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Steelfest Open Air 2019


Photos and report by Serena Solomon

 

The festival this year was a bit different than last. To begin, entering the festival was much less chaotic and took less time, although the first band still started quite early. The outdoor stage was much better than last year and both stages were adorned with large screens on either side. They were not so visible on the outdoor stage until the sun set, and they seemed a bit redundant on the indoor stage since you could basically see the stage from wherever you were standing, but at times they served their purpose. Both days had their ups and downs, and a balanced blend of various genres, and sounds ranging from more atmospheric Norwegian black metal to raw American death metal.

Day 1

I had no expectations for the first band, Disciples of the Void, and was only able to catch the end of their set, but from what I was able to witness, although there wasn’t so much of an audience, they were able to really fill the outdoor space with atmosphere and a powerful full sound.

Advent Sorrow was one of the bands I was looking forward to seeing, however, the sound on the indoor stage really hindered their performance. This was the case for many of the bands. The acoustics on the indoor stage were not great for most of the bands sound (though it did work for some). Advent Sorrow did have really great energy and power in their stage presence, and seemed to have really good interaction with each other, though it was hard to tell because they were cloaked in smoke most of the time. To me, the performance would not have been as memorable if I had not been interested in the music beforehand. I would definitely like to see them again in a better venue.

Myrkskog was one of the few bands who’s aesthetic was not hindered by the bright outdoor stage. They had a tight performance and solid stage presence and engaged well with the crowd, which didn’t come too easily for many bands, specially with a smaller audience.

Trollheims Grott began with a blaring siren intro that captured the attention of probably everyone in the festival, inside and out. Though they were one of the best bands on the indoor stage, I personally thought their performance in Helsinki earlier in the year was better, they seemed a bit off kilter compared the the show at Nosturi. That being said, the hall was pretty full for such an early time slot, and the lighting and sound worked well for them, creating a powerful presence and what felt like the true beginning of the festival.

There was some delay before Arkhon Infaustus (almost fifteen minutes, which one might not think too much of but here at Steelfest, deviations from the schedule were not taken lightly as the bands played back to back by the minute from doors open to doors close). I’m not entire sure what the problem was, they lost their instruments? Something something, I’m not sure but their performance was not as memorable either way.

Though Antimateria didn’t impress me with their stage presence, their sound made up for it. They had a deep full sound that got to your core. They definitely seemed to be a crowd favorite, not to mention the sound of the indoor stage worked in their favor, however it felt like I was watching a different band when I was watching from the back of the venue as opposed to closer to the stage, almost like they were meant to be experienced from afar, rather than up close.

Evil did not seem to be a crowd favorite. Not one of my favorites either, specially with those ski masks, I couldn’t help thinking compared to Cohol last year and Mgła coming the next day, they looked a bit ridiculous. And what added to the “what the fuck” factor was that they seemed to be speaking to the crowd in another language (Portuguese?) .

Monarque, however, was pleasantly surprising. Another band I had no previous expectations of, but it felt like they were the first band where something was actually happening on stage, an actual performance. The indoor stage sound kept up for them, and they all around put on a great show. It was possibly my favorite thus far into the festival.

There was a lot of hype surrounding Seigneur Voland, since it was their first time playing in Finland, and they did a special 20th anniversary show. Their sound was decent, possibly would have been better on the indoor stage, since they were one of the more atmospheric bands that played outdoors, but I couldn’t get over the way the vocalist held himself on stage. Rigid and almost self conscious, almost reminiscent of an angry cat, and I couldn’t get past it. The rest of the band also didn’t seem too comfortable on stage. The crowd during their set, however, seemed to be the most boisterous, so maybe I was just missing something about them.

Vargrav had a lot going on. Their intro was probably the longest intro of the festival, and the first time I had seen two synth/keyboard players in a black metal band, and were also the first band to bring some kind of set on stage so far (and inverted iron cross on either side of the stage). They had a good performance but I think their sound was hindered by the indoor stage acoustics. I would like to see them again in a different venue.

Everything came together for Belphegor. They put on the best performance of the day in my opinion. They had great presence, energy, and interacted with each other and the crowd. The sound was spot on, and since the sun had set, the twilit outside stage along with the lighting and incense, provided the perfect atmosphere for their show. I had seen them years before and didn’t remember their show being so great. Would definitely want to see them again.

