Saarihelvetti 2022 was full of top notch music. A perfect omnium gatherum (yes it is a word! n. a collection of miscellaneous people or things. Merriam-Webster.com. 2022) of genres ranging from fresh new black metal to popish metal core to headlining raw industrial metal. Although the weather was epic as well (in a not so enjoyable way), festival goers were almost able to overlook the constant rain as they enjoyed the first restriction free Saarihelvetti in 3 years. Although the festival was able to slither between the lockdowns of 2020 and 2021, there were still inevitable lineup changes and restrictions which made the festival a bit more difficult to navigate. This year we were finally free!Continue reading Saarihelvetti 2022
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PHOTO REPORT: SAARIHELVETTI 2021
Photo report: Saarihelvetti – July 6-7, 2021 in Tampere, Finland
Photography by Serena Solomon
How amazing it was to be back at a festival! Saarihelvetti, once again, provided us with a much welcome break from isolation and gigless existence as it did last summer. Aside from the bands, and seeing old friends, the crowd was the highlight. They brought the proper festival atmosphere.
In previous years, when bigger festivals like Nummirock and Tuska happened regularly, Saarihelvetti had a different kind of feel, it was a bit more of a “local” happening, without the craziness and hype the bigger festivals brought. But these past few years, when gigs and festivals have been scarce, that energy and mood exploded all over Viikinsaari and Laukontori in Tampere. “Festival Life” was everywhere , in every form, from the extreme industrial goth fashion to the goofiest costumes one would never expect to see at a metal festival (not to mention the creativity of “masks” were impeccable!). From stuffed animals to corpse paint, from hazmat suites to animal onzies, it was hard not to be distracted by the crowd when watching the gigs!
But I digress, the music. Ah, live – fucking – music! Pits, blasting drums, headbanging, singing, dancing, etc. Life itself. Shereign , Swallow the Sun, Ember Falls and Vorna were my “highly anticipating” bands, while Finntroll, Tyrantti and Satan’s Fall were also unexpected highlights.
I had been getting to Shereign as they released singles over the summer and was really looking forward to seeing Sara perform this new music style, their “best gig so far!” as the joke goes since it was the first and only gig (at least for a while, due to Sara’s pregnancy). On that note, one of the cutest things that happened at the festival (aside from at least one proposal on Saturday) was someone throwing a bunch of stuffed animal toys on stage during Shereign (presumably for Sara’s tiny human-to-be).
I didn’t have much expectations for Tyrantti but their show was very memorable. They were a perfect fit to open the festival on the main stage and warm the audience up… remind us what live music is about and get everyone back in the mood for the atmosphere we crave every summer.
Also, I had seen Finntroll many times before so I felt I knew what to expect and haven’t familiarized myself with their newest albu myet, but I had forgotten how fun their gigs are to watch and photography although they did seem to have a bit of the gigless corona stiffness, it wore off after a while and was easy to get back into the swing and conga-line of the music!
Swallow the Sun, well, what can I say. I can’t seem to go a year without seeing them, they’re like air. Just the beginning of their gig was breathtaking. They used “Sininen Uni” as an intro. It took hold and calmed the audience down for the more melancholic set of the day, and as the song faded in ghostly distortion, and the first notes of “The Giant” began, chills shot down my spine and I was almost paralyzed for a good portion of the song. Ok, disclaimer, this band means a lot to me so yes, lots of emotions and larger than life feels…. but anyway. Aside from that, As soon as Mikko walked out I had to chuckle as his pink shirt with a unicorn and “pessimisti” in bubble letters took a sardonic poke at the melancholy and intense emotions I was overcome with… but they are just too damn good. They could all be dressed as pink unicorns and they would still be able pull off the doom and gloom they are known and loved for. I had to noticed how raw Juha’s performance was, in his movement, in his face, he seemed completely present whether he wanted to be or not and it made my heart ache in every way.
I had seen Ember Falls for the first time at this same festival in 2016 and looked forward to their bright red aesthetic and dancey industrial vibe, but holy crap were they more than I expected! They seemed to have matured so much since the last time I saw them but still maintain the vibe I was looking forward to. I think they are one of the more underrated bands in that genre and hope they get more exposure! Looking forward to seeing them again soon!
Satan’s Fall was also a pleasant surprise, I’m not so into their style of music but the gig was much welcome in the Saarihelvetti lineup. A bit different vibe than the other bands but it tied the day together nicely.
And then there was Vorna, the best act on the second stage, unsurprisingly (and as unbiased as I can be). They are always a crowd favorite and you can never fail to see in the fans how much their music means to them. This year, in place of the blazing sun of last summer, came clouds and rain… but it only enhanced the beauty in their melancholy and made the gig even more special and unforgettable. The rain did not deter the audience for a moment, they stayed getting drenched to watch the gig, and it made for an incredibly epic show !
Although the bands seemed a bit stiff to start due to lack of gigging, ultimately you could tell most were enjoying hitting the stage again . As enjoyable as the festival was, they were still able to maintain a strict hold on mask wearing and safe distances when possible, providing sanitizer and face masks to everyone and keeping the boats as limited as possible. My only complaint was that there was no dry place for media to tend their work/gear as all the indoor/covered areas were open to the public and mediated with restrictive occupancies and we were not allowed in the VIP or back stage areas with only media passes. Hopefully next year we won’t need such restrictions but if we do, just a thought to the organizers, otherwise 666/10 would recommend! See you next year!
DAY 1: Shereign, Tyrantti, I Revolt, Finntroll, Spiritus Mortis, Swallow the Sun, Insomnium
SWALLOW THE SUN
DAY 2: Silver Bullet, Rytmihäiriö, Ember Falls, Lähiöbotox, Satan’s Fall, Lost Society, Vorna, Diablo, Atlas, Mokoma
FESTIVAL LIFE AND TAMPERE BURLESQUE
PHOTO REPORT: TALVIHELVETTI 2020
Photo report: Talvihelvetti – January 10, 2020 in Tampere, Finland –
Lord of the Lost, Torchia, Fear of Domination, Vorna, Insomnium and Machinae Supremacy.
This one day festival took place in Tampere, Finland during the darkest days of Winter. Bands included both foreign and local acts, as well as a diverse array of genres. Lord of the Lost, hailing from Germany, opened the night on the main stage, while Machinae Supremacy from Sweden closed the night on the small stage. Other bands ranged from Melodic Death Metal, Industrial Metal, and Thrash. Fear of Domination had a quick lineup change due to illness which also prevented them from continuing on to Seinäjoki, where most of the other bands continued on Saturday for a second night of mid-winter madness.
Here are some photos from the evening –
LORD OF THE LOST –
FEAR OF DOMINATION –
MACHINAE SUPREMACY –
Photography by Serena Solomon
PHOTO REPORT: VORNA, KAUNIS KUOLEMATON & VOIDFALLEN
Vorna recently released their third studio album “Sateet palata saavat”, and went on an album release tour with Kaunis Kuolematon and Voidfallen. Here is the photo report from the gig in Helsinki, November 16, 2019 at On The Rocks
Photography by Serena Solomon
KAUNIS KUOLEMATON –
PHOTO REPORT: PROFANE OMEN AND KORPIKLAANI
Interview with MYGRAIN – 19.1.2019
We caught up with Eve and Tommy of MYGRAIN at Metal Crane Festival in Helsinki, Finland. Check out what they had to say about the past, present and future of the band as well as other odds and ends about whats going on in the minds behind the music.
Interview and Editing – Serena S.
Camera – Lisa R.
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