Tag Archives: Pakkahuone

PHOTO REPORT: KATATONIA, SÓLSTAFIR and SOM


January 20, 2023 we in Tampere, Finland were lucky enough to catch not only the first show of an epic European tour, but also the first ones to hear Katatonia‘s much anticipated 13th full-length album Sky Void of Stars live, on its release day! Pakkahuone was sold out long before the gig in Helsinki, although that too was eventually a sold out show.

Hailing all the way from across the pond, SOM from the US opened the night with a flurry of ethereal doom-pop-shoe-gaze sounds emanating from a smoke clad stage. It felt as if their sound pulled those still trickling in slowly forward as if on a string. Their sound and presence gave me similar vibes to Hangmans Chair…. but replace the grit and grime with fluffy clouds and you get SOM. Hangmans Chair meets Deftones.

Next up was Icelandic cowboys of metal Sólstafir. Although it has been over two years since their last release, it was still fresh and new to see live. We all know why. Their gig flew far beyond my expectations. I could never have imagined such an attention grabbing, spectacle of a show after years of listening to their music. It was intriguing to see how all the members have their own style and pace on stage, yet it all blends together seamlessly. At times it felt as natural as if watching them during a jam session in someones garage. Sæþór with his chiller than chill guitar playing in the shadows, to Aðalbjörn’s most eccentric front man agility, there was not one single dull moment. They also had a special (local?) guest come on stage to play the saxophone live.

Katatonia was another first for me. It was really astonishing how all three bands had a totally different sound and stage presence yet they fit together in one lineup. Katatonia was more of a performance. All the members flowed together on the same page, not as if over rehearsed but just incredibly in sync and with the same level of passion. That dry Swedish stage humor that is becoming more and more familiar to me was hidden a bit under, maybe nerves, of playing all this new material for the first time, but it was there. Jonas’s vocals have such unimaginable soul and yet a subtle flare of eccentric charisma (fueled by his walking around the stage as if arguing with himself, and classy wine glass). The backing vocals also added a beautiful undercurrent of raw emotion that the recorded versions of these songs just couldn’t portrey. It was an honor to be the first to see these new songs live, and a real pleasure to finally be able to hear a few old classics live (not to mention to achieve the impossible of photographing Mr. Renkse’s face on stage!)

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PHOTO REPORT: PARADISE LOST and HANGMAN’S CHAIR


October 19, 2022, Paradise Lost and Hangman’s Chair filled Pakkahuone in Tampere, Finland with the most resonating performance I’ve ever witnessed at that venue both sonically and viscerally.

Initially the gig was planned for the smaller “club” sized part of the building, but after weeks of the gig being sold out, hours before doors they announced they would move to the larger hall, opening up more tickets. It was 110% the right decision, in my opinion. Of course, the intimacy of Klubi can enhance many things when bands such as these play, it would have definitely been a completely different gig had it been kept there. However, both of these bands have such a deep, powerful sound I feel the space of Pakkahuone allowed their sound and atmosphere to expand to is full potential.

Hangman’s Chair blew me away during the first chords struck. Their sound and presence were literally and unexpectedly breathtaking. There was one audience member standing in the middle of the crowd just listening with his eyes closed, I joined him for a few seconds and yes, without sight, you could feel the music and energy in your bones. Hangman’s Chair have probably been the most energetic and raw band to fit into the “doom”genre that I have seen live. It’s pretty unique and intriguing how diverse the “doom” genre, sound and aesthetic has become. I look forward to seeing them again with Igorr in the spring.

Paradise Lost played an equally spectacular gig. Their set flowed elegantly between old and new songs, across their diverse discography of genres and vibes. The bands stage presence was chameleon-like in adapting and flowing along with the varying sounds and atmosphere of the music. Not taking themselves too seriously, they (specifically Nick Holmes) gave of a slight Type-O/Pete Steele sarcastic vibe, which, by the count of Type-O logos spotted in the audience, was just perfect. They seem to really know their fans, what they want to hear, what atmosphere to bring to the stage… would definitely love to see them again.

PHOTO REPORT: SWALLOW THE SUN, KAUNIS KUOLEMATON AND EDGE OF HAZE


Swallow the Sun played at Pakkahuone in Tampere on 27th of May. It was the second date of their Finnish tour promoting their new album Moonflowers which was released last year. Kaunis Kuolematon and Edge of Haze were the opening acts (for only two of the seven dates in Finland). It was a solid lineup. Edge of Haze opened with energy and heaviness, and Kaunis Kuolematon brought it down to a more melancholy yet powerful level. Then, Swallow the Sun hit all of the above, including songs from their first few albums that they haven’t played live in a while. From the more melodic “Stone Wings” to one of my personal favorites, and heaviest song off the new album “This House Has No Home”. So heavy in fact, that a mosh pit broke out! I don’t think I have ever seen a pit during a Swallow the Sun gig! It was great to see all three bands at a bigger venue. I don’t believe this gig was sold out but it was pretty well attended. I, like many others, cannot get enough of Moonflowers and it is just magic to see live. I wish I could say more, but this band always leaves me speechless. Let the photos speak for themselves…

EDGE OF HAZE:

KAUNIS KUOLEMATON:

SWALLOW THE SUN:

Photos and review by: Serena Solomon