The guys of Trollheims Grott seemed to have better energy and overall be more into it during Horna. They had the hall packed, and the crowd was totally into the show. They commanded the attention of everyone watching, although again, the acoustics of the indoor stage hindered their sound. Spellgoth’s speeches between songs also took me off guard a bit, I didn’t remember him doing that during previous shows and wondered what others thought of it.

Immolation brought a different mood to the lineup. That raw American death metal vibe that added a welcome twist to the more European black metal streak that was running through out the day. They put on a decent show, though not one of my personal favorites, they seemed to really capture the crowd and were well received.

The night ended with Mysticum. Another band that didn’t quite fit in sound wise with the rest of the bands of the day yet somehow were just what the lineup needed. A perfect band to end the first day, somewhat reminiscent of Mortiis the previous year though possibly not as “out there” compared to the rest of the lineup.

Day 2

The lineup of day 2 was all around more appealing, for me and many others it seemed. I’m not sure what the actual numbers were but it seemed there were much more people at the festival on Saturday. The earlier bands on Saturday also felt a lot more professional than Friday, like they had their shit together more and knew how to command the stage and the audience with their performance and sound.

My Day 2 started with …And Oceans. Surprised they were on so early, I was under the impression they were one of the more anticipated bands of the festival. They played the outdoor stage, and despite the direct sunlight and the early time slot, they definitely pulled it off. Kena’s yellow face paint was luminescent in the bright mid day sun, but the vibe of the entire set was perfect to start off the second day of Steelfest. They drew in a much larger crowd at that hour than the previous day and had a special guest appearance by Spellgoth, dawning a lovely black and white dress. Although they brought the definite comedic element to the festival, their set was no laughing matter, solid performance and great show all around.

Délétère had potential, their set and sound didn’t work so well for me but it felt like maybe on another day in another place they could have been great. Possibly the curse of the indoor acoustics, possibly the excess of smoke, either way, they didn’t stick out to me. Maybe the weak point of the day.

Aeternus was another band I felt should have been on later, but I guess there aren’t enough good time slots available with so many headliner-level bands. Their presence and sound filled the whole venue, everyone was at the outside stage. Great energy and interaction with each other, the audience, as well as us the photographers. They were one of the bands that made me feel like Saturday bands had their shit together more than many of the Friday bands.

Totalselfhatred was another band I was looking forward to, being familiar with their music and live performance. Unfortunately, they had bad technical difficulties for most of the beginning of their set. Due to the tight schedule of the festival, I wasn’t able to stay around to see if things got better for them towards the end of their set which sucked because I know they put on a really good show. Despite the technical difficulties, they powered through as much as they could and the audience was still supportive.

Grave Miasma was another band well suited for the outdoor stage. They filled the whole venue with power and a solid raw sound. Their presence filled the whole stage and they delivered a show full of non-stop energy and metal.

The next act was possibly my favorite show of the entire festival. Gaahls Wyrd. They were definitely the best band on the indoor stage. The wonky acoustics worked for their atmospheric melancholic vibe, and they had zero technical difficulties. Their performance was smooth, flawless and enthralled the crowd (and myself) more than any other band. They played some older material from Gorgoroth, God Seed and Trelldom, as well as stuff from the forthcoming Gaahls Wyrd album. It made me even more eager to hear the new album (which would release a week later). Though they were lacking incense, the heat of the indoor stage made the show almost a spiritual experience with the haunting reverb on the vocals during the Gaahls Wyrd songs. I could not get their show out of my head, and was so excited to hear they would be back in Finland later in the year with Mayhem because their set definitely left me wanting more.

I was so captivated by Gaahls Wyrd (and because I needed to eat at some point), I missed Deiphago, so Kroda was next up. The opposite of Antimateria, Kroda was more interesting up close. They had a lot of little details that contributed to the unique and intriguing aesthetic of their performance. They brought the first ritual type experience of the festival, and dawned some interesting yet fitting attire/costume. It seemed they brought one of the biggest crowds to the indoor stage, almost headliner-size. The crowd also seemed the most eager and engaged with Kroda, chanting for the band through out the show. Sound wise, I think they could have been better, the indoor acoustics didn’t work for them and I thought they were a little too loud.

Einherjer was another band I was anticipating, and they definitely delivered. They seemed to thoroughly enjoy themselves on stage, and their own mood filtered into the crowd. They brought a lighter, more heavy metal vibe to the crowd, which, like Immolation on Friday, was a welcome change. It seemed they too were a bit louder than the previous bands… maybe it was just that time of the day to get a little louder.

