attending both, so I may sneak in a few comparisons).

Kanga, much like Kælan Mikla the first time around, was not music I would typically find myself searching out and getting into. It was also quite a different style gig than what I would naturally attend or write about. From what I’ve gathered, Kanga is an accomplished producer and remixer who has worked on many well known films, and is quickly gaining popularity in the darkwave and electronic scenes. My interpretation of her music would be, kinda…West Coast Pop meets the grittiest corners of dark industrial. Her performance conveyed just that. Dark, mysterious and almost melancholic while also constantly emanating the pulse of both the trendiest night club and most raw underground rave. I did enjoy the the vibe of the gig and the audience (more so in Helsinki, since the floor was packed and it contributed to the dance club vibe vs. Tampere where people were still very slowly trickling into the venue) though, at times I got more DJ vibes than performance, as if I should not really be watching her, but focusing on the music and dancing, which is a bit unfamiliar to me.  

My first thoughts of Kælan Mikla’s gig was that they had matured so much in their performance from the last time I had seen them. More polished, more in sync and seemed more confident with themselves as musicians and people. Of course, their newest album is quite a bit darker than their previous music, which was also prevalent in their stage presence, attire, and the whole atmosphere of their show.

If you aren’t aware of the meaning or source of the name “Kælan Mikla”, it is the Icelandic name for the Moomin character Jäärouva or The Lady of the Cold. This knowledge tinged my perception of their gig with a touch of frost. Laufey (vocalist), moved around the stage at times, as if she was skating on ice (and only when I got closer did I realize she was barefoot in stockings, which totally fit with the witchy aesthetic they had going on!). Her nails were also long and clear and, when caught in the light, resembled icicles. Her presence, stoic and queen-like, otherwise perfectly portrayed the mystical yet powerful essence their music provides.

The performance of “Sírenur” particularly stuck out to me, the mood and the lighting made you feel as if we were all swimming underwater, peaceful yet melancholic (not to mention the sound of waves in the background  and the fact  that the song is indeed about, you guessed it, the Sirens of the ocean). The other most memorable moments where during “Sólstöður”. There is this intense guttural, banshee type screaming on the album and honestly didn’t expect them to do it live but they did and it was soul shattering and inspiring all at once. As exhausting as it must be to do that night after night, I truly appreciated it and was in awe by its affect live! The other thing that stuck out was Sólveige (synth/keys) playing flute live during “Stormurinn”. That also gave me chills and went beyond expectation. Margrét (bass) was also incredibly inspiring to watch. I can’t really put it into word but she seemed to really connect with the music and put great energy and emotion into playing, as well as when she sang backing vocals, or contributed to screaming. I kind of wish these two would be highlighted a bit more though they all have their spotlight moments. They are all incredibly talented and passionate musicians and I am super eager to see what they do next and catch them live again!

Photos and report by Serena Solomon

PHOTO REPORT: Eivør and Lucky Lo


Eivør and Lucky Lo played not one but two magical shows in Tampere Finland 11-12.4 2022. The first show at G Livelab was a very special show for both acts. Lo excitedly mentioned that it was the only show on the tour she had a piano to play and looked like she was truely enjoying herself while playing! Both acts included the grand piano in their set, as well as Lo with her banjo and Eivør (accompanied by Mattias Kapnas on the piano) with her drum and guitar. They played unique renditions of songs as well as other songs not previously played on the tour. I was only at the second gig at Olympia on “official” business but since I also attended the G Livelab gig I want to include it in the report. I really loved the idea of these two shows together, very different venues and atmosphere that complimented each other well and gave us an opportunity to see, feel and hear these beautiful artists in unique contexts.

Eivør and Mathias at G Live Lab
Lucky Lo at G Live Lab

I have to admit, Lucky Lo‘s music is not something I would naturally listen to, but I thoroughly enjoyed both sets. She has such a humble charisma that delivers her music to the audience in such an honest and comforting way its entrancing. Although her music spans themes and sounds that are light, funky and uplifting as well melancholic and fragile, it all feels intimate and warm. In the state of the current world, it was a welcome feeling.

