Category Archives: Live Report

PHOTO REPORT: Avatar and Æther Realm


On a dreary Monday, 84th of January (or so it felt) the most metal circus came to put grimaces on the many painted faces of Tampere, bringing along the highest quality melodic death metallers the US has to offer. Avatar and Æther Realm played a packed (if not sold out) Olympia.  Although it was a Monday, one would have never guessed by looking at the amount of people, and their enthusiasm. I was personally surprised to see a line out the door, as I approached the venue. The amount of people who seemed to be just as excited to see Æther Realm open was also surprising. At least half the audience knew exactly what to do when the band called for the “tiny metal hands”, a running joke within the band and its fan culture. It was quite an honor to be at their debut gig in Finland too, since they’ve also had a running joke that although they play high quality melo-death metal, they are, in fact NOT from Finland. Their vocalist mentioned it had been a dream of theirs for over fourteen years to play Finland and we were lucky enough to witness the dream finally coming true for the first time! The band not only played a beautiful set, with a perfect blend of more melancholic folk (my heart twinged at the mention of Appalachian folk!) and hard driving death metal, but were also incredibly sincere on stage. Their passion and humor along with their gratefulness for finally getting to play in Finland was pure and made the show all the more genuine.

The whole gig turned out to be unexpectedly amazing and unique in so many ways. Beyond Æther Realm‘s story and significance of this show for them, the enthusiasm of the crowd was like nothing I had experienced before. Specially at a smaller venue like Olympia, specially on a Monday in January. I mentioned the unexpected line out the door and genuine interest in the opening act, but there were also many people dressed up in Avatar attire. Intricately painted clown faces, costumes and other metal circus-esque aesthetics could be seen in at least a third of the crowd, or so it seemed. As I stood waiting between bands, I also heard a lot more English and other languages being spoken through out the crowd than usual, as well as listened in on their conversations of their travels to Tampere (and plans for going to the other shows in Finland as well). The fact that Avatar had a huge stage setup with them was also quite unexpected, and uncommon for Olympia (though knowing this band had recently played stadium gigs around Europe made it a bit more understandable). I believe this extravagance was also what lead to the first time I could feel the floor moving during the gig in Olympia ( and it wasn’t even during the mosh pits or wall of death, which was another thing I had rarely experienced at that venue, and agian, on a Monday no less!). 

But after experiencing the show, it all made sense. The grandeur, the enthusiasm and dedication of the fans, the fact that the venue was near sold out, people traveling from other countries, everything. It was an epic experience. Not only the whole circus aesthetics and moments that were more theater than metal gig, but the bands presence, their cohesiveness and how they seemed to be completely at ease, in sync and enjoying themselves but still taking their music and showmanship seriously. The thread of darkness and heaviness that somehow maintained its presence despite the playfulness (including NSFW kind of playful) and circus aesthetic somehow made those kitschy gimmicks not too kitschy. It tinted the bright colors and glitz with a darkness that made it a bit more haunting than fun. The moments of seriousness and moodiness that the band members wove into the silliness, not to mention their talent theatrically as well as musically made it an unforgettable night. Only one month into the year and I can bet this gig will make it to my top 10 if not top 5. Both bands are now on my wish list to see again at a festival or club or anywhere in the near future!

ÆTHER REALM

AVATAR:

Photos by Serena Solomon

PHOTO REPORT: Stam1na and Stoned Statues


Our last gig of the year was Stam1na and Stoned Statues at Tavara-Asema in Tampere. The venue was packed and the mood was sparking with anticipation – welcome warm from the biting frost outside. Stoned Statues earned their place and were a magnificent opening act for Stam1na. Jenna even came on stage and joined Antti on vocals for one song during Stam1na’s set.


It had been a while since I’ve seen Stam1na and the aesthetic of their newest album “X” was a lot more profound and visible in their live show than I expected. In their background animation and shirts but also in their presence and sound. It definitely felt different for them in a really quintessential way, even more honed in and focused than previous albums and live shows. It was an honor to be there when Sakara Records presented them with their platinum albums for “X” and Tuomo Saikkonen (Mokoma/founding member of Sakara Records) joined them on stage for a few songs!

