wars have revealed an official video for ‘Salt Flat Sailing’ the fourth single from their recently released debut album, ‘We Are Islands, After All’.
In support of this, wars are due to hit the road with Create To Inspire this May, taking in 9 UK towns/cities, finishing up at The Dome, London, in a one-off support slot to He Is Legend on May 12th.
Says Rob Vicars (wars vocalist); “Releasing our debut album, ‘We Are Islands, After All’ has been incredible for all of us in wars, and although we’re already writing new material, there’s lots we still have left to explore that we touched upon on that record; ‘Salt Flat Sailing’ is a song about utilising loneliness and solitude to tackle your darkest moments – taking that feeling of disquiet and disconnect so many of us are haunted by and being present in it.
We shot the video a while back now, but as we are about to head out on tour with Create To Inspire, we thought now was the right time to share it. We hope you love it.”
wars will also appear at this year’s Teddy Rocks Festival, Dorset, and 2000 Trees in Cheltenham.
All announced festival and tour dates are as follows:-
29.04.17 Teddy Rocks Festival, Dorset
02.05.17 Leeds, The Pack Horse w/ Create To Inspire
3.05.17 Newcastle, Jumpin Jacks w/ Create To Inspire
4.05.17 Chester, The Live Rooms w/ Create To Inspire
5.05.17 Nottingham, Rock City Basement w/ Create To Inspire
7.05.17 Bristol, The Exchange w/ Create To Inspire
9.05.17 St. Albans, The Horn w/ Create To Inspire
10.05.17 Birmingham, Subside w/ Create To Inspire
11.05.17 Leicester, The Soundhouse w/ Create To Inspire
12.05.17 London, The Dome w/ He Is Legend, Create To Inspire, Acres
07.06.17 2000 Trees, Cheltenham
‘We are Islands, After All’ was produced and mixed by Matt O’ Grady (You Me At Six, Deaf Havana, Don Broco, etc.), with Alan Douches, chief engineer at West West Side Music handling the mastering.
NECROPHAGIA have announced a European tour in support of legendary MORBID ANGEL fronter David Vincent’s I AM MORBID. The American cult death metal pioneers will embark on their hellish road-trip at the Rudeboy in Bielsko-Biala, Poland on May 17th and continue to celebrate their horror shows throughout seven more countries before a final curtain at the Hellraiser in Oberhausen, Germany on the 12th of June.
Killjoy comments: “Europe are you ready for some horror and gore? We are very excited to come back and spread the sickness with l AM MORBID!”
NECROPHAGIA
+I AM MORBID
29 May 17 Bielsko-Biala (PL) Rudeboy
30 May 17 Kosice (SK) Collosseum
31 May 17 Budapest (HU) Dürer Kert
01 Jun 17 Ljubljana (SI) Orto Bar
02 Jun 17 Venezia (IT) Revolver
03 Jun 17 Lyss (CH) Kulturfabrik
06 Jun 17 München (DE) Feierwerk
07 Jun 17 Erfurt (DE) From Hell
08 Jun 17 Flensburg (DE) Roxy
09 Jun 17 Den Haag (NL) Paard van Troje
10 Jun 17 Tilburg (NL) O13
11 Jun 17 Leipzig (DE) Helvete
12 Jun 17 Oberhausen (DE) Hellraiser
NECROPHAGIA will be touring in support of their latest masterpiece ‘WhiteWorm Cathedral’, which is fully streaming at the link below.
1. Reborn through Black Mass
2. Вий
3. Angel Blake
4. Warlock Messiah
5. Fear the Priest
6. Elder Things
7. Coffins
8. Hexen Nacht
9. Rat Witch
10. March of the Deathcorps(e)
11. Silentium vel Mortis
12. The Dead Among Us
13. WhiteWorm Cathedral
Swedish crossover kings DR LIVING DEAD!are set to enter the studio this weekend to record their fourth full length album, the follow up to 2015’s “Crush the Sublime Gods” released via Century Media Records.
The recording will take place in Studio Rovljud in Örebro, Sweden and will again be helmed by Martin Jacobsson and Anders Alexandersson who both worked with the band on the previous effort as well.
CommentsDR. LIVING DEAD!: “This album is way overdue and we are proud to announce that this is finally happening. We promise a hard hitting and dynamic piece of crossover in your ugly faces. If not, we strongly encourage you to bitch about it online. A big thank you to everyone who supported us up until now, you know who you are and we look forward to unleashing new music for your ear pleasure!”
The as of yet untitled album is set for a fall release via Century Media Records, with touring to follow.
REVIEW: Streams – Streams (single) by Carina Lawrence / Dark Art Conspiracy
Epic death metallers Streams are a brutal multi-talented duo from Finland. They have just unleashed their first self-titled single, which opens dramatically with a horror film vibe effect, instantly putting you on edge, before dark fast guitars come in, greeted by fierce growled vocals, which fire speedily throughout. This is a blistering death metal offering, which is highly melodic and ends as it started, coming full circle and hitting you hard with every last beat.
