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PHOTO REPORT: Nummirock 2023


Photo Report: Nummirock 21-24.6.2023 in Kauhajoki, Finland
Photography by Serena Solomon

This year, Nummirock was back to its full glory. Last year, it seemed people were still getting back to the swing of things and/or still too cautious to even attend the festival since the pandemic. This year, the party was kicking off already on Tuesday. The forest side of the campgrounds were almost completely full a day before the festival even started! Some notable things that have evolved this year included more tiny cabins through out both camp grounds for those who prefer four walls to tents, as well as spots designated for electricity hook ups for caravans. The food options were also kicked up a notch, and pleasantly surprising options could be found from hatsapuri (kind of like a giant calzone) to sushi! There was also a really nice selection of small breweries being represented and a good selection of alcohol all around. Probably the most exciting evolution this year was the Klubi stage. They definitely invested in it way more this year and it really paid off from the performers and audiences perspective!

Day 1 highlights:
Kalmah started the festival off with a bang! Probably the biggest send off for Nummirock I have witnessed. Not only was it great to hear some of their new songs live, the old songs, absolute classics, sent the whole crowd into festival mode. Although Vermilia is a somewhat newcomer band, they are shooting straight to the top of people’s “favorite acts” list, and with good reason! A perfect blend of black, pagan and folk, elegant yet powerful sound and an incredibly impressive multi-talented vocalist who sings beautiful cleans, brutal growls AND plays the flute (as well as shaman drum)! Hope to see these guys on the Infenrno stage during an epic sunset next year.

Photos: Kalmah,Vermilia,Mors Subita,Elvenking

Day 2 Highlights:

Brymir were selected by the gods to be the “epic music in the rain” band this year. Although they were the first band of the day, they dominated the main stage! It was really great to FINALLY see them on a main stage, their energy and sound finally felt like it could fit the space they were in! Havukruunu was one band I was looking forward too but was surprised how perfectly they fit at this festival. Specially since it was overcast and a bit gloomy, their darker sound and pagan black metal aesthetics provided a perfect dose of melancholy to the Finnish midsummer celebration. It was also great to see a few non-Finnish acts tearing up the Inferno stage (Born of Osiris and Aborted) after so long. Although I wasn’t surprised by the greatness of Stam1na‘s live performance (they never disappoint), I was really amazed how, although they were the final act of the day on the main stage, they still interact so intimately with the crowd it feels like a club gig. I Am The Night provided the continuing tradition of midnight black metal mass on the Inferno stage. They were a perfect way to close out the first full day of the festival, shrouded in smoke and shadows through the whole performance with the backdrop of the eternal blue hour of midsummer.

Photos: Brymir, I Am Your God, Havukruunu, Finntroll, Stratovarius, Aborted, Azaghal, Stam1na and I Am The Night

Day 3 Highlights:
Unforntunately I was only able to catch one of the Wacken Metal Battle bands, but it seems Omnivortex was the only one needing to catch. They ultimately won, and are going to Wacken this year! I was impressed by their gig, they had a solid performance and enough energy and charisma to fill a main stage! Gutalax was an incredibly unexpected highlight. Maybe the best part of the whole gig was seeing the Nummirock crew having such a blast throwing toilet paper over the whole crowd! But damn, I still wonder why Gutalax has not played Nummi before. They have the perfect energy and aesthetic for the festival. It was hilarious to walk through the camp grounds before the gig and see so many people suiting up in hazmat suites and covering themselves in toilet paper to prepare for the gig. Droves of white suited, toilet paper clad, toilet brush carrying warriors heading to the battle of Gutalax on the Inferno stage, what a sight! It was also great to see Bloodred Hourglass on the main stage. They have risen quite high recently and it shows. They fill in the main stage space perfectly and are an obvious crowd favorite. Misþyrming were one of my personal favorites. I was surprised though, how many others seemed to agree. I was under the impression they might have been a bit niche black metal for Nummi but it seemed they were an unexpected highlight for many. Maybe the hidden gem of the entire festival! It seemed the Inferno stage had the strongest acts of day 3. Vader had the entire festival on its toes, they probably should have been on the main stage! And, to close the day, Before the Dawn. Despite some technical difficulties, they put on the most memorable performance of the festival (next to Behemoth). The midsummer evening sky, pyros, Paavo’s entrancing voice and the driving music provided an intoxicating cocktail of midsummer metal. Their comeback has been exceptional and their new album is so on point. I feel a bit spoiled to have the opportunity to catch them multiple times this summer, but no show will top the Inferno stage night cap at Nummi!