I couldn’t have imagined a better way to end the 2023 gig year. On to the next!

STONED STATUES:

STAM1NA:

PHOTO REPORT: Deathstars, Priest and King Satan


October 30, 2023 Swedish Industrial Metal masters Deathstars made an appearance in Tampere, Finland along with Priest and King Satan. Although it was a Monday, the venue was packed (some people even in costume for Halloween, beyond the normal dress code of latex and chains).
A hometown gig for King Satan as a proper send off for their European tour with Gothminister, the audience was filled with friends and fans from the beginning. Priest was an incredibly pleasant surprise, with no expectation, they hit hyperdrive on the dark party atmosphere and you would have never guessed it was a Monday night! The vocalist even sauntered through the audience as he sang, blessing (cursing? exorcising?) random audience members.
Although it seemed to take a few songs for Deathstars to get into the mood (specially after the incredibly entertaining and energetic Priest), about a third of the way through the gig, it was a visible metamorphosis as one by one they slipped into the vibe of the night. Tantalizing, hypnotizing and teasing the audience. One twitch, and Andreas Bergh went from seeming a bit tired and unsure to dominating the venue. Shushing the audience on command, then simply yelling “Hands!” or “Scream”as desired. It was a perfection for the season.

KING SATAN

PRIEST

DEATHSTARS

Photos by Serena Solomon

PHOTO REPORT: Poisonblack


It started with one show, then another, than another. . Poisonblack decided to revive the ghost to celebrate their well known ‘Escapextacy’ album’s 20 year anniversary including both vocalists JP Leppäluoto and Ville Laihiala as well as the original lineup of the band. Not only did they keep adding dates onto this revival, they decided to do a second round and even so, all dates have been sold out, with many fanatics coming from abroad to soak up as much as the nostalgia as they can. I attended and shot their gig at Olympia in Tampere, Finland but was also at their second Helsinki gig in On The Rocks a few days later.

To start off, I never thought I’d get to see this band live. Specially performing this album which had a consistent appearance in my (and probably many other’s) teenage soundtrack. The first times I experienced hearing JP Leppäluoto and Ville Laihiala sing live in other projects (not so long ago) was mind blowing on its own, but to be able to witness them performing music I was very familiar with was unimaginable (since I had also been unfortunate to miss out on seeing their earlier bands such as Sentenced and Charon live). Although I was not officially on duty at the second show I attended, I cannot help but compare the two gigs. Tampere was on point, the band was professional and didn’t miss a beat. Their charisma with each other seemed as if they had never stopped playing together, and their charisma with the audience was just as magical. I have seen a few sold out shows at Olympia, but the audience at this one made it seem like the venue was packed ten times more than other sold out shows. So much anticipation and an almost urgent feel. People pushing to get up front and the impatience for the gig to begin almost palpable. The Helsinki gig had a different vibe. The venue itself was smaller, making it much more intimate to begin with. I cant remember the last time I experience such a perfect club gig atmosphere! The audience was excited and eager (the fact that it was a Sunday night not dampening the energy one bit) but that urgency from the Tampere gig wasnt as present. It was more chill, it felt the audience had a bit of a lighter mood. The band did too… they seemed much more relaxed and loose, whatever the cause. They seemed to be letting go just a bit more, enjoying themselves a bit more, joking more (with eachother and the audience) and getting into the music more. JP licking Ville’s guitar, Ville’s stage presence seeming to slip back into Sentenced days juussttt a little. At least from what I’ve seen on video. Both shows were more than one could ask for, and I personally am satiated and incredibly grateful to have been able to see this music brought back from the dead.

