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LIVE REVIEW: BLOODSTOCK FESTIVAL, CATTON PARK, UK – 8TH AUGUST-11TH AUGUST 2024


Bloodstock Festival –LIVE REVIEW by Carina Lawrence

Bloodstock festival continues to grow each year, with 2024’s event being their biggest yet. This was evident by selling out weekend tickets and Saturday day tickets, a mighty achievement that was well deserved and expected considering the magnitude of the line-up.

Continue reading LIVE REVIEW: BLOODSTOCK FESTIVAL, CATTON PARK, UK – 8TH AUGUST-11TH AUGUST 2024

PHOTO REPORT: Nummirock 2024


Nummirock 2024 was a hit! So much so that the festival asked for compliance in keeping campsites no larger than necessary to accommodate a high attendance expectation. Although the lineup itself was a bit underwhelming for Nummirock standards, it felt like the festival was attended better than it had been in the past few years and possibly even pre-covid years. Last year, I noticed the camp grounds being almost full by Tuesday and even with lake side camping being almost doubled in size this year, it felt already on Monday there were more people than last year (yes, me and my camp arrive earlier and earlier each year now). Of course, I wondered how the festival would top the beyond epic finale Behemoth gave us last year and unfortunately this years finale did not come close though Kerry King and the others on stage did provide a pretty amazing and memorable show . However, the festival seemed to focus more on improving in other ways. The festival organizers really listen to the feedback of the attendees and provided more showers and toilets to the camping areas, a larger area to sit and recharge in the festival area, more efficiency at the gates to reduce ques, plus more variety in food including an improved cafeteria style setup in the relamo area with daily menu’s including breakfast. There were also brand new (or not regular) additions to the festival such as a book truck and mini market, bungee jumping, helicopter rides, a mölkky (Finnish yard game) competition in addition to the regular frisbee golf competition and many others like corpse paint workshop and book signing/interviews as well as meet and greets. Some regular favorites included the lovely Tampere Burlesque, stand up comedy acts, bingo, rock yoga and Stereo Terror DJs who always end the festival on a memorable note.

When it came to the music, Body Count , Thy Art is Murder and Blackbraid seemed to be the most anticipated bands amongst festival goers. Martti Servo & Napander, Tarot and Warmen were also up there. One of my personal highlights, Kallomäki were also highly talked about. Many people weren’t familiar with them before, but were blown away by their performance including dancing dark fusion duo MorteDohlen. Not only was their music perfect for kicking off a midsummer insanity, their show ranged from pure mosh pit inducing metal to folk ballads included pagan rituals such as an on stage “sacrifice” and the audience getting individually marked with blood by one of the band members. The crowd was 110% enthralled and put everyone in the mood for the weekend to come. I had been waiting years for Kallomäki to make their way to Nummirock and was so amazed and excited for them and how the crowd responded to them. If I’m not mistaken, their music was also played during an unofficial event that happened in the camping area by one of the most recognized camps. It was an epic ritual type event organized by the camp (invitations by word of mouth), that happened on the forest side before the festival began. It included a sombre speech made by the host, and though it was a bit difficult to hear, attendees (maybe between 20-30 people including the camp members) kneeled as the host gave his speech and offered everyone a chance to pay respects to the giant totem the camp had built called Seppo and make their sacrifices at the alter for a good midsummer/Nummirock (photos in Festival Life).


Other highlights were Deathchain, although not my typical style of music, their show blew me (and many others) away. The new lineup works flawlessly and they simply had a raw and genuine energy that no other band could touch.
The Halo Effect was also a perfect edition to the Thursday lineup. I think they should have been a headliner. They just fit so well on that main stage, and have such a great connection with the audience and each other.
It was also bittersweet to see Warmen on that main stage, playing Children of Bodom songs where I had seen CoB headline the entire festival multiple times. Although Warmen is still reclaiming their status, I think they could have also easily been a headliner. They were definitely a crowd favorite and with no questions why. It was really interesting to see so many bands this year that have been reformed or newly formed with well recognized members of other bands. To see what these talented musicians can do other than what we are familiar with. Petri Lindroos gave us a triple shot in three very different bands including Warmen, Satanic North and Ensiferum (who surprised me with their show, like somehow out of nowhere the life had been breathed back into them). Crownshift also still in their debut stages showcasing members who are well known for their other bands playing fresh new music in a completely new context. And also a first time for me seeing Tarot and Marco Hietala in his element. They were also an unexpected highlight for me. Similiar to The Halo Effect, just perfect music and energy and a perfect edition to the days lineup. Marianas Rest should have been on the Inferno stage in my opinion, with a later time slot and a MUCH LONGER set. Specially with their style of doom and moody tunes, thirty minutes was just a teaser. But either way, the short but bittersweet show as a definite highlight for me. And Blackbraid, probably my most anticipated act since I had never seen them and was incredibly curious how this unique mix of Native American aesthetics and black metal would work live (not to mention I really dig their sound). They did not disappoint! They will also be at Hellsinki Metal Festival later in the summer but I would love to catch them on a club gig and really hope they come back to Finland outside of festival season. I have to also mention how I love this growing tradition of midnight black metal on the Inferno stage. In general I thought this year had a pretty decent mix of genres spread evenly through out the four days. Bit of something for everyone which not every metal festival is capable of achieving.

