Category Archives: concert photos

PHOTO REPORT: John Smith Rock Festival 2024


John Smith Rock Fest 2024

18-20.7.2024

DAY 1:
Dyecrest, Moonspell, Shade Empire, Testament, Visions of Atlantis, Behemoth and Cemetery Skyline

DAY 2:

Verikalpa, Ereb Altor, Tarot, Unleash The Archers, Insomnium, Draconian and Amorphis

DAY 3:

Bloodbound, Kalmah, Suburban Tribe, Harakiri for the Sky, Mokoma, The Hellacopters, Ne Obliviscaris and Stam1na

PHOTO REPORT: Nummirock 2024


Nummirock 2024 was a hit! So much so that the festival asked for compliance in keeping campsites no larger than necessary to accommodate a high attendance expectation. Although the lineup itself was a bit underwhelming for Nummirock standards, it felt like the festival was attended better than it had been in the past few years and possibly even pre-covid years. Last year, I noticed the camp grounds being almost full by Tuesday and even with lake side camping being almost doubled in size this year, it felt already on Monday there were more people than last year (yes, me and my camp arrive earlier and earlier each year now). Of course, I wondered how the festival would top the beyond epic finale Behemoth gave us last year and unfortunately this years finale did not come close though Kerry King and the others on stage did provide a pretty amazing and memorable show . However, the festival seemed to focus more on improving in other ways. The festival organizers really listen to the feedback of the attendees and provided more showers and toilets to the camping areas, a larger area to sit and recharge in the festival area, more efficiency at the gates to reduce ques, plus more variety in food including an improved cafeteria style setup in the relamo area with daily menu’s including breakfast. There were also brand new (or not regular) additions to the festival such as a book truck and mini market, bungee jumping, helicopter rides, a mölkky (Finnish yard game) competition in addition to the regular frisbee golf competition and many others like corpse paint workshop and book signing/interviews as well as meet and greets. Some regular favorites included the lovely Tampere Burlesque, stand up comedy acts, bingo, rock yoga and Stereo Terror DJs who always end the festival on a memorable note.

When it came to the music, Body Count , Thy Art is Murder and Blackbraid seemed to be the most anticipated bands amongst festival goers. Martti Servo & Napander, Tarot and Warmen were also up there. One of my personal highlights, Kallomäki were also highly talked about. Many people weren’t familiar with them before, but were blown away by their performance including dancing dark fusion duo MorteDohlen. Not only was their music perfect for kicking off a midsummer insanity, their show ranged from pure mosh pit inducing metal to folk ballads included pagan rituals such as an on stage “sacrifice” and the audience getting individually marked with blood by one of the band members. The crowd was 110% enthralled and put everyone in the mood for the weekend to come. I had been waiting years for Kallomäki to make their way to Nummirock and was so amazed and excited for them and how the crowd responded to them. If I’m not mistaken, their music was also played during an unofficial event that happened in the camping area by one of the most recognized camps. It was an epic ritual type event organized by the camp (invitations by word of mouth), that happened on the forest side before the festival began. It included a sombre speech made by the host, and though it was a bit difficult to hear, attendees (maybe between 20-30 people including the camp members) kneeled as the host gave his speech and offered everyone a chance to pay respects to the giant totem the camp had built called Seppo and make their sacrifices at the alter for a good midsummer/Nummirock (photos in Festival Life).