PHOTO REPORT: Nummirock 2023


Photo Report: Nummirock 21-24.6.2023 in Kauhajoki, Finland
Photography by Serena Solomon

This year, Nummirock was back to its full glory. Last year, it seemed people were still getting back to the swing of things and/or still too cautious to even attend the festival since the pandemic. This year, the party was kicking off already on Tuesday. The forest side of the campgrounds were almost completely full a day before the festival even started! Some notable things that have evolved this year included more tiny cabins through out both camp grounds for those who prefer four walls to tents, as well as spots designated for electricity hook ups for caravans. The food options were also kicked up a notch, and pleasantly surprising options could be found from hatsapuri (kind of like a giant calzone) to sushi! There was also a really nice selection of small breweries being represented and a good selection of alcohol all around. Probably the most exciting evolution this year was the Klubi stage. They definitely invested in it way more this year and it really paid off from the performers and audiences perspective!

Day 1 highlights:
Kalmah started the festival off with a bang! Probably the biggest send off for Nummirock I have witnessed. Not only was it great to hear some of their new songs live, the old songs, absolute classics, sent the whole crowd into festival mode. Although Vermilia is a somewhat newcomer band, they are shooting straight to the top of people’s “favorite acts” list, and with good reason! A perfect blend of black, pagan and folk, elegant yet powerful sound and an incredibly impressive multi-talented vocalist who sings beautiful cleans, brutal growls AND plays the flute (as well as shaman drum)! Hope to see these guys on the Infenrno stage during an epic sunset next year.

Photos: Kalmah,Vermilia,Mors Subita,Elvenking

Day 2 Highlights:

Brymir were selected by the gods to be the “epic music in the rain” band this year. Although they were the first band of the day, they dominated the main stage! It was really great to FINALLY see them on a main stage, their energy and sound finally felt like it could fit the space they were in! Havukruunu was one band I was looking forward too but was surprised how perfectly they fit at this festival. Specially since it was overcast and a bit gloomy, their darker sound and pagan black metal aesthetics provided a perfect dose of melancholy to the Finnish midsummer celebration. It was also great to see a few non-Finnish acts tearing up the Inferno stage (Born of Osiris and Aborted) after so long. Although I wasn’t surprised by the greatness of Stam1na‘s live performance (they never disappoint), I was really amazed how, although they were the final act of the day on the main stage, they still interact so intimately with the crowd it feels like a club gig. I Am The Night provided the continuing tradition of midnight black metal mass on the Inferno stage. They were a perfect way to close out the first full day of the festival, shrouded in smoke and shadows through the whole performance with the backdrop of the eternal blue hour of midsummer.

Photos: Brymir, I Am Your God, Havukruunu, Finntroll, Stratovarius, Aborted, Azaghal, Stam1na and I Am The Night

Day 3 Highlights:
Unforntunately I was only able to catch one of the Wacken Metal Battle bands, but it seems Omnivortex was the only one needing to catch. They ultimately won, and are going to Wacken this year! I was impressed by their gig, they had a solid performance and enough energy and charisma to fill a main stage! Gutalax was an incredibly unexpected highlight. Maybe the best part of the whole gig was seeing the Nummirock crew having such a blast throwing toilet paper over the whole crowd! But damn, I still wonder why Gutalax has not played Nummi before. They have the perfect energy and aesthetic for the festival. It was hilarious to walk through the camp grounds before the gig and see so many people suiting up in hazmat suites and covering themselves in toilet paper to prepare for the gig. Droves of white suited, toilet paper clad, toilet brush carrying warriors heading to the battle of Gutalax on the Inferno stage, what a sight! It was also great to see Bloodred Hourglass on the main stage. They have risen quite high recently and it shows. They fill in the main stage space perfectly and are an obvious crowd favorite. Misþyrming were one of my personal favorites. I was surprised though, how many others seemed to agree. I was under the impression they might have been a bit niche black metal for Nummi but it seemed they were an unexpected highlight for many. Maybe the hidden gem of the entire festival! It seemed the Inferno stage had the strongest acts of day 3. Vader had the entire festival on its toes, they probably should have been on the main stage! And, to close the day, Before the Dawn. Despite some technical difficulties, they put on the most memorable performance of the festival (next to Behemoth). The midsummer evening sky, pyros, Paavo’s entrancing voice and the driving music provided an intoxicating cocktail of midsummer metal. Their comeback has been exceptional and their new album is so on point. I feel a bit spoiled to have the opportunity to catch them multiple times this summer, but no show will top the Inferno stage night cap at Nummi!

