by Carina Lawrence/ Dark Art Conspiracy
The Black Dahlia Murder are one of the most well-known death metal bands and they have cemented their place in the genre since their formation in 2001. Now in 2017, they
Continue reading INTERVIEW: The Black Dahlia Murder (US)
PHOTO REPORT: DARK DAYS OF HELSINKI – Day 1 Finland by Serena Solomon
VALLENFYRE (uk)
CULT OF OCCULT (fr)
IXXI (se)
NECROPSY (fi)
KYY (fi)
https://darkartconspiracy.com/2017/09/25/photo-report-dark-days-of-helsinki-2017-day-1/
PHOTO REPORT: DARK DAYS OF HELSINKI – Day 2 Finland by Serena Solomon
ENTOMBED AD (se)
MEMORIAM (uk)
CANCER (uk)
FORESEEN (fi)
AMPUTORY (fi)
https://darkartconspiracy.com/2017/09/26/photo-report-dark-days-of-helsinki-2017-day-2/
Photography by Pedram Ghadiri / Dark Art Conspiracy
KORPIKLAANI:
NAPALM DEATH:
PHOTO REPORT: SAUNA CLASSIC – 28- 29.7.2017 Tampere, Finland by Serena Solomon
DAY 1 Report: https://darkartconspiracy.com/2017/07/31/photo-report-sauna-classic-2017-day-1/
DAY 2 Report: https://darkartconspiracy.com/2017/08/07/photo-report-sauna-classic-2017-day-2/
Continue reading Snovonne – “The Child And The Bitch” is dedicated to the psychology of my life
REVIEW: AZARATH – IN EXTREMIS by Jessica Johnson / Dark Art Conspiracy
Release date: April 7th
Genre: Blackened Death Metal
The newest album of Polish black/death metal tyrants Azarath has the right name. “In Extremis,” meaning “at the point of death” or “under extreme circumstances” in Latin, is a non-stop assault of extreme death metal that takes no prisoners. The anticipated album arrives six long years after its predecessor, “Blasphemers’ Maledictions” (2011).
Azarath was formed almost two decades ago by drummer Inferno (of Behemoth fame), and he is currently accompanied by Bart (Armagedon, Damnation) on guitars, Necrosodom (Anima Damnata, Deus Mortem, ex-Infernal War) on vocals and guitars, as well as Peter (ex-Lost Soul) on bass.
Stylistically, the album is a demonic concoction of death metal influences: Polish extreme death metal with its relentless riffs, ominous melodies and unearthly growls, and old school death with its chaotic, screeching guitar solos the likes of Morbid Angel.
Continue reading REVIEW: AZARATH – IN EXTREMIS
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