Photos: Enemy Inside, Omnivortex, Gutalax, Bloodred Hourglass, Misþyrming, Vader, Beast in Black and Before the Dawn

Day 4 Highlights:

The final day started out light with Viikate, though I felt they may have been better a bit later in the day when everyone had fully woken up. Bloodywood was nothing like I expected but only positive things to say about them. I had no expectations on their live show, and based on the music I had heard, I expected more of a party band, but they had such a mature presence, chill and light-hearted at times but an undercurrent of somberness. Their speeches between songs had the whole audience silent and listening to their words, really following what they were saying and understanding their messages. Real messages that connected their music to the good and bad going on in the world. They created a really unique atmosphere I had never experienced at Nummi or maybe any other festival, how wholly they captivated the audience. Vorna filled up the tent stage even before they started playing. They’ve evolved their live show more to showcase their new music beautifully, from intro to outro. The whole audience was singing along to both new and old music, and at times swaying together as if one entity. Asking Alexandria brought a lot of people to their nostalgic knees, but they were much more enjoyable than I had anticipated. It was nice to ride the nostalgia train a bit… maybe that is one element that was missing from Nummi this year. But then, Behemoth. This was a gig I will have trouble conveying my thoughts and feelings into words. Absolutely beyond expectation, and not just because of the epic pyros and massive stage setup. You could take all that away and I think the feeling would have been the same. Mind you, they definitely did bring the most elaborate stage setup I have ever witnessed at Nummi… but their sound and overall vibe is and might be unmatched for years to come when it comes to Nummi finale’s. Even though they signature fireworks didn’t happen, now that I think back they really didn’t even need to happen. Hands down the most iconic, monumental show I have witnessed in my 8 years of attending Nummirock. The only thing I have negative to say about it was that the sound could have been louder, more driving. But honestly, the feeling is what stuck with me. They are going to have a hard time topping that one.

Photos: Viikate, Ruoska, Bloodywood, Asking Alexandria, Vorna, Turmion Kätilöt and Behemoth

Tampere Burlesque: Amber Blaster, Neko Whisper, Olivia Rouge

And now for the fun part – Festival Life! This year I also did a special feature on Nummirock Pets:

REVIEW: VORNA – ‘Aamunkoi’


by Carina Lawrence / Dark Art Conspiracy

VORNA is a Finnish sextet formed in 2008 that concocts melancholic grand metal. They are back with their fourth album, “Aamunkoi”, their most melodic and ambitious offering yet. The album title translates as “Aurora”. In literature, this means “The Dawn”. In the far north, where VORNA come from, this is also the name for the phenomenon of the polar lights. The vocals are sung in the Finnish native language, which makes it more mysterious and compelling to those like me who aren’t Finnish. Still, I did have the lyrics translated into English, and as expected, the lyrics are bleak with a flicker of hope and beauty entwined – fitting for their sound and origin. The album’s central theme is survival in the uncertain world where the lucky ones who witness a new day have a chance to strive for a better future – when they still can.

Continue reading REVIEW: VORNA – ‘Aamunkoi’

PHOTO REPORT: Nummirock 2022


Photo Report: Nummirock 22-25.6.2022 in Kauhajoki, Finland
Photography by Serena Solomon

Ah, to be back on the shores of Nummijärvi! Back at our midsummer home! How liberating and comforting it was to be back to normal, back to Nummirock, no restrictions, just festival life as we know it (plus a few extra bottles of hand sanitizer). I have to say though, the atmosphere was a bit more chill than I remembered, whether it was the two years break taking its toll or the simple fact that we were all two years older. Mostly, the crowd and camp grounds were back to their normal crazy selves, but maybe it was the stamina that was tuned down a few notches, or the fact that there seemed to be significantly less attendees than in past years. Either way, it had no affect on the quality of the festival! The weather stayed on the better side of “typical Finnish midsummer weather”, even a bit too much at times. The first time in my memory that the main stage crowd had to be sprayed down by security to keep cool! The festival staff took good care of the artists, attendees, media and staff.

Wednesday provided an extended “pre-party”. As previous years usually kept to the Klubi stage with a few bands, this year the Inferno stage was also open, and included a special performance from the future of music, a local band camp. Highlights from Wednesday included Rytmihäiriö setting the crowd off into their four day spin, mosh pits during Vorna, and the first Estonian band to perform at Nummi in 30 years, Metsätöll, closing out the evening!

WEDNSDAY 22.6:
Rytmihäiriö, Memoremains, Ember Falls, Vorna and Metsätöll



Thursday kicked off with Kaunis Kuolematon on a more melancholic note, but maybe a good decision for those of us who celebrated being back at Nummi extra hard the night before. But not to stay somber for too long! Inferno and Main stages were opened by legends! Kiuas and Korpiklaani filled up the 18+ areas as if prohibition just ended. Other highlights from Thursday included Rotting Christ blasting the Inferno stage during a firey sunset, Alien Weaponry giving one of the most memorable Main stage performances I have ever witnessed, and Chamber of Unlight closing the evening with a noteworthy night cap of modern black metal at its finest.

