Tag Archives: metal

Fire From The Gods Release Official Music Video for “The Voiceless” off of Upcoming ‘Narrative Retold’


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Hardcore Metal band Fire From The Gods has released their Ramon Boutviseth directed Official Music Video for “The Voiceless.” Produced by Jonathan Davis (KORN), “The Voiceless” is off of their upcoming full length album, Narrative Retold, due out May 19th via Rise Records.

The Voiceless is referring to the callousness of society. This generation is exposed to so many shocking and graphic events. No one seems to bat an eye. There is no compassion or care for one’s fellow man. Violence towards each other is a normal occurrence factored into our lives these days. Speaking up about it is nothing new, but it needs to be said. Yes, the world will keep spinning, and life does go on, but we need to slow down and smell the fucking roses once in a while.”AJ Channer

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Heavy music deserves a heavier message.

That’s what Fire From The Gods deliver on their second full-length album and first for Rise Records, Narrative. Speaking from a platform cast in heavy metal power, hip-hop consciousness, and even a little reggae spirit, the Austin, TX quintet—AJ Channer [vocals], Jameson Teat [guitar], Drew Walker [guitar], Bonner Baker [bass], and Richard Wicander [drums]—urge for change through conveying a story that’s both personal and universal.
That story stems directly from AJ’s life. Born in the Bronx to a single mother of Jamaican descent, he spent his childhood moving between London, New York City, Los Angeles, Norfolk, and even Ghana where he attended middle school. Drawing from this diverse experience, he speaks with unmitigated honesty about the state of the world.

“This album is the personal narrative of a minority man living in major cities and being American,” he explains. “There’s a socio-economic theme throughout the whole record that carries from each song to song. It’s all about the underdog. We’ve all had to fight for everything we have in this band. The political climate in our country is quite racially and socially charged. There are a lot of issues and energy people are expressing along with misguided hate and anger. I want to channel this in music that can resonate. This is where we come from and who we are as a band.”

In order to properly capture this vision, the boys retreated to House of Loud Studios in New Jersey to record with David Bendeth (Paramore, Of Mice & Men, Breaking Benjamin). They spent a month in the winter of 2016 tracking what would become Narrative.

“There’s no crying in Bendeth’s dojo,” laughs AJ. “He really pushed us, and we grew in a short period of time. The band takes on a life of its own with this record.”

That growth stands pervasive in songs like “Excuse Me.” The vocalist spits a frenetic and frantic verse over a buzzsaw guitar and seesawing groove before eventually breaking into an airy dancehall break complete with a reggae-style plea, “Excuse me, Mr. Officer…”

“The essence of ‘Redemption Song’ influenced the hook,” he goes on. “I’m speaking my mind about the fact that people judge you based on looks. Police will violate constitutional rights because of it, and the law of the land makes individuals submit.”

Meanwhile, “Public Enemy” lands a one-two punch of aggressive screaming and a soaring unshakable refrain. “It’s a call-to-arms to be heard,” sighs AJ. “I’m targeting the epitome of tyranny on the lyrics.”

On the other end of the spectrum, “End Transmission” sputters out into a celestial hum, balancing an airy hum with pummeling crash. “You cut off the tether to reality and imagine yourself flying amongst the satellites and stars,” he reveals. “We equate the heavens with tranquility and peacefulness although space is very stark and it’s cold. It’s not being a hero to save the world, but finding that hero within yourself.”

Fire From The Gods have quietly built a rabid fan base through tireless touring across the United States. They’ve shared national bills with the likes of August Burns Red and festival stages alongside Slipknot, Bring Me The Horizon, Judas Priest, Killswitch Engage, and more at KNOTFEST two years in a row and with Motionless In White and Underoath at South By So What. Now, their Narrative is on display in 2016.

“I want people to feel empowered when they listen to this record,” AJ leaves off. “Come out of the experience knowing somebody thinks like you. You’re not alone.”

#darkartconspiracy #metal #music #news

KOBRA AND THE LOTUS Posts Studio Diary #3


In support of their upcoming rock juggernaut and highly anticipated new album ‘Prevail I‘, set to be released May 12th on Napalm Records, Canada’s hottest metal import KOBRA AND THE LOTUS have pleased their fans with some exciting studio diaries over the past few weeks. Now the band unveils their final and third studio teaser, which gives another in-depth view behind the scenes and the making of KOBRA AND THE LOTUS’ brand new album ‘Prevail I‘.
Watch the band’s new studio diary

“We have been truly humbled by the positive reception and support for all the new songs so far. KATL Nation is proving to be strong, mighty, and more than ready to evolve along side us as we expand and fine tune our sound even further. For all those metal heads still waiting for that true heavy metal sound to make its presence on the album, I assure you there is plenty more to come. I hope you enjoy this quick glimmer of us in the studio as much as we enjoyed recording the album!! If you live in North America, please check out the tour dates and come out to a show. We can’t wait to see everyone, prevail with passion, and make some amazing memories together!” says Kobra Paige.

source: napalmrecords

#darkartconspiracy #metal #music #news

FIRESPAWN – brand new video launched, pre-sale for new album “The Reprobate”


One more week to go, then FIRSPAWN’s brand new album “The Reprobate” will descend upon this world with furious wrath. Today the band releases their brand new video for the album’s opening track “Serpent Of The Ocean”. Check it out here:

“The Reprobate” will be released on April 28th 2017 as Digipak CD, deluxe LP (with Gatefold sleeve, 180 g vinyl, poster, inlay and the entire album on CD) and as digital download/stream.