Photos: Enemy Inside, Omnivortex, Gutalax, Bloodred Hourglass, Misþyrming, Vader, Beast in Black and Before the Dawn

Day 4 Highlights:

The final day started out light with Viikate, though I felt they may have been better a bit later in the day when everyone had fully woken up. Bloodywood was nothing like I expected but only positive things to say about them. I had no expectations on their live show, and based on the music I had heard, I expected more of a party band, but they had such a mature presence, chill and light-hearted at times but an undercurrent of somberness. Their speeches between songs had the whole audience silent and listening to their words, really following what they were saying and understanding their messages. Real messages that connected their music to the good and bad going on in the world. They created a really unique atmosphere I had never experienced at Nummi or maybe any other festival, how wholly they captivated the audience. Vorna filled up the tent stage even before they started playing. They’ve evolved their live show more to showcase their new music beautifully, from intro to outro. The whole audience was singing along to both new and old music, and at times swaying together as if one entity. Asking Alexandria brought a lot of people to their nostalgic knees, but they were much more enjoyable than I had anticipated. It was nice to ride the nostalgia train a bit… maybe that is one element that was missing from Nummi this year. But then, Behemoth. This was a gig I will have trouble conveying my thoughts and feelings into words. Absolutely beyond expectation, and not just because of the epic pyros and massive stage setup. You could take all that away and I think the feeling would have been the same. Mind you, they definitely did bring the most elaborate stage setup I have ever witnessed at Nummi… but their sound and overall vibe is and might be unmatched for years to come when it comes to Nummi finale’s. Even though they signature fireworks didn’t happen, now that I think back they really didn’t even need to happen. Hands down the most iconic, monumental show I have witnessed in my 8 years of attending Nummirock. The only thing I have negative to say about it was that the sound could have been louder, more driving. But honestly, the feeling is what stuck with me. They are going to have a hard time topping that one.

Photos: Viikate, Ruoska, Bloodywood, Asking Alexandria, Vorna, Turmion Kätilöt and Behemoth

Tampere Burlesque: Amber Blaster, Neko Whisper, Olivia Rouge

And now for the fun part – Festival Life! This year I also did a special feature on Nummirock Pets:

FESTIVAL REPORT: TUHDIMMAT TAHDIT 2023


This year, Tuhdimmat Tahdit festival was held in Ratinanpuisto, Tampere 16-17.6 . Two days of both local and international acts brought a diverse array of bands to the small festival. A smooth way to transition into festival season. Though the smaller stage had constant technical difficulties , there was very limited seating in the shade, and there were some long lines for water during the hottest hours of the day, it was a cozy festival for city center attraction.

Day 1 Highlights
Verikalpa were a great band to get things rolling. They always have great energy and produce an atmosphere that draws you in. Unfortunately, people were still trickling in and they didn’t have such a large crowd but it was one of the more solid performances of they day. Although Transworld Identity were the first to experience the bad luck of the smaller stage with technical and sound issues, they powered through and provided a bit more palatable sound for those who are not into heavier music. Ensiferum seemed to be the real start to the festival, with most of the attendees finally in, and still getting into the groove. Though once ‘Lai Lai Hei’ started, people moved forward in unison as if drawn by strings and from then on the energy kept up. Bloodred Hourglass is starting to really take off! I’d even go so far as to say they were the unofficial headliner of the day. It was heartwarming when Jarkko, their vocalist, asked how many had never seen them before, and welcomed them to the ‘family’. Lordi was the predicted yet never dull show stopper. My personal first time seeing and shooting them and damn, what have I been missing! A personal highlight for me, and many others! It would be great to see more of them but, as Mr.Lordi made clear, he’s not getting any younger – using the example of almost forgetting to throw his confetti! Mors Subita also put on a solid show. Despite the beating sun, raging heat and sound issues, they still gave one of the most full throttle performances I have ever seen from them! Dead by April was definitely a highlight for many, as they were only main stage act to come from abroad. The band themselves also seemed ecstatic to be back in Finland, and definitely showed it with their performance! Diablo was also another classic, and really great to finally see their newer music live! One note about the layout of the festival was that it was pretty cool to be able to watch what was going on at one stage even if you were in the front waiting for the act coming on the next stage.
Beast in Black is a crowd favorite to the max. Their cheesy rock star moves and intimate crowd connection make for a great show, and damn, the tiny TINY details that go into their set decorations! Mind-blowing!