THURSDAY 23.6: Kaunis Kuolematon, Kiuas, Korpiklaani, Carach Angren, At the Gates, Rotting Christ, Crimson Sun, Alien Weaponry, Mimorium and Chamber of Unlight

Friday’s lineup was back to back “can’t miss that” bands. Fear of Domination opened the day with their undeniable dance party that took the conga lines all the way to the main stage for Ensiferum. Dawn of Solace gave us a mid-day cool down, but not for long before Borknagar played a highly anticipated set. Other highlights were Mgła, probably the most anticipated gig of the entire festival for me personally, which went beyond expectation, even more so with the imagery of their blacked out faces against the deep orange of the sunset. Gorgoroth and their spectacle of pure black metal aesthetics. That was really cool to see on the main stage. And last but not least And Oceans closing the evening against a dramatic evening sky.

FRIDAY 24.6: Fear of Domination, Where’s My Bible, Dawn of Solace, Borknagar, Diablo, Mgła, Gorgoroth and And Oceans

Saturday brought the tiny humans back to the festival grounds, mini-metal heads in the making came with their families to see the world famous Hevisaurus, enjoy balloons, rides, and cotton candy, joining in conga lines and flexing their little devil horns! There was a bit of a scheduling fuckup as Sepultura had travel issues, so the beauties from Tampere Burlesque went on earlier than expected to fill the space. Unfortunately many didn’t get the memo in time and missed their first set. Otherwise, highlights from Saturday included a hefty helping of folk metal from Brother of Metal, legends Sepultura and Hammerfall saturating the main stage with all the international music we’ve missed out on these past few years, Turmion Kätilöt giving us some comfort food and a proper closing of the Inferno stage and Apocalyptica as the grand finale. They never fail to impress and seemed as if they also did not want to end the show and would have continued playing all through the night!

SATURDAY 25.6: Hevisaurus, Brothers of Metal, Sepultura, Hammerfall, Turmion Kätilöt and Apocalyptica



As impressive as the lineup for this years Nummirock was, with headlining bands that don’t come to Finland often, the Main stage crowds seemed to be much smaller than previous years. I hope with all my heart this is only due to people being hesitant to commit to attending a festival after so many canceled and postponed gigs, and the next few years will bring things back up to the speed it was going before the world collapsed. Until next year!

#oispanummi

FESTIVAL LIFE

PHOTO REPORT: SAARIHELVETTI 2021


Photo report: Saarihelvetti – July 6-7, 2021 in Tampere, Finland

Photography by Serena Solomon

How amazing it was to be back at a festival! Saarihelvetti, once again, provided us with a much welcome break from isolation and gigless existence as it did last summer. Aside from the bands, and seeing old friends, the crowd was the highlight. They brought the proper festival atmosphere.

In previous years, when bigger festivals like Nummirock and Tuska happened regularly, Saarihelvetti had a different kind of feel, it was a bit more of a “local” happening, without the craziness and hype the bigger festivals brought. But these past few years, when gigs and festivals have been scarce, that energy and mood exploded all over Viikinsaari and Laukontori in Tampere. “Festival Life” was everywhere , in every form, from the extreme industrial goth fashion to the goofiest costumes one would never expect to see at a metal festival (not to mention the creativity of “masks” were impeccable!). From stuffed animals to corpse paint, from hazmat suites to animal onzies, it was hard not to be distracted by the crowd when watching the gigs!

But I digress, the music. Ah, live – fucking – music! Pits, blasting drums, headbanging, singing, dancing, etc. Life itself. Shereign , Swallow the Sun, Ember Falls and Vorna were my “highly anticipating” bands, while Finntroll, Tyrantti and Satan’s Fall were also unexpected highlights.

I had been getting to Shereign as they released singles over the summer and was really looking forward to seeing Sara perform this new music style, their “best gig so far!” as the joke goes since it was the first and only gig (at least for a while, due to Sara’s pregnancy). On that note, one of the cutest things that happened at the festival (aside from at least one proposal on Saturday) was someone throwing a bunch of stuffed animal toys on stage during Shereign (presumably for Sara’s tiny human-to-be).

I didn’t have much expectations for Tyrantti but their show was very memorable. They were a perfect fit to open the festival on the main stage and warm the audience up… remind us what live music is about and get everyone back in the mood for the atmosphere we crave every summer.

Also, I had seen Finntroll many times before so I felt I knew what to expect and haven’t familiarized myself with their newest albu myet, but I had forgotten how fun their gigs are to watch and photography although they did seem to have a bit of the gigless corona stiffness, it wore off after a while and was easy to get back into the swing and conga-line of the music!