This is a brilliant debut song and leaves you exhausted, but hungry for more extreme sounds from Streams, who in just one strike prove they are a band to keep an eye. Score: 4/5
Hardcore Metal band Fire From The Gods has released their Ramon Boutviseth directed Official Music Video for “The Voiceless.” Produced by Jonathan Davis (KORN), “The Voiceless” is off of their upcoming full length album, Narrative Retold, due out May 19th via Rise Records.
The Voiceless is referring to the callousness of society. This generation is exposed to so many shocking and graphic events. No one seems to bat an eye. There is no compassion or care for one’s fellow man. Violence towards each other is a normal occurrence factored into our lives these days. Speaking up about it is nothing new, but it needs to be said. Yes, the world will keep spinning, and life does go on, but we need to slow down and smell the fucking roses once in a while.” – AJ Channer
Heavy music deserves a heavier message.
That’s what Fire From The Gods deliver on their second full-length album and first for Rise Records, Narrative. Speaking from a platform cast in heavy metal power, hip-hop consciousness, and even a little reggae spirit, the Austin, TX quintet—AJ Channer [vocals], Jameson Teat [guitar], Drew Walker [guitar], Bonner Baker [bass], and Richard Wicander [drums]—urge for change through conveying a story that’s both personal and universal.
That story stems directly from AJ’s life. Born in the Bronx to a single mother of Jamaican descent, he spent his childhood moving between London, New York City, Los Angeles, Norfolk, and even Ghana where he attended middle school. Drawing from this diverse experience, he speaks with unmitigated honesty about the state of the world.
“This album is the personal narrative of a minority man living in major cities and being American,” he explains. “There’s a socio-economic theme throughout the whole record that carries from each song to song. It’s all about the underdog. We’ve all had to fight for everything we have in this band. The political climate in our country is quite racially and socially charged. There are a lot of issues and energy people are expressing along with misguided hate and anger. I want to channel this in music that can resonate. This is where we come from and who we are as a band.”
In order to properly capture this vision, the boys retreated to House of Loud Studios in New Jersey to record with David Bendeth (Paramore, Of Mice & Men, Breaking Benjamin). They spent a month in the winter of 2016 tracking what would become Narrative.
“There’s no crying in Bendeth’s dojo,” laughs AJ. “He really pushed us, and we grew in a short period of time. The band takes on a life of its own with this record.”
That growth stands pervasive in songs like “Excuse Me.” The vocalist spits a frenetic and frantic verse over a buzzsaw guitar and seesawing groove before eventually breaking into an airy dancehall break complete with a reggae-style plea, “Excuse me, Mr. Officer…”
“The essence of ‘Redemption Song’ influenced the hook,” he goes on. “I’m speaking my mind about the fact that people judge you based on looks. Police will violate constitutional rights because of it, and the law of the land makes individuals submit.”
Meanwhile, “Public Enemy” lands a one-two punch of aggressive screaming and a soaring unshakable refrain. “It’s a call-to-arms to be heard,” sighs AJ. “I’m targeting the epitome of tyranny on the lyrics.”
On the other end of the spectrum, “End Transmission” sputters out into a celestial hum, balancing an airy hum with pummeling crash. “You cut off the tether to reality and imagine yourself flying amongst the satellites and stars,” he reveals. “We equate the heavens with tranquility and peacefulness although space is very stark and it’s cold. It’s not being a hero to save the world, but finding that hero within yourself.”
Fire From The Gods have quietly built a rabid fan base through tireless touring across the United States. They’ve shared national bills with the likes of August Burns Red and festival stages alongside Slipknot, Bring Me The Horizon, Judas Priest, Killswitch Engage, and more at KNOTFEST two years in a row and with Motionless In White and Underoath at South By So What. Now, their Narrative is on display in 2016.
“I want people to feel empowered when they listen to this record,” AJ leaves off. “Come out of the experience knowing somebody thinks like you. You’re not alone.”
The female fronted progressive power metal band VANDROYA will release their new album “Beyond The Human Mind” on April 28th through Inner Wound Recordings. “The Path To The Endless Fall”, the second single from the album is available for streaming at YouTube at the link below.
Stream “The Path To The Endless Fall” here
With a more evident progressive influence but without giving up the weight and virtuosity of power metal, the new album brings a more mature band, a more balanced sound and reflects the musicians technical and artistic evolution since the debut album “One”.
The album concept revolves around the journey we all go through in search of fullness and inner peace. The album artwork is created by Felipe Machado Franco [Blind Guardian, Rhapsody of Fire, Iced Earth].
Led by vocalist Daísa Munhoz, Vandroya are ready to take the next step and make a mark in the metal scene with “Beyond The Human Mind”.
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