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Review: The Dead Soul Communion – MMXVII


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REVIEW: The Dead Soul Communion – MMXVII by Carina Lawrence / Dark Art Conspiracy

The Dead Soul Communion is a brand new project from Ex Devilment founder Daniel Finch. The band also features members of Steve Harris British Lion and ex Dearly Beheaded drummer Simon Dawson, along with members of Synaptik, Heathen Deity and more, so there is a lot of experience and influences running through the band. The album lyrically deals with many themes such as internal struggles, love, relationships, suicide, self-destruction, acts of violence, war and mental illness.

Opening song ‘My Beautiful Mistake’ gets things off to a powerful melodic start with fierce outbursts and chug heavy guitars. This is a hefty, varied and unpredictable track especially towards the end, leaving us eager to hear more…

‘The Communion’ is much darker with aggressive growls and stomping fast instruments. It still maintains its melodic currents aided through the use of the clean vocals. The synths add more depth and ambience and work well with the thrash riffs, giving it a dramatic and suspenseful sound.

Continuing on the theatrical atmosphere is the intro of ‘Last Grains Of Sand’ which goes on to hit hard in this non-stop thumping metal offering which is all consuming through the effects and vocal wails.

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REVIEW: Ded – Mis-An-thrope


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REVIEW: DED- MIS-AN-THROPE by Carina Lawrence / Dark Art Conspiracy

Ded are a relentless modern metal band from Phoenix Arizona who have been causing quite the commotion since their first EP and now they are really stirring things up with their high impact debut album ‘Mis-An-Thrope’. Through their hard work and driven attitude, they gained the attention of well-known producer John Feldmann (Disturbed, Blink-182, Beartooth) and the momentum continues to grow. They just finished a run with Korn and Stone Sour, and have various other tour dates and festival appearances lined up for the rest of the year.

Opening song ‘Architect’ surges and explodes from the off declaring “get up and fucking go” which is very appropriate for the carnage that ensues and is the perfect song to lose your shit too. This is frantic, seriously catchy and a well-structured heavy hitter that is non-stop and prepares you for what is to come for the rest of the album…

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REVIEW: CORPSIA – GENOCIDES IN THE NAME OF GOD


REVIEW: CORPSIA – GENOCIDES IN THE NAME OF GOD by Carina Lawrence / Dark Art Conspiracy

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Brazilian thrash trio Corpsia have unleashed their debut album ‘Genocides In The Name Of God’. Following this release they are bringing their fierce sounds to Europe in September to unveil their new songs in the live setting, so 2017 looks to be a big and busy year for them.

The first single and opening track ‘Purgatory Scum’ begins with a dark and eerie acoustic guitar intro which builds in suspense before it all kicks off with pounding drums and fast furious riffs. This is a strong and powerful start to the debut with killer guitar work.

The title track is brilliantly belligerent and charges on throughout with great heavy rhythms and effective drums to accompany that are perfect for headbanging along too. This is simply crushing.

‘Holochrist’ again revisits the sinister vibes of the opener with creepy guitar work before going into full thrash mode, with hard-hitting riffs and strong consistent instrumentation, as seen throughout the album. The stand out ‘Snakes’ features resonant riffs and great tones. It has all the key elements of a top metal track and contains some of the best and memorable guitar work.

Closing song ‘Returns’ is a hefty slab of finely crafted thrash and may be one of their strongest offerings yet, making a powerful end to this debut.

This is a coherent and consistent debut album which has a lot of aggression and force behind it, which should appeal to both old school thrash and modern thrash fans as it embraces both. Corpsia should be proud of this full-length as it’s a strong release and it will be exciting to see what they produce next and how they expand.

 

SCORE: 3.5/5

 

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REVIEW: Neoheresy- Oblawa


Neoheresy- Oblawa Review by Ekaterina K.

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Neoheresy was brought into being in the year 2012. After recording the last material named Hellveto “Damnaretis”, it is time for a stylistic evolution resulting in the change of the project’s name.

The Music conception of the Neoheresy horde is directed towards monumental Black Metal with the influence of ancient folk and symphonic music as well as the lyrical, vocal part, and live drums. Some types of electric and acoustic guitars, keyboards, synths and ethnical instruments are being used in this project.

The Musically Neoheresy has an emotional and hegemonic overtone due to the solo character of the performance.
As was mentioned in description, Neoheresy’s genre is black metal. But, surprisingly, there’s only a small part of their music consists from pagan black metal as we used listen to. “Oblawa” is more deep and diverse album with real atmospheric tunes, creating associations with obscurantism of Middle Ages, half-mysterious beliefs of people and witchery.

A lot of additional instruments, choir and symphonic parts create unique atmosphere. It all begins with an intro – “Preludium”, with horse’s hooves sound in the background which adds a bit of intriguing mystery. Vocals is worth to mention – from croak it goes to narrative, as in “Powróca…    ” for instance, which catch the attention along with Polish lyrics.

What differs that album is that there’s no “standard” black-metal guitar riffs and characteristic “heaviness”. Guitar work itself is used as an additive, but perfectly fits in the songs structure. Choirs are presented almost in every song and they give certain volume and epicness to the album. Neoheresy found this golden mean – a lot of elements are used in songs, but sound is not overloaded. It’s hard to classify it to any black metal subgenres, as this album is too original and deep to fit in any frames.

Score: 5/5.

“Oblawa” was released in January 2017 by Elegy Records.

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1.Preludium
2.Karzel0
3.Oblawa
4.Powróca…
5.Cmentaria
6.Dwa zywioly

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