December 17, 2022 Shape of Despair and Counting Hours played an iconic gig at Olympia Kortteli in Tampere, Finland.
Counting Hours warmed the night up, or chilled it down with pounding melodic doom. Followed by an intense 2 hours of funeral doom, including Shape of Despair’s newest releaseReturn to the Voidin its entirety, plus an array of songs from their earlier albums. It was the perfect way to welcome the darkest week of the year.
October 19, 2022, Paradise Lost and Hangman’s Chair filled Pakkahuone in Tampere, Finland with the most resonating performance I’ve ever witnessed at that venue both sonically and viscerally.
Initially the gig was planned for the smaller “club” sized part of the building, but after weeks of the gig being sold out, hours before doors they announced they would move to the larger hall, opening up more tickets. It was 110% the right decision, in my opinion. Of course, the intimacy of Klubi can enhance many things when bands such as these play, it would have definitely been a completely different gig had it been kept there. However, both of these bands have such a deep, powerful sound I feel the space of Pakkahuone allowed their sound and atmosphere to expand to is full potential.
Hangman’s Chair blew me away during the first chords struck. Their sound and presence were literally and unexpectedly breathtaking. There was one audience member standing in the middle of the crowd just listening with his eyes closed, I joined him for a few seconds and yes, without sight, you could feel the music and energy in your bones. Hangman’s Chair have probably been the most energetic and raw band to fit into the “doom”genre that I have seen live. It’s pretty unique and intriguing how diverse the “doom” genre, sound and aesthetic has become. I look forward to seeing them again with Igorr in the spring.
Paradise Lost played an equally spectacular gig. Their set flowed elegantly between old and new songs, across their diverse discography of genres and vibes. The bands stage presence was chameleon-like in adapting and flowing along with the varying sounds and atmosphere of the music. Not taking themselves too seriously, they (specifically Nick Holmes) gave of a slight Type-O/Pete Steele sarcastic vibe, which, by the count of Type-O logos spotted in the audience, was just perfect. They seem to really know their fans, what they want to hear, what atmosphere to bring to the stage… would definitely love to see them again.
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