I was not expecting the performance Naglfar provided. I don’t know what I was expecting, but their show definitely seemed different from what their music implied their live show to be. I wasn’t unimpressed but they weren’t one of the most memorable acts for me.

I was pleasantly surprised by Asphyx. They also provided an energy different to most of the bands. Their energy and all around vibe was infectious, and commanded the crowd in the best way possible.

Odium was different than I expected, but not in a necessarily good or bad way. Their set seemed a bit scattered and in-cohesive but it worked at times. They had more than average amount of members (including, again, two synth/keyboardists)and yet the stage didn’t feel crowded. Though their sound and music seemed a bit sporadic, their presence was pretty well put-together and smooth. They were definitely hindered by  the sound on the indoor stage though.

Much like Immolation the previous day, Vital Remains brought that iconic American sound that was absent through out the rest of the day. You could tell it was their first time in Finland, and to me their stage presence and energy screamed American. The crowd loved it though, and it was obvious many of the fans had been wanting to see this band in Finland for a while.

Everything about Nargaroth was spot on… except the sound. Their show lived up to my expectation 110%, except the fact that the sound on the indoor stage totally fucked them over. I wish they had been on the outdoor stage. Their stage set up included pigs heads speared to the tops of inverted crosses, dripping blood. Their energy was raw and fit the mood of their music perfectly. It was tangible through out the crowd.

Mgła brought the biggest crowd of the entire festival, and that was not a surprise at all. They were the band I was most looking forward to hands down, and they too, did not fail. They played the outdoor stage, but honed in the atmosphere so you felt as if it was an intimate club setting. Even with their faceless, simplistic presence, their sound was anything but. Though the lighting and smoke were perfect and complimented their unique sound, the bright  screens on either side were a bit of a distraction. That said, the entire audience was still engulfed in the blue murk of their set.

Although Mgła, seemed to have the biggest draw, Marduk was the big headliner. Playing an exclusive “Panzer Division Marduk” 20 year anniversary set, they closed the festival with a most fitting show.  They were the only band that seemed too big for the indoor stage, sound and energy wise. Their energy fed into the crowd and doubled in size half way through the set. I think it was safe to say it was a perfect and satiating end to yet another great Steelfest.

Steelfest Open Air 2019 Is Soon Upon Us


It’s almost that time of year again, Finnish metal festival season will be opened, once again, by the most anticipated underground black/death/obscure metal festival in Finland: Steelfest! Located in the heart of Hyvinkää, this year the festival has included an official camping area for those who would rather not be confined to the walls of a stuffy hotel. They also posted on Facebook that a few gracious locals who are attending the festival are offering a couch (or dark corner) to sleep in for those coming from far away.

This festival has really become a globally known legend. Based on a poll posted on social media, people are hailing from over forty different countries, not including the bands, to experience such an epic event here in the cold, dark (but hopefully not too cold or dark during the festival) north.

The festival will begin with a sold out Pre-party at Crafters the Thursday before the festival at 20:00 featuring Havukruunu & Kalmankantaja.

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As for the lineup – Seigneur Voland (Fra) not only will be performing for the first time in Finland but will perform an excluive 20th anniversary show based on material from 1999-2019).

SF 2019 Seigneur Voland

Marduk (Swe) will also be performing a 20th anniversary show to celebrate “Panzer Division Marduk”’s 20 year existance. This performance will only happen once, it cannot be missed!

SF 2019 Marduk

Vital Remains (US) will also have their debut appearance in Finland!

SF 2019 Vital Remains

We will also get a double shot of Mr.Spellgoth himself with appearances by both Horna and Trollheims Grott.

Along side these legendary performances, the lineup includes:

  • Mysticum (NOR)
  • Immolation (USA)
  • Mgła (POL)
  • Nargaroth (GER) 
  • Belphegor (AUS)
  • Naglfar (Swe)
  • Gaahls Wyrd (NOR)
  • Odium (UKR)
  • Asphyx (NED)
  • Vargrav (FIN)
  • Antimateria (FIN)
  • Grave Miasma (UK)
  • Deiphago (CRC)
  • Monarque (CAN)
  • Evil (BRA)
  • …And Oceans (FIN)
  • Einherjer (NOR)
  • Trollheims Grott (FIN)
  • Deletere (CAN)
  • Totalselfhatred (FIN)
  • Aeternus (NOR)
  • Advent Sorrow (AU)
  • Morgal (FIN)
  • Myrkskog (NOR)
  • Arkhon Infaustus (FRA)

Here is the day schedule as of right now:

SF 2019 Day.jpg

More information  can be found form their Facebook Page or their Official Website

Tickets can be purchased from KVLT Records or Tiketti.