Saturday also brought my two favorite non band acts – Tampere Burlesque and Stereo Terror DJs. I think during a four day camping festival, including acts such as these are an essential part of the festival experience to switch things up and give festival goers a chance to experience something different as well as let the stage be taken over by other forms of music entertainment. I hope all of these extra curricular acts and activities stay part of the Nummirock experience in years to come, it definitely adds to the uniqueness of the festival. Cant wait to see what they have in store for next year!

DAY 1:
Suotana, Anima Hereticae, Kaunis Kuolematon, Mister Misery and Kallomäki & MorteDohlen

DAY 2: Thrown, Swansong, Deathchain, The Halo Effect, Ingested, Body Count and Horna

DAY 3: Shade Empire, Party Cannon, Warmen, Marianas Rest, Blackbraid, Thy Art Is Murder, Kyy, Shadow of Intent, Eluveitie and Satanic North

DAY 4: Martti Servo & Napander, Wikirock, Horizon Ignited, Tarot, De La Rocka, Corwnshift, Isomnium, Ensiferum and Kerry King

TAMPERE BURLESQUE: Honey Rocket, Koko Da Voom, Wendy Flow, Velvet Wonder and Miss Jenny Sparkly

FESTIVAL LIFE

SWALLOW THE SUN release first single and music video “Innocence Was Long Forgotten”


photo: Jussi Ratilainen

Finnish melo-doom metallers Swallow the Sun released the first single “Innocence Was Long Forgotten” from their upcoming album on July 2nd accompanied by a breathtaking video.

“All the new music from Swallow The Sun felt like an ice dagger through a sleeping heart. So we wanted to work with influential producer Dan Lancaster (Bring Me the Horizon, Muse, Enter Shikari etc.) to drive this dagger even deeper into our hearts.”

Those ideas and feelings were successfully portrayed in the single as well as in the music video directed by Vesa Ranta, which was a spot on visual representation of the sounds and lyrical themes. Stark duality of dark and light, new and old, familiar and foreign sounds all blend together to deliver a staggering ice bath of new music from the band. Many fans were taken aback, but are eagerly waiting to hear the new album in its entity.

Swallow the Sun have been torchbearers of melodic doom since 2000. Beauty in Gloom has been a running theme in their identity, lyrics and sound for almost twenty four years. Reaching global fame with fan-praised music videos (10+ million YouTube views) and streaming dominance (50+ million Spotify plays) and has played more than 900 gigs on four continents during their 20-year career. However this new single suggests their sound might have gone through some form of metamorphosis and will emerge with something new and unfamiliar yet no less visceral and striking as their previous music.

Their only current live date is at Hellsinki Metal Festival on August 9th. More info on future dates to come.

Swallow The Sun:

Juha Raivio –Guitars, Keyboards 
Juho Räihä – Guitars
Mikko Kotamäki – Vocals
Matti Honkonen – Bass
Juuso Raatikainen – Drums

PREVIEW: BLOODSTOCK FESTIVAL UK 8-11TH AUGUST 2024


The UK’s heaviest metal festival, Bloodstock, will take place next month at Catton Park, Derbyshire, from 8 to 11 August 2023. The line-up is immense and varied, including the three brilliant and worthy headliners Opeth, Architects, and Amon Amarth. In addition to huge bands, there are many rising metal acts to catch, so here are some bands we think you should check out over the UK’s most metal weekend!

Continue reading PREVIEW: BLOODSTOCK FESTIVAL UK 8-11TH AUGUST 2024

LIVE REVIEW: DOWNLOAD FESTIVAL, DONNINGTON PARK UK – 14th JUNE-15t JUNE 2024


Download Festival –LIVE REVIEW by Carina Lawrence / Dark Art Conspiracy

Download Festival 2024 marked the 7th one I have been to. Still, for the first time, I arrived on Wednesday the 12th of June, two days before the arena and main music started, as I usually would arrive very early on the first day of the arena opening. It was nice to experience the other festival activities on Wednesday and Thursday, the 13th of June, such as chilli eating contests, axe and paddle bushcraft demonstrations and some bands playing in the Doghouse. I especially enjoyed seeing Bleed Again from Brighton, a local band I am very familiar with and was proud to see them crushing it, headlining the Takeover Stage with a good turnout. There was also lots of comedy, including on Thursday with Andrew O’Neill’s History Of Heavy Metal sketch, which was a highlight pre-main festival, which was entertaining and took you through the milestones of metal with Andrew playing the heavy hitters on guitar and adding some funny quips in the mix to a packed tent. The two days before the arena opened was also lovely weather, perfect for sitting around in camp, enjoying a few drinks, and enjoying the atmosphere; it’s just a shame that the weather took a turn for the worst on Friday, 14th June, just in time for the main event!

Continue reading LIVE REVIEW: DOWNLOAD FESTIVAL, DONNINGTON PARK UK – 14th JUNE-15t JUNE 2024

Polish court Verdict reached forbidding Bartłomiej Krysiuk the use of the name Batushka and БАТЮШКА & rules that KRZYSZTOF DRABIKOWSKI owns Batushka name


The Court Of The First Instance in Warsaw has pronounced the verdict forbidding Bartłomiej Krysiuk the use of the name Batushka and БАТЮШКА. See statements and information below:

Continue reading Polish court Verdict reached forbidding Bartłomiej Krysiuk the use of the name Batushka and БАТЮШКА & rules that KRZYSZTOF DRABIKOWSKI owns Batushka name