Other highlights were Deathchain, although not my typical style of music, their show blew me (and many others) away. The new lineup works flawlessly and they simply had a raw and genuine energy that no other band could touch.
The Halo Effect was also a perfect edition to the Thursday lineup. I think they should have been a headliner. They just fit so well on that main stage, and have such a great connection with the audience and each other.
It was also bittersweet to see Warmen on that main stage, playing Children of Bodom songs where I had seen CoB headline the entire festival multiple times. Although Warmen is still reclaiming their status, I think they could have also easily been a headliner. They were definitely a crowd favorite and with no questions why. It was really interesting to see so many bands this year that have been reformed or newly formed with well recognized members of other bands. To see what these talented musicians can do other than what we are familiar with. Petri Lindroos gave us a triple shot in three very different bands including Warmen, Satanic North and Ensiferum (who surprised me with their show, like somehow out of nowhere the life had been breathed back into them). Crownshift also still in their debut stages showcasing members who are well known for their other bands playing fresh new music in a completely new context. And also a first time for me seeing Tarot and Marco Hietala in his element. They were also an unexpected highlight for me. Similiar to The Halo Effect, just perfect music and energy and a perfect edition to the days lineup. Marianas Rest should have been on the Inferno stage in my opinion, with a later time slot and a MUCH LONGER set. Specially with their style of doom and moody tunes, thirty minutes was just a teaser. But either way, the short but bittersweet show as a definite highlight for me. And Blackbraid, probably my most anticipated act since I had never seen them and was incredibly curious how this unique mix of Native American aesthetics and black metal would work live (not to mention I really dig their sound). They did not disappoint! They will also be at Hellsinki Metal Festival later in the summer but I would love to catch them on a club gig and really hope they come back to Finland outside of festival season. I have to also mention how I love this growing tradition of midnight black metal on the Inferno stage. In general I thought this year had a pretty decent mix of genres spread evenly through out the four days. Bit of something for everyone which not every metal festival is capable of achieving.

Saturday also brought my two favorite non band acts – Tampere Burlesque and Stereo Terror DJs. I think during a four day camping festival, including acts such as these are an essential part of the festival experience to switch things up and give festival goers a chance to experience something different as well as let the stage be taken over by other forms of music entertainment. I hope all of these extra curricular acts and activities stay part of the Nummirock experience in years to come, it definitely adds to the uniqueness of the festival. Cant wait to see what they have in store for next year!

DAY 1:
Suotana, Anima Hereticae, Kaunis Kuolematon, Mister Misery and Kallomäki & MorteDohlen

DAY 2: Thrown, Swansong, Deathchain, The Halo Effect, Ingested, Body Count and Horna

DAY 3: Shade Empire, Party Cannon, Warmen, Marianas Rest, Blackbraid, Thy Art Is Murder, Kyy, Shadow of Intent, Eluveitie and Satanic North

DAY 4: Martti Servo & Napander, Wikirock, Horizon Ignited, Tarot, De La Rocka, Corwnshift, Isomnium, Ensiferum and Kerry King

TAMPERE BURLESQUE: Honey Rocket, Koko Da Voom, Wendy Flow, Velvet Wonder and Miss Jenny Sparkly

FESTIVAL LIFE

PHOTO REPORT: Avatar and Æther Realm


On a dreary Monday, 84th of January (or so it felt) the most metal circus came to put grimaces on the many painted faces of Tampere, bringing along the highest quality melodic death metallers the US has to offer. Avatar and Æther Realm played a packed (if not sold out) Olympia.  Although it was a Monday, one would have never guessed by looking at the amount of people, and their enthusiasm. I was personally surprised to see a line out the door, as I approached the venue. The amount of people who seemed to be just as excited to see Æther Realm open was also surprising. At least half the audience knew exactly what to do when the band called for the “tiny metal hands”, a running joke within the band and its fan culture. It was quite an honor to be at their debut gig in Finland too, since they’ve also had a running joke that although they play high quality melo-death metal, they are, in fact NOT from Finland. Their vocalist mentioned it had been a dream of theirs for over fourteen years to play Finland and we were lucky enough to witness the dream finally coming true for the first time! The band not only played a beautiful set, with a perfect blend of more melancholic folk (my heart twinged at the mention of Appalachian folk!) and hard driving death metal, but were also incredibly sincere on stage. Their passion and humor along with their gratefulness for finally getting to play in Finland was pure and made the show all the more genuine.

The whole gig turned out to be unexpectedly amazing and unique in so many ways. Beyond Æther Realm‘s story and significance of this show for them, the enthusiasm of the crowd was like nothing I had experienced before. Specially at a smaller venue like Olympia, specially on a Monday in January. I mentioned the unexpected line out the door and genuine interest in the opening act, but there were also many people dressed up in Avatar attire. Intricately painted clown faces, costumes and other metal circus-esque aesthetics could be seen in at least a third of the crowd, or so it seemed. As I stood waiting between bands, I also heard a lot more English and other languages being spoken through out the crowd than usual, as well as listened in on their conversations of their travels to Tampere (and plans for going to the other shows in Finland as well). The fact that Avatar had a huge stage setup with them was also quite unexpected, and uncommon for Olympia (though knowing this band had recently played stadium gigs around Europe made it a bit more understandable). I believe this extravagance was also what lead to the first time I could feel the floor moving during the gig in Olympia ( and it wasn’t even during the mosh pits or wall of death, which was another thing I had rarely experienced at that venue, and agian, on a Monday no less!). 