Check out our Spotify playlist to get hyped!

Steelfest Open Air 2018


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May 18-19, 2018 in Hyvinkää, Finland

Report and photos by Serena Solomon

 

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Steelfest Open Air is known as the metal festival to commence festival season in Finland, more so by those who are fans of extreme metal (black,death, thrash, etc.). As a first timer to Steelfest, it took a little time once there, to get into the festival mindset as a photographer and attendee, since I’m used to the season starting later in the summer.  However, the atmosphere and mood, not to mention music and location made it easy to get into the swing of things. I heard from people who had attended Steelfest regularly, that this year the weather was the best it had been in years.  Festival goers were able to lounge on the grass and enjoy the rare interminable sun and warmth  while also having the option to relax in the cool darkness of the indoor stage area. There was a lot of praise for how accommodating the festival was from the amount of seating and food/drink options available to the accessibility of the location and available accommodations not to mention how smoothly the festival ran in general. The few downsides were the compactness of the schedule; people found themselves running from stage to stage with not much time in between sets to catch a breath let alone eat or socialize. The schedule could have been a bit less hectic, specially Friday, with Havukruunu starting just a half hour after doors opened and shortened sets of more prominent bands. And, although the acts themselves catered to various music tastes, the lineup and order of bands seemed to slightly lack the diversity to keep things interesting through out the day, although ending the first day with Mortiis was probably enough diversity to carry the entire festival.

Overall there wasn’t as much bones, blood and ritual as I anticipated (basing my experience as a Turku Saatanalle regular) and a lot more color (Cult of Fire, Dødheimsgard and Mortiis). My personal most anticipated acts were Nokturnal Mortum, Necrophobic, Alghazanth and Skogen. I was also interested to see Watain, Saor, Havukurrunu, Tomentor and Dødheimsgard. Some of them were a disappointment, some delivered and there were a few performances that impressed me unexpectedly.

 

DAY 1 

Havukruunu kicked off the festival on Friday with a powerful set. However, the fact that they started so soon after doors meant there was a small crowd despite the fact that it seemed many people were eager to see their show. It all felt a bit rushed and not as solid as the performance earlier in the year at Turku Saatanalle VI.

 

Cohol was one band I started to get into weeks before the festival, I know I liked what I heard but had no expectations for their show. I was pleasantly surprised. They put on a memorable performance full of a unique kind of energy and stage presence that fit their music style. It caught the attention of many concert goers and personally left me wanting more.  Hailing all the way from Japan, their journey was well worth it.

I was honestly not familiar with One Master. I listened to their music and felt I might have been able to get more into it if they stood out more live, but for me, there wasn’t much that was memorable about their performance.

Baise Ma Hache was another band I started listening to weeks before. They seemed to have a powerful sound which was conveyed well on their live performance. They had a strong stage presence and kept the attention and participation of the crowd.  The stage presence of some of the other bands was hindered a bit by playing on the outdoor stage. Certain atmosphere was lost with the relentless sunshine, small stage area and lack of visible stage lighting. However, Baise Ma Hache’s set did not suffer one bit.

Another powerful performance was from homegrown Archgoat. Though they are not personally high on my “much anticipated” list, I respect their position within the Finnish metal scene and the fact that they are a much anticipated band to many other festival goers. Every time I have seen them live, they always deliver and never fail to get the crowd going.

Malokarpatan was another band I was not personally so into, however, their performance and sound put a bit of diversity in the lineup thus far. Their stage presence reflected on the crowd and seemed to switch the mood all together just a bit, maybe a bit lighter, maybe a bit thrashier, maybe people were simply becoming more visibly drunk. I’m not sure, but it was a positive thing either way.

I was not initially particularly interested in Satanic Warmaster. The last few times I had seen them live, it was a bit of a let down. However, their performance at Steelfest was an unexpectedly impressive show. Their energy was spot on and they, themselves, seemed more into the music than I had remembered which, in turn, got the crowd more into it as well. I personally had a hard time tearing myself away from the indoor stage to rush to the next band

Deströyer 666 was also a much anticipated band for many festival goers. They were another a band who’s energy and presence was not hindered by playing on the outdoor stage. They definitely rose up to the expectations and anticipation of the crowd as well as gave yet another twist of something different with their sound and stage presence.