Pre-order your copy here http://smarturl.it/FirespawnTR

#darkartconspiracy #metal #music #news

LIVE REVIEW: Mammothfest Presents: Feed The Rhino Plus Supports – The Green Door Store, Brighton UK – 1st April 2017


LIVE REVIEW: Mammothfest Presents: Feed The Rhino Plus Supports – The Green Door Store, Brighton UK – 1st April 2017 by Carina Lawrence / Dark Art Conspiracy

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Photo by Luke Bateman

Six months ago the Green Door Store was one of the venues to host the triumphant Mammothfest 2016 which included headliners Venom Inc, Textures and Conan and now Brighton metal heads gathered again here, for the first all day ‘Mammothfest Presents’ show of 2017, with headliners Feed The Rhino. The band were set to appear at the festival back in 2015 but were unable to, so to make it up to fans they had the honour of headlining the first of many Mammothfest events that are set to occur throughout the year, gearing up to the main festival taking place October 6-8th 2017.

The first band to kick things off were a very last minute replacement. An alternative grunge rock act from Weymouth called Tension Head – but what a welcome addition. They had a great groovy grunge sound, and marked a very different sound to what Mammothfest audiences are used to, being more accessible and mainstream, but it went down a treat with everyone dancing along. Even though the day was young as it was only 2pm the turnout was surprisingly good…

Next to take to the stage and in stark contrast to the opener was death metallers, End Of Salvation who churned out their very mosh worthy hardcore evil sounds. They also tried to start a new trend across the music scene by introducing a move for whose one are holding a beer in their hand, so that everyone can participate in some way. The audience tested this out and it provided some perfect comical material that made their set even more memorable.

Local Brighton band Hawka kept the energy going and with it brought more crowd participation, with frontman Rich jumping off stage and going to the entrance to entice more people in to witness their massive and crushing sound, inspired by the likes of heavyweights Parkway Drive, Machine Head, Korn and more.

LBP+-+2017-04-01+-+KICKFIST+-+GREEN+DOOR+STORE_017.JPGPhoto by Luke Bateman

Crazy Kickfist with said barrel mentioned below!

One of the best sets came from interesting infused nu-metal/industrial punk-core act Kickfist who intrigued the masses with their unique metal and unrelenting sounds, including their unusual but great cover of Prodigy’s popular ‘Firestarter’. Lead by frontman, Zakk Zander who sported a black mask and a baseball bat, the crowds were enthralled and their industrial Slipknot-esque grooves saw the room head banging aplenty and move as one, as their sound commanded it. Near the end of their set Zakk whacked the bat against a barrel to add to their madness so aggressively that he broke it, making for an unforgettable performance.

At the point when As Flames Rise came on, it was still considered quite early at 5pm and I don’t think the band were prepared for the carnage that unfolded and by such a humbling crowd reaction, playing their energetic melodic metal to a packed room now. Here is where some of the progressing circle pit action started to emerge, goaded by their hard hitting dual vocals and fast paced brutal guitars.

Core of iO mixed things up, being one of the first tech metal acts to grace the stage, with a hard heavy rock twist to stand out even further. They showered us with technical dynamic and intelligible sounds, and really showed off their impressive craftsmanship. To keep things well balanced vocalist/guitarist, Bob Tett injected some light hearted humour, commanding the stage even when not playing any music.

Technical melodic metal act The Five Hundred made a mighty return to Mammothfest audiences after opening the festival last year, supporting Textures. As before they got straight to the point, immediately asserting themselves with a very commanding stage presence and sound which was crushing, especially aided by evil demonic vocals from John Eley that soared and punished your eardrums. The crowd were very responsive, particularly during their well-known offering ‘Winters’, as well as treating us to an instant fan favourite with new song, ‘The Rush’ taken from their upcoming EP, ‘The Veil’.

Feed The Rhino LukePhoto by Luke Bateman

Seething Akira’s Mental Set captivated!

The biggest surprise and moment of the night came from electronic dub hard rock heroes, Seething Akira who managed to take crowd participation and energy to a whole new level. They brought the party with their massive mental dance sounds, with the crowd going absolutely wild, with impressive pits forming. It was a non-stop spectacle that had to be seen to be believed. Inspired by the mental antics, frontman Kit Cuntrad threw himself into the crowd, in what was one of the most memorable and thrilling moments of the day, with the crowd proudly holding him high. Everyone in the room was jumping, moshing or bouncing, not a single soul was stood still, a sign that they simple destroyed it. This is a band you need to witness live.


