Tag Archives: stream

ANTARKTIS stream new album ‘Ildlaante’


Sweden’s metal/post-rock newcomers ANTARKTIS stream their debut album“Ildlaante” ahead of its October 6th release on Agonia Records. Listen to the album in advance here:

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Septicflesh unleash sensational new album in full


SEPTICFLESH are premiering their complete forthcoming tenth album, ‘Codex Omega’, which has been scheduled for release on September 1st.

SEPTICFLESH comment on the album: “The beginning of autumn marks the release of our tenth opus ‘Codex Omega’. You are all welcome to enter Inferno in search for the last Testament. Here only the Headless prevail, as there is no godhead above. Here Martyrs died for the sake of reason and knowledge. And our Art is our Church. Our Queen is no ‘virgin’ Mary. Our Gospels are bringing fear. And at the end, the true identity of Trinity is revealed. Behold Codex Omega!”

SEPTICFLESH have previously revealed the artwork, which has been created by frontman Seth and track-list of ‘Codex Omega’. Both can be viewed below.

unnamed.jpg

  1. Dante’s Inferno (5:34)
  2. 3rd Testament (Codex Omega) (4:08)
  3. Portrait of a Headless Man (5:00)
  4. Martyr (5:07)
  5. Enemy of Truth (4:55)
  6. Dark Art (5:24)
  7. Our Church, Below the Sea (3:59)
  8. Faceless Queen (5:20)
  9. The Gospels of Fear (3:41)
  10. Trinity (4:07)

Ne Obliviscaris release second new song


NE OBLIVISCARIS are premiering the second stunning song taken from their forthcoming masterpiece, ‘Urn’, which has been scheduled for release on October 27th.

The song “Urn (Part I) – And Within The Void We Are Breathless” is now streaming at the link below, which can be freely and immediately published.

NE OBLIVISCARIS frontman Tim Charles comments on behalf of the band: “The 14-minute long title track from our new album ‘Urn’ comes in two parts and forms the album’s grand finale. We are now presenting Part 1, ‘And Within The Void We Are Breathless’. This song is one of the more intense featured on our new record and flows through darker territory than the previously released, ‘Intra Venus’.”

Vulture Industries premiere clip for ‘Something Vile’ featuring a dinosaur in Bergen


VULTURE INDUSTRIES are premiering the third song taken from their forthcoming album, ‘Stranger Times’, which has been scheduled for release on September 22nd.

The track “Something Vile” is presented in the form of a monstrous video, which has been created by renowned Romanian visual artist Costin Chioreanu and is now streaming at the link below, which can be freely used and spread.

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Drudkh and Paysage d’Hiver stream split-EP


Ukrainian black metal veterans DRUDKH and Swiss underground one-man act PAYSAGE D’HIVER (out on Prophecy) will release their limited 12″ split-EP ‘Somewhere Sadness Wanders / Schnee (IV)’ worldwide today, August 25th.

The complete split-EP is now exclusively streaming via Invisible Oranges (US).

The artwork of ‘Somewhere Sadness Wanders / Schnee (IV)’ can be viewed together with the track-list of the split-EP below.
Tracklist
1. DRUDKH – All Shades Of Silence (12:54)
2. DRUDKH – The Night Walks Towards Her Throne (8:08)
3. PAYSAGE D’HIVER – Schnee IV (19:51)

DRUDKH release their next split-EP. The Ukrainian underground black metal veterans collaborate with the Swiss atmospheric black metal project PAYSAGE D’HIVER this time.

Mastermind Roman Sayenko continues to draw his lyrical inspiration from Ukrainian poets. “All Shades Of Silence” derives from the writings of Yevhen Pluzhnyk (1898-1936), who died in a Stalinist gulag. His contemporary Maik Yohansen (1895-1937), who penned the words in “The Night Walks Towards Her Throne” shared a similar fate by being murdered with the guns of a Soviet firing squad.

Both tracks clearly show Roman Sayenko’s musical handwriting by perfectly blending raw harshness, epic melodies and a touch of folklore into black metal masterpieces.

With their latest full-length ‘A Furrow Cut Short’ (2015), DRUDKH continued on the dark and bleak course charted with previous release ‘Eternal Turn of the Wheel’ (2012). In an ever-evolving metamorphosis, DRUDKH have regularly returned to their early legacy from the Nordic Black Metal inspired debut ‘Forgotten Legends’ (2003) as well as the cinematic soundscapes of ‘Autumn Aurora’ (2004) and the traditional influences of ‘The Swan Road’ (2005). On ‘Blood in Our Wells’ (2006) progressive elements surfaced, while after the instrumental and partly acoustic ‘Songs of Grief and Solitude’ (2006) a sharp contrast was created by the harshly black ‘Estrangement’ (2007). ‘Microcosmos’ (2009) seemed to tie up the different strands of DRUDKH‘s previous releases, before embarking on a quest to more outlying progressive realms with ‘Handful of Stars’ (2010), which led Roman Sayenko to found OLD SILVER KEY, joined by ALCEST vocalist Neige. The band’s mastermind has often penned his own lyrics, but also continuously rediscovered forgotten poets of his home country. With similar intentions but musically closer to their original band, members of DRUDKH including Roman Sayenko released an album entitled, ‘The Great Cold Steppe’ (March, 2017) using the name WINDSWEPT.

DRUDKH insist to be understood through their music alone and do not provide any kind of promotion. DRUDKH do therefore not release any pictures, nor give interviews, or perform live.

Line-up DRUDKH
Roman Sayenko: guitars
Thurios: guitar, vocals
Krechet: bass
Vlad: drums, keyboards

Caligula’s Horse – premiere official video for ‘Will’s Song (Let the Colours Run)’


Caligula’s Horse, a band at the forefront of Australia’s progressive rock scene, recently debuted the track ‘Will’s Song (Let the Colours Run)’, the first track taken from the forthcoming new album ‘In Contact’ out 15th September 2017. Now they are premiering the music video for the track, directed by the band’s guitarist Adrian Goleby.

Vocalist Jim Grey explains: “The story of ‘Will’s Song’ is centred around pride and ambition, the human tendency toward self-destruction, the last demand of a proud old man that time is not decay and he is ‘that young man still’.” Goleby has mirrored this in the clouded performances, obscured figures either silhouetted in smoke and colourful light or dissolving into nothing, and the frenetic visuals truly capture the kinetic energy of the song.

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