At the Olympia show, she explained how playing simply on the banjo is a glimpse of the core of her music and writing process, and that the recorded music might sound a bit different than what we were hearing then, since it includes a full band and much funkier vibe. One moment that gave me chills was when she was introducing the song “Sunrise/Sunset” explaining it was about life and death inspired by a good friend who had passed away.

As she struck the first notes of the song, a puff of smoke shot up behind her, illuminated by a light, like a ghost. I don’t think it was intentional or if many others noticed but it struck me.

She seemed to go with the flow of the gig, and at one point was openly pondering which song to play next. Someone from the audience suggested one of her songs and she bashfully admitted she could not play it on banjo, that she had tried but she just didn’t think it sounded right. She then remembered the previous night she had been inspired by Eivør when she played a Leonard Cohen cover (which she hadn’t done on the rest of the tour), and decided to also play a cover, and excitedly jumped into “Strawberry Fields Forever”.

These two shows were also special because they were the last of the tour, at both shows they both deviated from the setlists they had stuck with for the tour, and graced us with songs they hadn’t played live in a long time or ever!

Eivør‘s set at G Livelab was quite different on many levels (an intended pun because I personally experienced the gig both from the balcony of the venue and standing in the crowd, and even that provided a different experience). Watching from the balcony felt a bit more like watching a show, still intimate with the ability to also watch the audience but a bit detached. When I went to the floor though, it was surreal. Eivør‘s voice was so ethereal and being closer to the stage and closer to the music was almost other worldly and yet made it all more real. She played a few songs there they didn’t play at the other show such as “Verð Mín”, “Silvitni”, and few covers from Leonard Cohen and Julee Cruise. As well as really interesting adaptions of the songs they had been playing, since it was a somewhat acoustic show, or at least “Duo”, minus the full band plus a grand piano. A few of the more melancholic slow songs had an almost old timey cabaret feel.

However, at Olympia, even the intro music took the night into a completely different atmosphere. It was intense. Epic yet melancholic low grumbles of orchestral, electronic music that slowly built up the anticipation. I think because it was the last show of the tour, the whole band also helped build that anticipation through out the night. As the end came closer, they all played harder, more passionately, more loose.
Eivør‘s music strings together such a wide spectrum of emotion and sound into a short space of time its really intense to see live! One moment you’re dancing to a light-hearted beat, the next you’re traveling into another time and place, something ancient and foreign yet nostalgic, and the next you’re almost in tears with a raw melancholic comfort. And of course those ethereal chants and throat singing she does with her drum are always an experience on their own. Although they are simply sounds and chants, her movements and facial expressions while she’s singing almost tell a story of their own, up for interpretation on a personal level yet clear somehow.

It was great to finally be able to see her “new” songs live, unfortunate that her latest album Segl had been released amidst the first year of the pandemic. Although I had seen her perform some of them during her live stream shows during the 2020 summer (I have to mention it was really great to kind of get to know her and her music during those weekly home recorded live streams that summer, and made me even more eager to see her live again!). And was also a treat to see, again, some songs they had not played during the rest of the tour, since it was the last show (I have a personal history with the song “Boxes” and that was one extra song they played, not to mention seeing that insane vocal magic live, gave me chills!).

To introduce the song “Gullspunnin” she recited a poem and explanation of the song and its meaning, with low atmospheric background sounds as accenting her words. It almost felt like a guided meditation, which, as I think now, isn’t such an unexpected thing to experience at her gig. Her spoken words, and sung words, chants, throat singing, growls, laughs and all the lows and highs of the music hit so many different themes and emotions its like acupuncture of the soul, in some ways providing a release that ends in peace and contentment. Even if you aren’t familiar with her music, or don’t have any personal history with her songs, it is such an intense and magical yet humble performance it will be an unforgettable experience for anyone.