But after experiencing the show, it all made sense. The grandeur, the enthusiasm and dedication of the fans, the fact that the venue was near sold out, people traveling from other countries, everything. It was an epic experience. Not only the whole circus aesthetics and moments that were more theater than metal gig, but the bands presence, their cohesiveness and how they seemed to be completely at ease, in sync and enjoying themselves but still taking their music and showmanship seriously. The thread of darkness and heaviness that somehow maintained its presence despite the playfulness (including NSFW kind of playful) and circus aesthetic somehow made those kitschy gimmicks not too kitschy. It tinted the bright colors and glitz with a darkness that made it a bit more haunting than fun. The moments of seriousness and moodiness that the band members wove into the silliness, not to mention their talent theatrically as well as musically made it an unforgettable night. Only one month into the year and I can bet this gig will make it to my top 10 if not top 5. Both bands are now on my wish list to see again at a festival or club or anywhere in the near future!

ÆTHER REALM

AVATAR:

Photos by Serena Solomon

PHOTO REPORT: Stam1na and Stoned Statues


Our last gig of the year was Stam1na and Stoned Statues at Tavara-Asema in Tampere. The venue was packed and the mood was sparking with anticipation – welcome warm from the biting frost outside. Stoned Statues earned their place and were a magnificent opening act for Stam1na. Jenna even came on stage and joined Antti on vocals for one song during Stam1na’s set.


It had been a while since I’ve seen Stam1na and the aesthetic of their newest album “X” was a lot more profound and visible in their live show than I expected. In their background animation and shirts but also in their presence and sound. It definitely felt different for them in a really quintessential way, even more honed in and focused than previous albums and live shows. It was an honor to be there when Sakara Records presented them with their platinum albums for “X” and Tuomo Saikkonen (Mokoma/founding member of Sakara Records) joined them on stage for a few songs!

I couldn’t have imagined a better way to end the 2023 gig year. On to the next!

STONED STATUES:

STAM1NA:

PHOTO REPORT: SÓLSTAFIR, THE ABBEY and TIMECHILDSÓLSTAFIRPHOTO REPORT: SÓLSTAFIR, THE ABBEY and TIMECHILD


November 29th, Icelandic post/pagan metallers Sólstafir graced Tavara-Asema in Tampere with an epic performance along with Finnish supergroup The Abbey and Danish fuzz rockers Timechild. Although all three bands distinctly represent different genres of music, their sound blended flawlessly with one another creating a beautifully cohesive musical evening. And even though it was a Wednesday, the venue was pretty packed! That proves it was a solid and desirable lineup.
Timechild started the evening out on a higher note, a bit more upbeat and even psychedelic aesthetic and sound. Despite the crowd still trickling in during their set, they tried their hardest to hype those who were already inside the venue, and it worked. Definitely a solid warm up act for the two following bands.
The Abbey took a bit of the groove from Timechild and blended it with the more familiar melancholy if Finnish music. With haunting yet beautiful vocals, music ranging from groovy prog to melancholic doom, and an almost classical aesthetic, they were the perfect band to tie the evening together. Sólstafir, as always, was the highlight of the evening. Always the spectacle, never a dull moment. Visually and auditorily stunning, the lights, the individual yet cohesive aesthetic of all the members and their presences. How fully they all seem to get into the music as well as how intimately their vocalist interacts with the audience no matter the size always makes for one of the most unique and heartfelt performances I have ever experienced.

TIMECHILD

THE ABBEY

SÓLSTAFIR

PHOTO REPORT: MORS SUBITA and MARIANAS REST


Mors Subita and Marianas Rest played a short but energy packed show to start off the weekend on Thursday, September 16th at Tullikamari’s Klubi in Tampere. A perfect balance of melancholy for these dark autumn days provided by Marianas Rest and enough energy to power the whole town and get the weekend vibe going with Mors Subita.

MARIANAS REST:

MORS SUBITA: