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Saarihelvetti 2022


Saarihelvetti 2022 was full of top notch music. A perfect omnium gatherum (yes it is a word! n. a collection of miscellaneous people or things. Merriam-Webster.com. 2022) of genres ranging from fresh new black metal to popish metal core to headlining raw industrial metal. Although the weather was epic as well (in a not so enjoyable way), festival goers were almost able to overlook the constant rain as they enjoyed the first restriction free Saarihelvetti in 3 years. Although the festival was able to slither between the lockdowns of 2020 and 2021, there were still inevitable lineup changes and restrictions which made the festival a bit more difficult to navigate. This year we were finally free!

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BRUTAL ASSAULT #25 – DAY V REPORT


Hi, and welcome to the report for the last day of this great festival. The final day and I wake up frozen with a real sore and painful throat. I did not even know yet that I will get wet in the evening due rain as well. I looked at the forecast, it showed some rain, but weather was so nice, I have left my jacket in the car anyways…

On a paper, Saturday was not a highlight for me by any means. But when I have seen bands with my own eyes and heard by my ears, I was very, very happy. Hideous Divinity from Italy rocked on the main stage with thrashy Urne who opened the festival day for me. In the early afternoon it was the Haemorrhage from Spain and their bloody grindcore. It was fun from start to finish and Lugubrious’s face made many of us laughing every second. I thought the sound was nice and dense.

Urne, Hideous Divinity, Haemorrhage

Continue reading BRUTAL ASSAULT #25 – DAY V REPORT

PHOTO REPORT: Nummirock 2022


Photo Report: Nummirock 22-25.6.2022 in Kauhajoki, Finland
Photography by Serena Solomon

Ah, to be back on the shores of Nummijärvi! Back at our midsummer home! How liberating and comforting it was to be back to normal, back to Nummirock, no restrictions, just festival life as we know it (plus a few extra bottles of hand sanitizer). I have to say though, the atmosphere was a bit more chill than I remembered, whether it was the two years break taking its toll or the simple fact that we were all two years older. Mostly, the crowd and camp grounds were back to their normal crazy selves, but maybe it was the stamina that was tuned down a few notches, or the fact that there seemed to be significantly less attendees than in past years. Either way, it had no affect on the quality of the festival! The weather stayed on the better side of “typical Finnish midsummer weather”, even a bit too much at times. The first time in my memory that the main stage crowd had to be sprayed down by security to keep cool! The festival staff took good care of the artists, attendees, media and staff.

Wednesday provided an extended “pre-party”. As previous years usually kept to the Klubi stage with a few bands, this year the Inferno stage was also open, and included a special performance from the future of music, a local band camp. Highlights from Wednesday included Rytmihäiriö setting the crowd off into their four day spin, mosh pits during Vorna, and the first Estonian band to perform at Nummi in 30 years, Metsätöll, closing out the evening!

WEDNSDAY 22.6:
Rytmihäiriö, Memoremains, Ember Falls, Vorna and Metsätöll



Thursday kicked off with Kaunis Kuolematon on a more melancholic note, but maybe a good decision for those of us who celebrated being back at Nummi extra hard the night before. But not to stay somber for too long! Inferno and Main stages were opened by legends! Kiuas and Korpiklaani filled up the 18+ areas as if prohibition just ended. Other highlights from Thursday included Rotting Christ blasting the Inferno stage during a firey sunset, Alien Weaponry giving one of the most memorable Main stage performances I have ever witnessed, and Chamber of Unlight closing the evening with a noteworthy night cap of modern black metal at its finest.

THURSDAY 23.6: Kaunis Kuolematon, Kiuas, Korpiklaani, Carach Angren, At the Gates, Rotting Christ, Crimson Sun, Alien Weaponry, Mimorium and Chamber of Unlight

Friday’s lineup was back to back “can’t miss that” bands. Fear of Domination opened the day with their undeniable dance party that took the conga lines all the way to the main stage for Ensiferum. Dawn of Solace gave us a mid-day cool down, but not for long before Borknagar played a highly anticipated set. Other highlights were Mgła, probably the most anticipated gig of the entire festival for me personally, which went beyond expectation, even more so with the imagery of their blacked out faces against the deep orange of the sunset. Gorgoroth and their spectacle of pure black metal aesthetics. That was really cool to see on the main stage. And last but not least And Oceans closing the evening against a dramatic evening sky.

FRIDAY 24.6: Fear of Domination, Where’s My Bible, Dawn of Solace, Borknagar, Diablo, Mgła, Gorgoroth and And Oceans

Saturday brought the tiny humans back to the festival grounds, mini-metal heads in the making came with their families to see the world famous Hevisaurus, enjoy balloons, rides, and cotton candy, joining in conga lines and flexing their little devil horns! There was a bit of a scheduling fuckup as Sepultura had travel issues, so the beauties from Tampere Burlesque went on earlier than expected to fill the space. Unfortunately many didn’t get the memo in time and missed their first set. Otherwise, highlights from Saturday included a hefty helping of folk metal from Brother of Metal, legends Sepultura and Hammerfall saturating the main stage with all the international music we’ve missed out on these past few years, Turmion Kätilöt giving us some comfort food and a proper closing of the Inferno stage and Apocalyptica as the grand finale. They never fail to impress and seemed as if they also did not want to end the show and would have continued playing all through the night!

SATURDAY 25.6: Hevisaurus, Brothers of Metal, Sepultura, Hammerfall, Turmion Kätilöt and Apocalyptica



As impressive as the lineup for this years Nummirock was, with headlining bands that don’t come to Finland often, the Main stage crowds seemed to be much smaller than previous years. I hope with all my heart this is only due to people being hesitant to commit to attending a festival after so many canceled and postponed gigs, and the next few years will bring things back up to the speed it was going before the world collapsed. Until next year!

#oispanummi

FESTIVAL LIFE

Brutal Assault 25 Bands update


Hey all, there is some new bands update for upcomming Brutal Assault (Aug 10-14th 2021) if things go well.

We can expect thrash metal legend predecessor of Machine Head. Jep, Phil Demmel with the VIO-LENCE. They should also have some new material during the festival. British ONSLAUGHT also introduce their newest stuf. Other announced band is going to be REVOCATION.

Little bit of death metal now. From mighty metal Finland there are going to be shows of INSOMNIUM or MORS PRINCIPIUM EST. USA will deliver us faster BLACK DAHLIA MURDER, RIVERS OF NIHIL or wacky NEKROGOBLIKON with their green imp. UNDERGANG is another legend for the event. Their old school, rotten death metal is the top notch classic. PHLEBOTOMIZED will represent combo of death and doom.

Melancholical side of doom metal will be represented by German AHAB. More experimental approach could be expected from French REGARDE LES HOMMES TOMBER. Britain will be represented by WINTERFYLLETH with their emotinal additives of black and folk melodies.

People who wanna have a little rest from serious stuff might be happy for RED FANG or JOHN GARCIA AND THE BAND OF GOLD.

Brutal Assault is open also for other experiments. DIE KRUPPS are the pioneers of industrial and electro rock. We will witness Norwegian MANES. Local scene cannot miss as well and now with the Czech EBM legend VANESSA.

Unfortunatelly, some bands are also cancelled. These are BIRDS IN ROW, KMFDM, KVERLERTAK, SVARTISDAUDI, VADER, WORMROT.

Brutal Assault will be five day event and consists of 150 interprets. there are confirmation of 2/3 bands right now.

LINKS:

https://brutalassault.cz/cs/tickets

https://www.facebook.com/events/493050868165392

PHOTO REPORT: SWALLOW THE SUN


To celebrate twenty years of existence, Swallow the Sun are doing “20 Years of Gloom, Beauty and Despair” tour. In Finland, their tour consisted of a two set evening. The first set, playing the second album of the Songs from the North trilogy called “Beauty” in its entirety acoustically and accompanied by a string quartet. The second set was somewhat “by request” from the fans. In December, the band asked across social media, for fans to vote for one song from each album they would want to hear live. The setlist did consist of some songs that haven’t been played in a long time, but also surprisingly, a few songs they had been playing live often, and as recent as their last tour. They will continue the tour to North America in April, and I wonder if and how they might tweak the setlist.

I had seen the show in Turku, on the second day of the tour, just as an attendee. The venue was a lot more intimate than the one in Helsinki, and you could tell the band was still getting the hang of the arrangements for the acoustic set (as well as some of the songs from the second set) which also added to the intimacy, in a way.  Not only was the band seemingly more at ease, and comfortable with the show in Helsinki, the string quartet also seemed more confident and able to get into the music more. Although I could tell the difference a few more shows made in the confidence and smoothness of the gig, both nights were equally amazing and unforgettable.

During the first set, the stage was alight with warm bulbs hung and places around the stage. There wasn’t much extra stage lighting so the ambiance was dark and almost ethereal. The guys were dressed up a bit, classy jackets and hats, only Juha had his hood up but it barely covered his face. It was a very unique experience for all attendees, no matter how well you knew the bands music, but it was extra special, and quite emotional, for fans who have been following the band for many years or have a deeper appreciation for the band and their music. I noticed those warm lightbulbs gleaming in many teary eyes and wet faces. The audience was completely enthralled in the charming, intimate gloom of “Beauty“.

The second set was no less unique of an experience than the first, specially the songs that haven’t been played often. I won’t list them here, (although the setlist is searchable elsewhere), but the energy during a few of the songs was so raw and tangible I found myself taking a deep breath after they ended, as if I had forgotten to breathe for a while. I have seen Swallow the Sun quite a few times in the past few years and the air of this evening held something different than the others. The guys all seemed to be into the music on a different level than ever before. The addition of Jaani’s vocals to a few of the older songs gave me chills. Juho and Matti’s energy and interaction with the crowd, Mikko and Juha’s more stoic presence, and Jaani and Juuso’s smooth vibes all concocted a beautiful, geniuine atmosphere that no photo or video could capture (speaking of which, it seemed they were recording the show for something, there were cameras and extra microphones around the stage and in the audience… what is to come?) but that being said, here are a few photos from the evening.

First Set


Second Set


Dates for upcoming North American tour:
stsnm

 

PHOTO REPORT: ALCEST, BIRDS IN ROW & KÆLAN MIKLA


Alcest, Birds in Row and Kælan Mikla played a sold out show at Tavastia in Helsinki on February 18, 2020. The intensity was solid through all three bands in very unique ways. Although Kælan Mikla suffered some show stopping technical difficulties, they put on a positively unforgettable show. Their dreamy and somewhat eerie aesthetic (including incense and glow wands) and chill but intense vibes set a unique atmosphere to start the show. Birds in Row shattered that with a full volume hardcore set that left me wondering how the light bulbs they used in their decor didn’t shatter. It was a very drastic switch genre wise and energy wise, but Alcest pulled it all together. They had a balanced mix of both chill, dreamy and crazy energy. The band seemed real present at the gig, into their music and connecting flawlessly with the audience. Although the gig was sold out, they made it seem like a much more intimate show, connecting everyone. They played mostly songs from the new album Spiritual Instinct but snuck in a few classics. Although they left me extremely content, I cannot wait to see them again at John Smith Festival.

Here are some photos from the evening:

Kælan Mikla –

Birds in Row –

Alcest –