Nokturnal Mortum was initially the band that made me say “sold” when contemplating whether or not I would attend Steelfest this year. Which didn’t take long, since they were one of the first bands announced. They were one of the bands I was most familiar with and had never seen live. For me, their energy was spot on, but their setlist could have been improved upon. However, I heard a rumor that their set was cut short due to the hectic schedule (specially since Watain was up next). I personally thought their energy and presence was great and reflected in the audience as well, however, some people I spoke to who had seen them before said this was one of their least favorite performances. Either way, it was a great experience to finally see (and shoot) them.

Finally, Watain. I was quite surprised that they were playing on the smaller stage, however, it made sense once they started lighting up. Though they seemed a bit cramped among the pitchforks and flames, their performance did not suffer. Again, they were not personally one of my most anticipated bands but I was eager to see their set, since I had never seen them before.  I heard they had some technical difficulties and their sound was not as up to par with other gigs they had previously done. I also heard mixed reviews of how the guitarist did taking up playing guitar as well as singing. Some people were impressed, specially since he played the solos as well, and others said his vocals suffered from it.

Then there was Mortiis. Not everyones cup of …whatever. For me it was an odd placement all together, in the festival itself,  its placement in the schedule and the fact that it was specifically a show dedicated to the “Ånden som gjorde opprør” album. This did, however pique my interest to see how the performance would pan out and what people would think about it. From what I heard, people were either really into it or really confused and uninterested by it. Some felt it was a great ending to the first day, some couldn’t bare to stay more than five minutes.  For me personally, it was a unique opportunity to see this character and the atmosphere he creates on stage live,  but it was near impossible to photograph (though the cloak of low light, fog, and a stage prop that made it hard to see him was part of the mysticism and appeal of the show) and after maybe ten minutes, the music lost me. It seemed one had to be a fan and familiar with that particular album to truly enjoy the show, or simply in the right mental space for that kind of atmosphere after a day of extreme metal. One could have likened it to the “get the fuck out” music at closing time, or a more chill way to end the night.

 

DAY 2

Starting even earlier but an hour after doors this time, Hin Onde opened the small stage for the day. They had good sound but this was one occasion I believe being on the outdoor stage detracted from their show. I personally felt it might have been more fitting for them to be inside, and again, possibly have played later in the day since it seemed many were interested to see the band.

 

Nattfog had great sound that filled the indoor area but their stage presence did not convey the power and command their sound provided. They seemed a bit stagnant and not so connected with the fact that they were performing live on stage. The drummer helped bridge the gap between the band and crowd at times but otherwise they seemed like they were not simply rehearsing rather than performing live.

Skogen, on the other hand, had no problem connecting with their own music as well as the audience and provided a visual to support the solid sound that emanated from the stage. They had no problem creating a powerful ambience and getting the crowd enthralled with their performance.

Next up on the indoor stage, Asagraum. Of course, I was curious to see how an all female black metal band would do live, though their music was not one of the most memorable sounds in the lineup. They commanded the stage quite well and brought some of the black metal vibe and aesthetic that I had felt some of the other bands were lacking. Each member had their own performance style but it melded together well and they interacted with the audience directly and indirectly which made them stand out for me more than their music.

Demilich was a much anticipated band for many people, specially since just coming off a headlining US tour. They delivered with their performance and were not hindered by they lack of atmosphere on the outdoor stage. They brought the vibe in the festival up a notch and got the crowd on their feet.

I was quite eager (as many) to see Alghazanth. They had impressed me with thier live show before, and since Steelfest 2018 marked the end of their live career, it was a must see for me and many of the other festival goers. They did not disappoint. For a mid day band, they had one of the bigger crowds filling the indoor stage area. They were well respected within the Finnish black metal scene and could not have said farewell in a better way.

Saor was a favorite for many, from what I heard. I was also eager to see them, since I had been listening to them for a long time and had never seen them live. They had a solid performance but I felt it did not convey the distinct mood their music provides. I cannot put my finger on exactly what it was, whether it was again being on the outdoor stage or the band themselves, but I felt it was missing something. However, the diversity of their music was much needed within the lineup on day 2 and provided a nice change of pace.