Lucky Lo at Olympia

Eivør at Olympia

Eivør Live:

Eivør Pálsdóttir – Vocals / Guitar / frame drum

Mattias Kapnas – Keyboard /Piano and Synth

Mikael Blak – Synth / Bass

Per Ingvaldur Højgaard Petersen – Drums

Photos and report by Serena Solomon

PHOTO REPORT: AND OCEANS, FROSTTIDE AND KUOLEMAN GALLERIA


Words about the world opening up again part 2? Part 3? Hopefully the last part anyway… ah to be at a club gig again! The Frozen Oceans Abyss tour played in Tampere’s Olympia-Kortteli on March 18th. Local band Kuoleman Galleria opened with full energy and edgy yet funky energy, followed by the fan favorite Frosttide and the black/industrial headliners who had their comeback right as the epidemic was birthing, And Oceans.

The club gigs post lock down these past few years have all had a similar “getting back on our feet” aura about them… people are happy to be out but it feels a bit rusty and unfamiliar. Although there were not restrictions on time, or capacity, people tended to stick to the sidelines and came and went through out the gig. It felt there were more people in the audience in the beginning than the end, and the crowd wavered through out the night.

Kuoleman Galleria had a surprisingly solid and enthralling performance. With no previous knowledge of the band, they left me wanting more, or more like a “what did I just watch, I need to see that again” kind of lasting impression. Unexpected, unpredictable and a unique twist to the evening wit their dark yet groovy sound, and somewhat eccentric stage presence. Hope to see again soon!



Next up was Frosttide. Familiar faces and sounds all around! Somewhat comfort food of the evening. The audience was obviously full of hard core fans, and it felt like an intimate family gathering. Although the band seemed to take a little while to warm up after the all to well known hiatus of live performance, the crowd was pleased and they definitely woke the venue up for the final act.


And Oceans never fail to impress. With a balanced mix of new and old songs…and new and old members… they didn’t miss a beat. They played from start to finish as if there had never been a break in live gigs, and as if they had all been playing together since the start. The energy and chemistry between the band themselves and the audience was flawless and began to fill the void of gigless months. Although the crowd and atmosphere of the gig still had holes and an obvious unsettled, unfamiliar feeling, it faded once they hit the stage. Lets hope it fades all together and we can truly get back to this essential part of life!

photos and report by Serena Solomon

PHOTO REPORT: NOORA LOUHIMO EXPERIENCE


With the world opening up again, bands that formed during the lockdown are finally getting the chance to spread their wings. Noora Louhimo Experience was one of them! They had their best gig ever at Yo-Talo in Tampere 27.10.2021. The premier gig of Noora Louhimo Experience was definitely an experience to be remembered. A rich and vibrant show to wake up the senses after a year and a half near devoid of live music. Eccentric, bright, shiny and colorful outfits adorned all the musicians. Feathers, sparkles, fishnet, and bits and pieces from every corner of the spectrum were a perfect visual representation of what the sound and aesthetic of the band represented on their debut album Eternal Wheel of Time and Space. In addition to the core band, the live lineup also included three backup vocalists and a three piece brass section. Pekka Louhimo , Noora’s brother, also joined on stage for a few duets as well as harmonica accompaniment. I have to say it was also really cool to see Juuso Raatikainen doing his thing in a different setting. Needless to say, the stage at Yo-Talo was filled to the brim with talent and energy and although it was a Wednesday evening, there was a pretty decent turnout with enthusiastic fans.



Live Lineup inlcuded:

Noora Louhimo – Vocals

Samuli Erkkilä – Lead Guitars

JC Halttunen – Guitars

AP Kauppinen – Bass

Juuso Raatikainen – Drums

Sussu Ketola – Keyboards

Pekka Louhimo – Vocals,Harmonica

Anni Lintula, Riikka Liisukka and Petra-Miisa Juusenaho – Backup Vocals

Aino Heikkonen – Saxophone

Antero Salonen – Trumpet

Markus Larjomaa – Trombone

photos and report by Serena Solomon

PHOTO REPORT: SAARIHELVETTI 2021


Photo report: Saarihelvetti – July 6-7, 2021 in Tampere, Finland

Photography by Serena Solomon

How amazing it was to be back at a festival! Saarihelvetti, once again, provided us with a much welcome break from isolation and gigless existence as it did last summer. Aside from the bands, and seeing old friends, the crowd was the highlight. They brought the proper festival atmosphere.