Day 2 Highlights
Although the opening band of Day 2, Carnival Academy, also not have such a huge crowd, the fans there were there were enthusiastic as hell! Smallest mosh pit I’ve ever seen! Maybe next year they should start the festival later and add a third day? Anyway, they were much more solid than their aesthetic let on! And had a much more mature, and promising sound as well. They even had a little party trick with their mascot of a horror clown going around handing out clown noses with “CA” painted on them. It was fun and professional at the same time. Antony Parviainen Trio plays Iron Maiden stopped me in my tracks. Way more than I could have ever expected! Who knew Iron Maiden performed by a talented vocalist, upright bass, cello and acoustic guitar could sound so magical! It was beyond perfection and I cannot wait to see them again. Similar to the previous day, the festival atmosphere started kicking up when Turmion Kätilöt hit the stage, even though I believe that was the earliest time of day I have ever seen TK play! I have to say, ShagU (Saku)’s show has matured a LOT since the earlier years of him playing in TK. I feel there is a definite line now between his Fear of Domination and TK stage presence. I look forward to seeing them both soon to see how else the performances will evolve. Both Wolfheart and Before the Dawn felt like the unofficial festival headliners. On top of Tuomas Saukkonen (who is the founder and has multiple roles in both bands) being a multi-talented superhero, both bands gave extremely strong performances and were epic in their own way. Of course, Wolfheart has been more familiar in recent years, so they have the solid following. But Before the Dawn has recently made a comeback, including their new extremely talented vocalist Paavo Lapotti, who not only has an other-worldy voice, but great charisma and stage presence as well. They were one of my most unanticipated favorites, and now strive to see them any chance I can! Shereign was another of my personal highly anticipated acts. Although they did experience the bad luck of the small stage on a major, show stopping scale, they all had magnificent spirit and didn’t let the issues dampen their fun or energy. It was an honor to witness as I believe it will be their only gig this summer. All the love to them! Brymir also suffered show stopping (or show delaying) technical difficulties, but, in true Brymir fashion, it resulted in a very special, once in a lifetime opportunity for Viktor and the guys to show off their epic rap improvisation skills! After what felt like 10 minutes, things got worked out and the show went on, including the infamous Steve the fish being thrown so hard around the mosh pit, it could be seen flying higher than the stage, in a video taken from across the river from where the festival was being held! Mokoma, being a summer festival veteran band, had a predictably huge crowd, and although they seemed to also be suffering sound difficulties, Marko, their vocalist seemed to be singing his lungs out, as the other members played one of the most driving shows in my memory of their live shows. They are currently celebrating the 20 year anniversary of their classic album Kurimus. Closing out the smaller stage, Swallow the Sun. They were one of the few lucky bands to not experience any issues on the small stage, and deserving as always, of the flawless show they gave us. A short but sweet set built with a solid mix of old and new, at a decent enough time of day that the blaring sun didn’t kill the mood. I even got so wrapped up in the music for the first few minutes it was difficult to make my arms do the things they needed to do with the camera. But that is a normal reaction for me. There are no words for how much I appreciate this band and anything more I would have to say would come straight out of bias. So, on to the finale! Battle Beast! They are stunning and captivating as always, although it has sadly been way too long since I personally have seen them live. I really wish they were doing more festivals in Finland this summer but we can’t have everything! Beyond their flawless show, and spot on charisma, they had such a great connection with the audience and each other as well, one has to really work not to enjoy watching them. In all honesty, I think them being the final act for the festival was a bit unbalanced, they were maybe too good to be the closing act for this kind of festival!

Photos and report by Serena Solomon