#darkartconspiracy #metal #music #news
#darkartconspiracy #metal #music #news
In November 2016, LONGHOUSE returned to Wolf Lake Studios to record with Mike Bond (Loviatar, Norilsk, Arms of the Girl) once again as producer and engineer for the outcome to be their sophomore album entitled “II: Vanishing”. The album continues the pleasing progression of their debut while retaining the band’s core sound of heavy, intricate riffs, splashed with a touch of post-metal to guide you on a dark and visceral journey spanning nearly 40 minutes over five tracks.
Those influences can be heard in LONGHOUSE‘s first single “No Name, No Marker”, a song written for the voiceless Indigenous children who were abused and died while forced to attend residential schools in Canada and were buried in unmarked graves.
“No Name, No Marker” streaming at https://longhouse1.bandcamp.com/track/no-name-no-marker-2


ULSECT are premiering the second track taken from their self-titled debut album, which has been slated for release on May 12th.
Regarding the song premiere, ULSECT comment: “The track ‘Our Trivial Toil’ depicts absolute futility. The colliding ways of man leading to inevitable doom. The oppressive force displayed throughout this song makes it one of the heaviest on our debut; even midst passages of deceptive calm, imminent terror lurks beneath the surface, ready to seize occasion…”
ULSECT have previously revealed artwork and track-list of their debut album, which can both be viewed below.

Track-list
1. Fall to Depravity (06:45)
2. Our Trivial Toil (07:59)
3. Diminish (05:52)
4. Moirae (02:20)
5. Unveil (04:23)
6. An Augury (03:59)
7. The Endling (04:43)
8. Maunder (06:32)
Total playing time: 42:33

It is hard to imagine Tilburg as the heart of darkness. Yet in musical terms, this expression qualifies as an apt description for the homely Dutch city that has spawned such acts as blackened extremists DODECAHEDRON and rhythmic progressives TEXTURES. Out of this circle, ULSECT have emerged.
The death metal innovators feature guitarist Joris Bonis and drummer Jasper Barendregt from DODECAHEDRON as well as former TEXTURES bass-player Dennis Aarts. It therefore hardly comes as a surprise that elements of their origins have permeated into ULSECT‘s eponymous debut album. You will find high technical precision and prowess woven into dense dissonance and lucent atmosphere.
‘Ulsect’ embodies relentless post-death metal aesthetics fraught with shifting patterns and dark tonality. The primeval forces unleashed by pioneers such as GORGUTS and DEATHSPELL OMEGA are violently harnessed to serve a sinister musical purpose. Nightmares transformed into sonic matter.
ULSECT herewith cordially invite you to dare and explore their dark dimension.
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Sri Lanka’s PLECTO ALIQUEM CAPITE have announced plans for the release of their very first DVD. Titled “Third World Psychosis”, it is set to be released on June 2017.
The DVD will feature two music videos for the singles “Parasomnia” and “Hypersomnia”, which were shot and edited by Sidath Samarasinghe. The band will also include a bonus disc with material from their latest EP “The End” (2016) and two cover tracks.
Plecto Aliquem Capite has made all of their releases available on:
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On Friday, March 24, official presale for the concert film “RAMMSTEIN: PARIS” begins ahead of its worldwide release on May 19. The film, which will be released in many configurations, sets new standards. In March 2012, during the “Made in Germany” tour, Swedish director Jonas Åkerlund shot two acclaimed Rammstein concerts at the Palais Omnisports arena in Paris in front of 17,000 spectators. Featuring 22 songs from the band’s entire repertoire, the resulting film is not only the most spectacular collection of imagery about the most successful German rock band of our time, but also a masterpiece of music cinema, capturing Rammstein‘s energy as a unique visual and sonic experience.
Åkerlund is notorious for his radical, pioneering video clips for bands such as The Prodigy, Metallica, the Rolling Stones and also Rammstein. Absurd details, upended perspectives, shocks of contrast and sensory confusion flicker through his music productions, and in “RAMMSTEIN: PARIS”, he celebrates this from the very first minute. Rammstein play 22 songs (128 mins), ranging from “Wollt ihr das Bett in Flammen sehen?”, the first song from the very first album, to “Frühling in Paris” from the last studio album “Liebe ist für alle da”.
Artistically and dramaturgically ingeniously staged, like an overwhelming video clip, “RAMMSTEIN: PARIS” is one of the best rock concert films of all time. “Absolument“
A first impression of this masterpiece can be seen HERE.
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