Another anticipated and triumphant return back to Mammothfest was from Bleed Again, a fresh modern metal act from the South Coast. The band delivered one of the most energetic and unrelenting sets of 2016, coming close to upstaging bigger acts. This time round they caused quite a commotion yet again with their massive melodic metal, forcing the crowd to jump and shout along during their entire set, living up to their expectations. They were missing their bass player but luckily had Seething Akira bassist, Richard Speaight to fill in. Unfortunately because of this they didn’t play some of their most dominating songs such as ‘Walk Through The Fire’ and ‘Through My Eyes’, but they did play many a crowd pleaser with songs taken from their upcoming debut album, ‘Momentum’, such as ‘Drowning In Dreams’ and latest song, ‘Decimate’. They end on a belter with ‘Icarus’ which the crowds knew and shouted in unison.

LBP+-+2017-04-01+-+MAGNA+CARTA+-+GREEN+DOOR+STORE_017.JPGPhoto by Luke Bateman

Magna Carta – masters of the metal party anthems!

An explosive set came from Brighton based Metal/Drum ‘n’ Bass crossover act, Magna Carta who evolved from Collisions. Merging new members of other bands to bring their formidable new line-up, with James Hayball (ex Terrathorn) and Steve Dickson (the masked man in Meta-stasis as well as the man behind Mammothfest!). They opened up the dancefloor of metal madness, with endless pits and bouncing unity that left the whole room with an electrifying atmosphere. The perfect main support to get the crowds ready for the monstrous headliners…

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Headliners Feed The Rhino had the crowd on their knees!

When Feed The Rhino took to the stage, the rammed room suggested the crowd were eager and hungry for Rhino! From start to finish they didn’t let up, offering an hour of craziness and endless energy. Lead singer, Lee Tobin couldn’t contain himself, as he darted around the room and off the stage to get up close and personal with the fans. The band clearly were admired by the fans who awaited their return, and the band themselves revelled being at the forefront of this event, keeping their promise to play following their cancellation in 2015, and making it up to everyone beyond expectations. They delivered a brilliant headliner set and ended the day on an extremely intense yet insanely fun note.

This was a very successful start to the Mammothfest shows. For an all dayer the crowd were energetic and dedicated throughout, even early on in the day, highlighting the importance of such events and how strong the music scene is in Brighton. The atmosphere from the bands and the crowd was amazing, with everyone enjoying themselves and having a blast, especially aided by the newly launched debut of the Mammothfest cider, with the unveiling going down a treat, another proud moment and success the team can add to their list! Mammothfest is thriving and I’m sure the word will spread of the carnage and joy that was witnessed here and will continue at the upcoming shows.

http://www.mammothfest.uk/

https://www.facebook.com/MammothfestUK

Other Mammothfest events coming up:

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6th May: Mammothfest Presents: Brutality Will Prevail, Raging Speedhorn and more for Bleed Again’s album launch show. Tickets: https://mammothfest.uk/product/brutality-will-prevail-raging-speedhorn/

https://www.facebook.com/events/1887206484828538/

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6-8th October: Mammothfest main event – Fleshgod Apocalypse, Rotting Christ, Tsjuder, Lawnmower Deth, Dragged Into Sunlight, Meta-Stasis, OHHMS, Lagerstein, Bleed Again & more! Tickets: http://mammothfest.uk/STORE/

https://www.facebook.com/events/373113623072880/

#darkartconspiracy #metal #music #news

SHIBALBA (Acherontas) stream new song “Aether Ananda Aiwass”


The secretive Greek/Swedish collective of SHIBALBA, has shared another new taste of their upcoming work of meditative dark art, featuring traces of ritual, ambient, trance and shamanic  music. The song  “Aether Ananda Aiwass” comes from the “Psychostasis – Death Of Khat” album, set to be released on April 30th via Agonia Records. Listen to the song here:

SHIBALBA is Acherontas V.Priest (Acherontas), Karl NE/Nachzehrer (Nåstrond) and Aldra-Al-Melekh. Their music is saturated with the mysticism of the East. It’s richly detailed and multidimensional, while layered with chanting and broadly defined elements of traditional ritual and shamanic music. Apart from contemporary synths and guitar drones, the band makes use of bones and skulls as percussion instruments, Tibetan horns, Tibetan singing bowls, bone & horne trumpets, darbuka’s (goblet drums) as well as ceremonial bells and gongs. The band’s intention, in their own words, is to “guide the subconsious of the individual to dream beyond the skin of matter & to dream in ecstasy and exult”.

“Psychostasis – Death Of Khat” was recorded by the band themselves in Greece and Sweden, in a manner in which sound vibrations have been registered in a form analogous to the way in which the human ear perceives sound. High standards were provided especially for the vinyl edition of the album.

Macedonia’s PROMETHEUS premieres new single “The Disgusting Tongues”


Macedonia’s black / death metallers PROMETHEUS have just premiered a new song titled “The Disgusting Tongues”.

The new single, which is the opening track of the band’s upcoming debut album “Consumed In Flames”, is available below or at this location

“Consumed In Flames will be released on April 28th via Katoptron IX Records.

#darkartconspiracy #metal #music #news