In previous years, when bigger festivals like Nummirock and Tuska happened regularly, Saarihelvetti had a different kind of feel, it was a bit more of a “local” happening, without the craziness and hype the bigger festivals brought. But these past few years, when gigs and festivals have been scarce, that energy and mood exploded all over Viikinsaari and Laukontori in Tampere. “Festival Life” was everywhere , in every form, from the extreme industrial goth fashion to the goofiest costumes one would never expect to see at a metal festival (not to mention the creativity of “masks” were impeccable!). From stuffed animals to corpse paint, from hazmat suites to animal onzies, it was hard not to be distracted by the crowd when watching the gigs!

But I digress, the music. Ah, live – fucking – music! Pits, blasting drums, headbanging, singing, dancing, etc. Life itself. Shereign , Swallow the Sun, Ember Falls and Vorna were my “highly anticipating” bands, while Finntroll, Tyrantti and Satan’s Fall were also unexpected highlights.

I had been getting to Shereign as they released singles over the summer and was really looking forward to seeing Sara perform this new music style, their “best gig so far!” as the joke goes since it was the first and only gig (at least for a while, due to Sara’s pregnancy). On that note, one of the cutest things that happened at the festival (aside from at least one proposal on Saturday) was someone throwing a bunch of stuffed animal toys on stage during Shereign (presumably for Sara’s tiny human-to-be).

I didn’t have much expectations for Tyrantti but their show was very memorable. They were a perfect fit to open the festival on the main stage and warm the audience up… remind us what live music is about and get everyone back in the mood for the atmosphere we crave every summer.

Also, I had seen Finntroll many times before so I felt I knew what to expect and haven’t familiarized myself with their newest albu myet, but I had forgotten how fun their gigs are to watch and photography although they did seem to have a bit of the gigless corona stiffness, it wore off after a while and was easy to get back into the swing and conga-line of the music!

Swallow the Sun, well, what can I say. I can’t seem to go a year without seeing them, they’re like air. Just the beginning of their gig was breathtaking. They used “Sininen Uni” as an intro. It took hold and calmed the audience down for the more melancholic set of the day, and as the song faded in ghostly distortion, and the first notes of “The Giant” began, chills shot down my spine and I was almost paralyzed for a good portion of the song. Ok, disclaimer, this band means a lot to me so yes, lots of emotions and larger than life feels…. but anyway. Aside from that, As soon as Mikko walked out I had to chuckle as his pink shirt with a unicorn and “pessimisti” in bubble letters took a sardonic poke at the melancholy and intense emotions I was overcome with… but they are just too damn good. They could all be dressed as pink unicorns and they would still be able pull off the doom and gloom they are known and loved for. I had to noticed how raw Juha’s performance was, in his movement, in his face, he seemed completely present whether he wanted to be or not and it made my heart ache in every way.

I had seen Ember Falls for the first time at this same festival in 2016 and looked forward to their bright red aesthetic and dancey industrial vibe, but holy crap were they more than I expected! They seemed to have matured so much since the last time I saw them but still maintain the vibe I was looking forward to. I think they are one of the more underrated bands in that genre and hope they get more exposure! Looking forward to seeing them again soon!

Satan’s Fall was also a pleasant surprise, I’m not so into their style of music but the gig was much welcome in the Saarihelvetti lineup. A bit different vibe than the other bands but it tied the day together nicely.

And then there was Vorna, the best act on the second stage, unsurprisingly (and as unbiased as I can be). They are always a crowd favorite and you can never fail to see in the fans how much their music means to them. This year, in place of the blazing sun of last summer, came clouds and rain… but it only enhanced the beauty in their melancholy and made the gig even more special and unforgettable. The rain did not deter the audience for a moment, they stayed getting drenched to watch the gig, and it made for an incredibly epic show !