Necrophobic. Possibly the best performance of the entire festival. I was looking forward to see them but did not have any expectations. I was incredibly and pleasantly surprised by their sound and energy and everything about it.  They took control of the stage and commanded the entire indoor area with their presence visually and sonically. This was another band I had trouble tearing myself away from to run to the next stage, and one of the few bands that left me wanting more and eager to see again.

Since Necrophobic left such a lasting impression on me and I was not so familiar with Forteresse, their performance was a bit lost on me. I didn’t hear much spoken about them amongst the festival goers before or after the show and was not impressed nor let down by their performance. They had a solid presence but the music just wasn’t captivating for me.. but it was probably a welcome thing since they were between two of the strongest acts of the festival.

After listening to Cult of Fire for a while before the festival and seeing some photos from their previous live shows, I was a bit skeptical since I am a fan of Batushka, and felt they seemed quite similar in their aesthetic and visual appearance. However, aside from the candles/alters and ceremonial ambiance, their live show was something much different than I was expecting (not as Batushka-esque). They brought to the table the ritual aspect I had expected more of which had been absent for most of the festival thus far, but despite the fact that they were all cloaked head to toe and were not easy to see beyond the inferno presented in front of each musician, they had an intoxicating energy. While waiting in the photo pit, I was already enthralled by their presence standing on the side of the stage. The mixture of their intro track and seeing these dark figures in ethereal costumes moving in the shadows off stage sent a chill through me in a good way and, once they started playing, the chill did not subside.  The smallest details of their aesthetic contributed greatly to their haunting presence and their sound provided an energy all of its own that greatly differed from Batushka. They were yet another band that I could not tear myself away from and left me slightly unsettled in a good way and wanting more.

I noticed a lot of discourse about Necros Christos and was curious what all the hype was about. It was their first live gig after two years which included new material from their final album “Domedon Doxomedon”released the day before their show. Their sound was much bigger than the stage they were performing on but somehow it did not hinder their presence. I could feel the power in their music and how it resonated through the crowd with the praises I heard before hand sticking at the back of my mind, it was easy to understand why this band was highly anticipated and a definite unexpected highlight of the day.

 

Dødheimsgard was another unexpected and pleasant surprise for me. Their music caught my ear when listening to Steelfest bands in the weeks before the festival and I was interested to see how their sound and unique aesthetic would translate live. They definitely brought a substantially diverse act to the Steelfest lineup in the best way possible. It’s not a difficult observation to make that their sound, presence and visual aesthetics were unlike any other band, but were easily one of the strongest performances at the festival.

 

My familiarity with Moonsorrow made them one of the acts I was certain I would enjoy. However, it was quite unexpected and a bit of a breath of fresh air to see Ville Sorvali roaming freely around the stage and Henri Sorvali taking up the role as Bassist (a.k.a. Moonsorrow ft. Trollhorn from Finntroll, as the joke goes). Immediately, my mind was brought to none other than Wintersun and their recent transition of Jari becoming only a frontman sans instrument as well. I’m still not sure how I feel about this new setup with Moonsorrow but I have a few more festivals to see to make my mind up. Either way, the performance at least did not suffer at all from the recent transition. The crowd was possibly the most active and engaged I had seen through out the festival thus far, and the band was in no way hindered by the small outdoor stage. Not only was their energy spot on, as always, they played a perfect balance of old and new. Also, their use of smoke struck me as an interesting contrast to Watain’s use of fire the previous day during the same time slot.

And the finale of Steelfest 2018, Tormentor. In my opinion, a much stronger final act than the previous day and a strong enough act to provide a satisfying ending to an amazing start to festival season. Tormentor did not disappoint one bit. They played an exclusive set which coincided with the 30th anniversary of the “unrelease” of their first full length recording “Anno Domini”. It was hard to not get into the show even if one wasn’t a fan of theirs. They took off at full force and didn’t slow down one bit until the end, and managed to look like they were enjoying themselves as well. It was a flawless act to wrap up Steelfest 2018.

 

 

 

Steelfest Open Air 2018 – Final Hours and Exclusive Performances


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In this current age where political nonsense has become a regular hindrance to the live extreme metal scene, it is becoming less and less common to find festivals, venues and promoters who have been unscathed by the backlash. Steelfest Open Air is one festival in Finland that has had little get in the way of their annual conquest of Hyvinkää.

Continue reading Steelfest Open Air 2018 – Final Hours and Exclusive Performances