British extreme metal veterans Cradle Of Filth continue to terrorise and delight on their fourteenth opus, ‘Screaming Of The Valkyries, ‘ which will be unleashed on the 21st of March via Napalm Records. It delivers some of their most ambitious and devilish offerings yet. I got to speak to the band’s masterful creator and vocalist, Dani Filth, who joined me on a Zoom call while he was at his home in Suffolk, UK, to discuss the new album and much more.
Finnish melo-doom metallers Swallow the Sun released the first single “Innocence Was Long Forgotten” from their upcoming album on July 2nd accompanied by a breathtaking video.
“All the new music from Swallow The Sun felt like an ice dagger through a sleeping heart. So we wanted to work with influential producer Dan Lancaster (Bring Me the Horizon, Muse, Enter Shikari etc.) to drive this dagger even deeper into our hearts.”
Those ideas and feelings were successfully portrayed in the single as well as in the music video directed by Vesa Ranta, which was a spot on visual representation of the sounds and lyrical themes. Stark duality of dark and light, new and old, familiar and foreign sounds all blend together to deliver a staggering ice bath of new music from the band. Many fans were taken aback, but are eagerly waiting to hear the new album in its entity.
Swallow the Sun have been torchbearers of melodic doom since 2000. Beauty in Gloom has been a running theme in their identity, lyrics and sound for almost twenty four years. Reaching global fame with fan-praised music videos (10+ million YouTube views) and streaming dominance (50+ million Spotify plays) and has played more than 900 gigs on four continents during their 20-year career. However this new single suggests their sound might have gone through some form of metamorphosis and will emerge with something new and unfamiliar yet no less visceral and striking as their previous music.
Their only current live date is at Hellsinki Metal Festival on August 9th. More info on future dates to come.
Swallow The Sun:
Juha Raivio –Guitars, Keyboards Juho Räihä – Guitars Mikko Kotamäki – Vocals Matti Honkonen – Bass Juuso Raatikainen – Drums
Download Festival –LIVE REVIEW by Carina Lawrence / Dark Art Conspiracy
Download Festival 2024 marked the 7th one I have been to. Still, for the first time, I arrived on Wednesday the 12th of June, two days before the arena and main music started, as I usually would arrive very early on the first day of the arena opening. It was nice to experience the other festival activities on Wednesday and Thursday, the 13th of June, such as chilli eating contests, axe and paddle bushcraft demonstrations and some bands playing in the Doghouse. I especially enjoyed seeing Bleed Again from Brighton, a local band I am very familiar with and was proud to see them crushing it, headlining the Takeover Stage with a good turnout. There was also lots of comedy, including on Thursday with Andrew O’Neill’s History Of Heavy Metal sketch, which was a highlight pre-main festival, which was entertaining and took you through the milestones of metal with Andrew playing the heavy hitters on guitar and adding some funny quips in the mix to a packed tent. The two days before the arena opened was also lovely weather, perfect for sitting around in camp, enjoying a few drinks, and enjoying the atmosphere; it’s just a shame that the weather took a turn for the worst on Friday, 14th June, just in time for the main event!
The Court Of The First Instance in Warsaw has pronounced the verdict forbidding Bartłomiej Krysiuk the use of the name Batushka and БАТЮШКА. See statements and information below:
On a dreary Monday, 84th of January (or so it felt) the most metal circus came to put grimaces on the many painted faces of Tampere, bringing along the highest quality melodic death metallers the US has to offer. Avatar and Æther Realm played a packed (if not sold out) Olympia. Although it was a Monday, one would have never guessed by looking at the amount of people, and their enthusiasm. I was personally surprised to see a line out the door, as I approached the venue. The amount of people who seemed to be just as excited to see Æther Realm open was also surprising. At least half the audience knew exactly what to do when the band called for the “tiny metal hands”, a running joke within the band and its fan culture. It was quite an honor to be at their debut gig in Finland too, since they’ve also had a running joke that although they play high quality melo-death metal, they are, in fact NOT from Finland. Their vocalist mentioned it had been a dream of theirs for over fourteen years to play Finland and we were lucky enough to witness the dream finally coming true for the first time! The band not only played a beautiful set, with a perfect blend of more melancholic folk (my heart twinged at the mention of Appalachian folk!) and hard driving death metal, but were also incredibly sincere on stage. Their passion and humor along with their gratefulness for finally getting to play in Finland was pure and made the show all the more genuine.
The whole gig turned out to be unexpectedly amazing and unique in so many ways. Beyond Æther Realm‘s story and significance of this show for them, the enthusiasm of the crowd was like nothing I had experienced before. Specially at a smaller venue like Olympia, specially on a Monday in January. I mentioned the unexpected line out the door and genuine interest in the opening act, but there were also many people dressed up in Avatar attire. Intricately painted clown faces, costumes and other metal circus-esque aesthetics could be seen in at least a third of the crowd, or so it seemed. As I stood waiting between bands, I also heard a lot more English and other languages being spoken through out the crowd than usual, as well as listened in on their conversations of their travels to Tampere (and plans for going to the other shows in Finland as well). The fact that Avatar had a huge stage setup with them was also quite unexpected, and uncommon for Olympia (though knowing this band had recently played stadium gigs around Europe made it a bit more understandable). I believe this extravagance was also what lead to the first time I could feel the floor moving during the gig in Olympia ( and it wasn’t even during the mosh pits or wall of death, which was another thing I had rarely experienced at that venue, and agian, on a Monday no less!).
But after experiencing the show, it all made sense. The grandeur, the enthusiasm and dedication of the fans, the fact that the venue was near sold out, people traveling from other countries, everything. It was an epic experience. Not only the whole circus aesthetics and moments that were more theater than metal gig, but the bands presence, their cohesiveness and how they seemed to be completely at ease, in sync and enjoying themselves but still taking their music and showmanship seriously. The thread of darkness and heaviness that somehow maintained its presence despite the playfulness (including NSFW kind of playful) and circus aesthetic somehow made those kitschy gimmicks not too kitschy. It tinted the bright colors and glitz with a darkness that made it a bit more haunting than fun. The moments of seriousness and moodiness that the band members wove into the silliness, not to mention their talent theatrically as well as musically made it an unforgettable night. Only one month into the year and I can bet this gig will make it to my top 10 if not top 5. Both bands are now on my wish list to see again at a festival or club or anywhere in the near future!
Our last gig of the year was Stam1na and Stoned Statues at Tavara-Asema in Tampere. The venue was packed and the mood was sparking with anticipation – welcome warm from the biting frost outside. Stoned Statues earned their place and were a magnificent opening act for Stam1na. Jenna even came on stage and joined Antti on vocals for one song during Stam1na’s set.
It had been a while since I’ve seen Stam1na and the aesthetic of their newest album “X” was a lot more profound and visible in their live show than I expected. In their background animation and shirts but also in their presence and sound. It definitely felt different for them in a really quintessential way, even more honed in and focused than previous albums and live shows. It was an honor to be there when Sakara Records presented them with their platinum albums for “X” and Tuomo Saikkonen (Mokoma/founding member of Sakara Records) joined them on stage for a few songs!
I couldn’t have imagined a better way to end the 2023 gig year. On to the next!
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