Although the bands seemed a bit stiff to start due to lack of gigging, ultimately you could tell most were enjoying hitting the stage again . As enjoyable as the festival was, they were still able to maintain a strict hold on mask wearing and safe distances when possible, providing sanitizer and face masks to everyone and keeping the boats as limited as possible. My only complaint was that there was no dry place for media to tend their work/gear as all the indoor/covered areas were open to the public and mediated with restrictive occupancies and we were not allowed in the VIP or back stage areas with only media passes. Hopefully next year we won’t need such restrictions but if we do, just a thought to the organizers, otherwise 666/10 would recommend! See you next year!

DAY 1: Shereign, Tyrantti, I Revolt, Finntroll, Spiritus Mortis, Swallow the Sun, Insomnium

SHEREIGN

TYRANTTI

I REVOLT

FINNTROLL

SPIRITUS MORTIS

SWALLOW THE SUN

INSOMNIUM

DAY 2: Silver Bullet, Rytmihäiriö, Ember Falls, Lähiöbotox, Satan’s Fall, Lost Society, Vorna, Diablo, Atlas, Mokoma

SILVER BULLET

RYTMIHÄIRIÖ


EMBER FALLS

LÄHIÖBOTOX

SATAN’S FALL

LOST SOCIETY

VORNA

DIABLO

ATLAS

MOKOMA

FESTIVAL LIFE AND TAMPERE BURLESQUE

PHOTO REPORT: SWALLOW THE SUN


To celebrate twenty years of existence, Swallow the Sun are doing “20 Years of Gloom, Beauty and Despair” tour. In Finland, their tour consisted of a two set evening. The first set, playing the second album of the Songs from the North trilogy called “Beauty” in its entirety acoustically and accompanied by a string quartet. The second set was somewhat “by request” from the fans. In December, the band asked across social media, for fans to vote for one song from each album they would want to hear live. The setlist did consist of some songs that haven’t been played in a long time, but also surprisingly, a few songs they had been playing live often, and as recent as their last tour. They will continue the tour to North America in April, and I wonder if and how they might tweak the setlist.

I had seen the show in Turku, on the second day of the tour, just as an attendee. The venue was a lot more intimate than the one in Helsinki, and you could tell the band was still getting the hang of the arrangements for the acoustic set (as well as some of the songs from the second set) which also added to the intimacy, in a way.  Not only was the band seemingly more at ease, and comfortable with the show in Helsinki, the string quartet also seemed more confident and able to get into the music more. Although I could tell the difference a few more shows made in the confidence and smoothness of the gig, both nights were equally amazing and unforgettable.

During the first set, the stage was alight with warm bulbs hung and places around the stage. There wasn’t much extra stage lighting so the ambiance was dark and almost ethereal. The guys were dressed up a bit, classy jackets and hats, only Juha had his hood up but it barely covered his face. It was a very unique experience for all attendees, no matter how well you knew the bands music, but it was extra special, and quite emotional, for fans who have been following the band for many years or have a deeper appreciation for the band and their music. I noticed those warm lightbulbs gleaming in many teary eyes and wet faces. The audience was completely enthralled in the charming, intimate gloom of “Beauty“.

The second set was no less unique of an experience than the first, specially the songs that haven’t been played often. I won’t list them here, (although the setlist is searchable elsewhere), but the energy during a few of the songs was so raw and tangible I found myself taking a deep breath after they ended, as if I had forgotten to breathe for a while. I have seen Swallow the Sun quite a few times in the past few years and the air of this evening held something different than the others. The guys all seemed to be into the music on a different level than ever before. The addition of Jaani’s vocals to a few of the older songs gave me chills. Juho and Matti’s energy and interaction with the crowd, Mikko and Juha’s more stoic presence, and Jaani and Juuso’s smooth vibes all concocted a beautiful, geniuine atmosphere that no photo or video could capture (speaking of which, it seemed they were recording the show for something, there were cameras and extra microphones around the stage and in the audience… what is to come?) but that being said, here are a few photos from the evening.

First Set


Second Set


Dates for upcoming North American tour:
stsnm