Swallow the Sun, well, what can I say. I can’t seem to go a year without seeing them, they’re like air. Just the beginning of their gig was breathtaking. They used “Sininen Uni” as an intro. It took hold and calmed the audience down for the more melancholic set of the day, and as the song faded in ghostly distortion, and the first notes of “The Giant” began, chills shot down my spine and I was almost paralyzed for a good portion of the song. Ok, disclaimer, this band means a lot to me so yes, lots of emotions and larger than life feels…. but anyway. Aside from that, As soon as Mikko walked out I had to chuckle as his pink shirt with a unicorn and “pessimisti” in bubble letters took a sardonic poke at the melancholy and intense emotions I was overcome with… but they are just too damn good. They could all be dressed as pink unicorns and they would still be able pull off the doom and gloom they are known and loved for. I had to noticed how raw Juha’s performance was, in his movement, in his face, he seemed completely present whether he wanted to be or not and it made my heart ache in every way.

I had seen Ember Falls for the first time at this same festival in 2016 and looked forward to their bright red aesthetic and dancey industrial vibe, but holy crap were they more than I expected! They seemed to have matured so much since the last time I saw them but still maintain the vibe I was looking forward to. I think they are one of the more underrated bands in that genre and hope they get more exposure! Looking forward to seeing them again soon!

Satan’s Fall was also a pleasant surprise, I’m not so into their style of music but the gig was much welcome in the Saarihelvetti lineup. A bit different vibe than the other bands but it tied the day together nicely.

And then there was Vorna, the best act on the second stage, unsurprisingly (and as unbiased as I can be). They are always a crowd favorite and you can never fail to see in the fans how much their music means to them. This year, in place of the blazing sun of last summer, came clouds and rain… but it only enhanced the beauty in their melancholy and made the gig even more special and unforgettable. The rain did not deter the audience for a moment, they stayed getting drenched to watch the gig, and it made for an incredibly epic show !

Although the bands seemed a bit stiff to start due to lack of gigging, ultimately you could tell most were enjoying hitting the stage again . As enjoyable as the festival was, they were still able to maintain a strict hold on mask wearing and safe distances when possible, providing sanitizer and face masks to everyone and keeping the boats as limited as possible. My only complaint was that there was no dry place for media to tend their work/gear as all the indoor/covered areas were open to the public and mediated with restrictive occupancies and we were not allowed in the VIP or back stage areas with only media passes. Hopefully next year we won’t need such restrictions but if we do, just a thought to the organizers, otherwise 666/10 would recommend! See you next year!

DAY 1: Shereign, Tyrantti, I Revolt, Finntroll, Spiritus Mortis, Swallow the Sun, Insomnium

SHEREIGN

TYRANTTI

I REVOLT

FINNTROLL

SPIRITUS MORTIS

SWALLOW THE SUN

INSOMNIUM

DAY 2: Silver Bullet, Rytmihäiriö, Ember Falls, Lähiöbotox, Satan’s Fall, Lost Society, Vorna, Diablo, Atlas, Mokoma

SILVER BULLET

RYTMIHÄIRIÖ


EMBER FALLS

LÄHIÖBOTOX

SATAN’S FALL

LOST SOCIETY

VORNA

DIABLO

ATLAS

MOKOMA

FESTIVAL LIFE AND TAMPERE BURLESQUE

PHOTO REPORT: TALVIHELVETTI 2020


Photo report: Talvihelvetti – January 10, 2020 in Tampere, Finland –
Lord of the Lost, Torchia, Fear of Domination, Vorna, Insomnium and Machinae Supremacy.

This one day festival took place in Tampere, Finland during the darkest days of Winter. Bands included both foreign and local acts, as well as a diverse array of genres. Lord of the Lost, hailing from Germany, opened the night on the main stage, while Machinae Supremacy from Sweden closed the night on the small stage. Other bands ranged from Melodic Death Metal, Industrial Metal, and Thrash. Fear of Domination had a quick lineup change due to illness which also prevented them from continuing on to Seinäjoki, where most of the other bands continued on Saturday for a second night of mid-winter madness.

Here are some photos from the evening –

LORD OF THE LOST –


TORCHIA-

 

FEAR OF DOMINATION –


VORNA –

 

INSOMNIUM –

MACHINAE SUPREMACY –

Photography by Serena Solomon

PHOTO REPORT: VORNA, KAUNIS KUOLEMATON & VOIDFALLEN


Vorna recently released their third studio album “Sateet palata saavat”, and went on an album release tour with Kaunis Kuolematon and Voidfallen. Here is the photo report from the gig in Helsinki, November 16, 2019 at On The Rocks

Photography by Serena Solomon

VOIDFALLEN –

KAUNIS KUOLEMATON –

VORNA –